Tone2 Rayblaster Feature Overview
Rayblaster employs a new synthesis technique called Impulse Modelling Synthesis (IMS)
Opposed to using looped waveforms, Impulse Modelling Synthesis creates its sound by using short bursts of energy, which are then combined to form its sound. Allowing free manipulation of pitch, time and timbre in real-time, to create complex compositions.
IMS no longer requires a separate filter section, its oscillators can authentically mimic the filter sound of other synthesizers and filters, using one of the factory impulse presets or by simply importing one of your own impulses. RayBlaster is capable of modelling both the sound of existing filters, as well as create completely new artificial filters, exclusive to Rayblaster.
Next to importing filter characteristics into its oscillators, Rayblaster also offers resynthesize options to import the waveform of any other source or synthesizer. By using one of the quick importers, or by directly importing your sample into one of Rayblaster’s four oscillators, providing a large amount of possible wave-shapes, all capable of being morphed in real-time.
RayBlaster ships with an inspiring library of over 500 outstanding presets from some of the world’s top sound designers. Many complex sounds such as arpeggiators, vocals or drumloops automatically synchronize to the BPM.
For fast & easy access to the specific sound you desire, all sounds are arranged into categories, making them easy to locate whether for live performance or within a professional studio environment.
For more information on Rayblaster and our other products, please visit the Tone2 website at http://www.tone2.com
More info here – http://bit.ly/XFjhIO
8 years in the making, Secrets of Subtractive Synthesis is a 200+ page book, which is accompanied by four DVDs with over 10 hours of content. Written by Rob Papen, the book gives an in-depth insight into his approach of working with subtractive synthesis — the most commonly used method of synthesis.
Rob Papen is a globally renowned sound designer whose sounds and virtual synthesizers, including Predator, Blue and Blade, to name just a few, are used and loved by many synthesizer players and music producers.
Initially based on the Reaktor Oki Computer Factory Instrument by James Walker Hall and Timothy Lamb, this semi-modular device includes stacked macros, S+H, 2 arpeggiators, 12 envelopes, 6 step-sequencers, 2 multi-breakpoint EGs, 16 syncable LFOs, 36 patchers, FM, oscillator sync, separate polyphonic panning for 7 individual audio paths, multiwave/wave-table/granular synthesis, 9 filters, 3 independent portamento processors, CC-1 recorder, patcher range modulation (unipolar and bipolar) for Macro control and many presets.
Short intro video to show Tone2’s new synthesis called IMS and the forthcoming release of Tone2 Rayblaster.
Tone2 tells us that Impulse Modeling Synthesis (IMS) is a radically new and different approach to synthetic sound generation, based on the latest research in psychoacoustics. It’s first exponent, Rayblaster creates its characterful sound from many short bursts of energy, then combined to form a more complex sound.
Tone2 says that this innovative and unique approach to synthesis is very close to what happens within the human inner ear, sounds more authentic and gives you access to a wide range of sounds.
- Revolutionary new synthesis method
- Access completely new sonic territory
- High-end sound quality
- Create professional sounds with character and impossible with any other synthesizer
- Lets your music stand out from the crowd!
- Professional sound quality that is never muddy and fits well into the mix
- Sounds more detailed, pleasant, fat and louder than conventional synths
- Independent control over pitch, timing and timbre
- Filter import: Mimic filters of other synthesizers or create your own fantasy filters.
- Resynthesis allows easy import & manipulation of your own sounds
- Huge sonic range and very flexible
- Easy to use & fun to play
- Over 500 ready-to-use sounds by professional designers
- Psychoacoustic processing
- Low CPU
- Fair price
Pricing and Availability:
Rayblaster will out for Mac & PC in December 2012
Rob Papen has announced The secrets of subtractive synthesis “The 4 Element Synth”, a sound design book and DVD set.
Rob Papen is a globally renowned sound designer whose sounds and virtual synthesizers are used and loved by many synthesizer players and music producers.
This 200+ page book, which is accompanied by four DVDs with over 10 hours of content, gives an in-depth insight into his approach of working with subtractive synthesis.
In 2001, Rob Papen began giving exclusive masterclasses teaching ‘synthesizer sound design” in his studio. For these training sessions, Rob developed his own method to explain the secrets of subtractive synthesis, called “The 4 Element Synth”. This masterclass training is now transformed into a combined book and DVD package that also delivers numerous ‘tips and tricks’ which will help you to design and tweak your own sounds. Throughout the masterclass, a variety of hardware and software synthesizers are explored.
We are sure this synthesizer sound design training is an eye-opener for every synthesizer player, from novice to pro. A must have for everyone who takes his sounds seriously!
The secrets of subtractive synthesis is expected tho ship in November/Early December, 2012, priced at 74 EUR/$89 USD (excl. shipping).
Additional videos for this title: http://j.mp/SZauJ3
The Foundation Of Synthesis 104: Control Voltage by The Bob Moog Foundation
Video 1 of 22 for The Foundation Of Synthesis 104: Control Voltage
Marc Dotylead educator for The Bob Moog Foundationis back with a series of tutorials in this course on Voltage Control.
But what is Voltage Control and how do you use it in the world of hardware synths? Well, here’s the story: In the early days of sound synthesis, if you wanted your sounds to change or evolve in any way whatsoever, you had to do it manually. Need the pitch to go up? Grab the the oscillator knob and turn it! Want the volume to change? Again, grab the volume knob! What about sequencing a series of notes? Well, before voltage control, you had to record every pitch onto magnetic tape and cut them all together in the order and rhythm that you wanted. It was hard work to create electronic music way back when!
Voltage control forever changed all that! And in this course Marc Doty shows how different hardware synth designers harness the power of VCs to transform and supercharge electronic music composition. Taken one step further you’ll see how Voltage Control was the mother of MIDI… and we all know how powerful MIDI is!
Bob Moog was an early pioneer and inventor of voltage-controlled analog synthesizers. He revolutionized the music industry and his ideas, inventions and musical instruments have dominated the sound of music for more than 30 years. Aside from being an innovator, Dr. Bob was an outspoken advocate of education. The Bob Moog Foundation, created by his daughter, Michelle Moog-Kousa, continues his legacy with Dr. Bob’s SoundSchool, the preservation of his inventions and the development of the Moogseumthe only museum of its kind dedicated to the advancement of sonic education. We hope you will help support the BMF’s efforts by watching these courses with the knowledge that a large portion of the proceeds go to support their awesome efforts!
So sit back, hit the play button, and proceed on your journey into the Foundation of Synthesis with Marc Doty, and the Bob Moog Foundation. Be sure to watch all 6 of the BMF’s courses on filters, modulation, oscillators, sound design and more!
More info on this title: http://j.mp/SZauJ3
In this video Arjen Schat demonstrates how to create flute sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a flute sound as he goes.
In this video Arjen Schatt demonstrates how to create bass sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a bass sound as I go.
In this video Arjen Schat demonstrates how to create lead sounds with the Moog Little Phatty. Arjen starts from the calibration patch (CA CALIBRATION) again and create a lead sound as he goes. Quick note: He syncs the oscillators to get a sharper sound. For a wider sound you can leave the oscillators un-synced.
Clothing sounds synthesized using the approach from our SIGGRAPH 2012 paper, and PhD thesis work by Steven S. An.
Steven S. An , Doug L. James, and Steve Marschner, Motion-driven Concatenative Synthesis of Cloth Sounds, ACM Transactions on Graphics (SIGGRAPH 2012), August 2012.
Abstract: We present a practical data-driven method for automatically synthesizing plausible soundtracks for physics-based cloth animations running at graphics rates. Given a cloth animation, we analyze the deformations and use motion events to drive crumpling and friction sound models estimated from cloth measurements. We synthesize a low-quality sound signal, which is then used as a target signal for a concatenative sound synthesis (CSS) process. CSS selects a sequence of microsound units, very short segments, from a database of recorded cloth sounds, which best match the synthesized target sound in a low-dimensional feature-space after applying a hand-tuned warping function. The selected microsound units are con- catenated together to produce the final cloth sound with minimal filtering. Our approach avoids expensive physics-based synthesis of cloth sound, instead relying on cloth recordings and our motion-driven CSS approach for realism. We demonstrate its effectiveness on a variety of cloth animations involving various materials and character motions, including first-person virtual clothing with binaural sound.