Playing a simple music box-like melody on Access Virus C (Indigo 2) synth using 2 sine wave oscillators, minor reverb, resonance/filter adjustments and sustained envelope release. The Indigo 2 packs the same great synth engine found in the Virus C into a ‘Roadster’ style compact keyboard designed after the original Virus Indigo. The new Indigo 2 comes equipped with a new front-panel, a 3-octave keyboard with Aftertouch, aluminum side panels and even more blue LEDs! The Indigo 2 packs power, portability and the legendary Virus sound into an awesome looking synth! It has been used by Richard Barbieri.
Excerpt taken from a longer session.
A dreamy, relaxing space ambient drone electronic music soundscape played live on Novation Supernova 2 keyboard synthesizer. Utilizing comb filter, reverb, delay, resonance, sync skew, filter & envelope adjustments.
Performed live, no external processing. Excerpt from a longer session.
FOR PART 1 CLICK HERE: http://www.youtube.com/watch?v=lhs-LguPTx8
SoundIron has introduced Ambius 2: Systematik – a flexible and adaptive sample based atmospheric synth, details below:
We wanted a broad collection of richly nuanced flavors with the ability to freely layer, blend and reshape a wide mix of percussive, tonal and textural elements into custom multi-layered dynamic and evolving instruments. We wanted a unified and powerful interface to combine detailed performance and tone shaping controls with a wide pallet of experimental and environmental convolution effects. We wanted a built-in tempo-locking step-sequenced filter and LFO engine that could be adapted to just about any other GUI control parameter on the fly without missing a beat. Ambius 2 is all of that and much more.
Here’s a video introduction to Ambius 2:
A detailed walk-through video and tutorial of Soundiron’s new Ambius 2: Systematik library. This cutting-edge hybrid synthetic/organic lead, pad, texture and ambience design library is built on powerful new adaptive groove-building tools and inspiring performance shaping features that you won’t find anywhere else. Create and tweak your own multi-layered instrument concepts with nearly 5GB of freely mixable content and dozens of unique presets, each with nearly limitless creative potential.
Diego Stocco has released another sound design video work, the meditative Transformed Rain.
Here’s what he has to say about it:
Few days ago I was working on a new instrument and needed to pick up some tools from my work table outside. It was a rainy day.
While I was sorting through the tools, I started hearing a faint tonal rhythm that reminded me of ethnic percussions and wondered where it was coming from. It was the rain hitting a metallic trash bin that I had left upside down in front of the working table.
I stopped for a moment and focused my attention on the sound.
Besides the percussive noise of the rain, I started hearing some overtones, so I got inspired to create a piece by expanding the tonal resonances present within that sound. No additional instruments or samples. I hope you’ll enjoy it!
Cwejman MX4S is where all of the panning is coming from for each of the 4 channels. The Harvestman Piston Honda is making the static style noise on Channel 4: WMD Synchrodyne is making the semi step filter sound with help from the Harvestman Double Andore on Channel 3: The other strange drone sound is stacked audio out from the Wogglebug on Channel 2: And the Make Noise Phonogene is on channel 1. On the Phonogene I just hit some random notes with my Teenage Engineering OP-1 and recorded in a random off time loop and threw in some random slices.
An Abstract Electronic solo piece sequenced in 5/4. The Phobos (aka Analogue Solutions) Red Square Semi modular mono synth is choosing most of the tones through it’s Sample and Hold circuit. Rhythmically driven with 10 step sequencer modulating LFO frequency clock speed in steps which is sent to the S&H modulating the the cut off freq and pitch. Note values are all contained or tied within subdivisions of an eigth note (16ths, eighth note triplets, 32nds, eighth note quintuplets, and some faster) in 5/4 time. Notes that hold or sustain always begins on an eigth note value in 5/4 time, whether or not if it’s carried over the barline. The midi clock is never interupted, but counting bars isn’t the intent here, without any intentional bar markers, it opens up the minds perception of the quintuplet family of notes in contrast to space. Rather than having an obvious 5/4 structure, the mind defaults to 4/4 perception, thus making the eigth notes perceived as permutations of eighth note quintuplets, becoming the perceived base note being subdivided.
a 4 step sequencer modulates pulse width at times. playing SD-1 keyboard strictly as a midi controller. No overdubs, one live performance,with some Lexicon MX300 spring reverb added.
Scene: Year 7800, Location: In the sands of Massachusetts, in an area formally known as technology highway. Explorers discover remnents of circuit boards and believe it to be a lost language or art.
Note: Circuit boards shown are not of the Red Square’s internal boards.
Background information and tutorial settings below:
This is a MicroKorg tutorial showing how to make the synth lead sound from my “Sunday Synth Jam” Video: http://www.youtube.com/watch?v=pp8620beSxY If you have questions or comments, go ahead and post them below! Thanks for watching!
Initialize the sound on the MicroKorg by pressing SHIFT + 3 and then 3 again.
Pitch: 0 – 0 – 10 – 5 – /
Osc1: SIN – 0 – 0 – / – /
Osc2: SQU – SYC – 12 – 0 – /
Mixer: 127 – 54 – 0 – / – /
Filter: 12.L – 61 – 84 – 15 – 19
Filter EG: 0 – 0 – 33 – 31 – ON
AMP EG: 0 – 77 – 64 – 107 – ON
LFO 2: SIN – OFF – OFF – 12 – /
Patch 1: LFO.2 – CUT – 10 – / – /
Patch 2: LFO.2 – 2.TN – 10 – / – /
Mod FX: ENS – 50 – 99 – / – /
Delay: L-R – ON – 1.4 – 50 – /
Press SHIFT + WRITE and then WRITE again to save the sound to the current slot.
‘Eldancer’ has uploaded this nice video featuring Buchla and Eurorack. Its a nice ambient bitpop/electro pop tune with cool sci-fi ingredients
Available now for iPad
Scape makes music that thinks for itself. From Brian Eno and Peter Chilvers, creators of Bloom, Scape is a new form of album which offers users deep access to its musical elements. These can be endlessly recombined to behave intelligently: reacting to each other, changing mood together, making new sonic spaces.
Can machines create original music? Scape is our answer to that question: it employs some of the sounds, processes and compositional rules that we have been using for many years and applies them in fresh combinations, to create new music. Scape makes music that thinks for itself.
- Brian Eno, Peter Chilvers
Includes 15 original scapes
Scapes can be saved into a gallery and added to a playlist
Plays in background of other apps (excluding iPad 1)
Generates random scapes
Scapes can be shared by email
Supports AirPlay and Retina display
Headphones or external speakers recommended
Synthesiser, found sound, bells, bass guitar, strategies, images, art direction
Synthesiser, chapman stick, structures, probability networks, additional images, software design
Live Ambient Improv – Angstrom’s Looper VST w/ Waldorf Blofeld, Roland XV-5050, Roland Alpha Juno 1, Roland HS-60, MicroKorg, and Arturia Minibrute.
“The audio and video isn’t totally in sync – my camera doesn’t have an audio in, and without a beat, it’s hard to sync up. It’s close enough for ambient though.”