Introducing chain function and pattern generation of Korg “KR mini”.
“KR mini” is a rhythm box of simple design that eliminates any complex function.
Product description from KORG below:
The KR mini – an easy, simple and compact rhythm machine with a built-in speaker and optional battery power for play-anywhere convenience. It’s a great companion for practicing and performing with guitar, bass, keyboards, winds, or any type of instrument!
- Easy-to-use design; just select a rhythm pattern and press the play button
- Chain function lets you arrange your favorite rhythm patterns and fill-ins to create complete songs
- Optional foot switches gives you hands-free control over fill-in/start/stop
- Tap the 16 pads for finger drumming or recording your own rhythms
- Built-in speaker with 2W output for jamming anywhere without the need for an additional monitor
- Headphone/speaker jack for quiet practice or connection to a mixer or monitoring system
- Two-way power; use the optional AC adaptor or batteries (AA alkaline batteries x 3)
Many musicians wish that they could enjoy casually performing while being backed up by real rhythm patterns rather than just a metronome. Korg has responded to these wishes with the KR Mini rhythm machine. It features a simple design that eliminates all complex functions, looks that overflow with nostalgia and analog-like controls. Playing a rhythm pattern is easy as making selection and pressing play. A total of 60 diverse rhythm patterns and 120 fills are ready to accompany you. Easy, simple and compact, the KR mini can play its role anywhere.
Here is a demonstration of the sound and functionality of some of the performance aspects of the Korg Volca Beats.
Moog’s Source was their first to offer patch memory storage as well as some other new features. It boasted 16 memory locations so you could finally save and recall your synth patches. A casette-tape jack was also implemented to transfer your patches to and from an external tape and free up the on-board memory for additional new patches. But in an effort to modernize with the eighties, the Moog had replaced all buttons, knobs and sliders with flat-panel membrane buttons and a single data-wheel assignment format. At the time, this may have seemed far-out, but in all actuality it is the Source’s downfall.
Parameters are edited not with hands-on sliders and knobs but by assigning a selected parameter to the dedicated data wheel. This is very tedious and does not allow for true hands-on tweaking during performances nor can you adjust different parameters simultaneously or while playing. These days, the membrane buttons don’t always seem to work quite right either. However, those famous monophonic Moog sounds are still inside this synth which has two fat analog oscillators and the legendary 24 dB Moog filter.
The factory patches of the Moog Source, classic mono from 1981
0:10 Program 01 – LEAD 1
0:32 Program 02 – LEAD 2
1:00 Program 03 – HORN
1:31 Program 04 – FLUTE
2:04 Program 05 – CLAV BASS
2:24 Program 06 – VIBES
2:46 Program 07 – STRING BASS
3:07 Program 08 – HARPSICHORD
3:30 Program 09 – ORGAN
4:05 Program 10 – TRILL VOICE
4:54 Program 11 – TAURUS
5:36 Program 12 – SYNTHEVOX
6:29 Program 13 – SAX
6:55 Program 14 – WIND
7:22 Program 15 – SNARE DRUM
7:40 Program 16 – Bonus – modern Electro House synth sound
All sounds are from the new Waldorf Pulse 2, except the Kick and the HiHats.
A quick look at some of the iOS 7 inter app audio (IAA) features coming to Tabletop!
For more info:
Having built some new gear, we could not resist and we recorded this short video.
Check out our website: http://kinetiklaboratories.blogspot.it/
Vintage synthesizer demo track by RetroSound
“Back In 1972″
all synthesizer sounds: ARP Odyssey Mk3 analog synthesizer
recording: multi-tracking without midi
fx: a bit reverb and delay
He used the internal LFO with the sample/hold modul for triggering the sequence. for the sounds: FM, Osc-Sync and Ringmodulator.
This is a demo of the Metasonix R-51 (Distortion/VCA), R-53 (Pulser/Ringmod) and R-55 (Thyratron VCO) synthesizer modules, which all use tubes. There are two R-51s, one R-53 and two R-55s being used in this patch.
The R-System is being controlled and processed by a Meng Qi Music ‘Cocoquantus’ looping delay/sampler + ribbon and antenna controller. The output of the Cocoquantus is being processed by a Knas Ekdahl Moisturizer spring reverb. And the Moisturizer’s output is being processed by a Wavemakers 255R dual phase shifter (which is switched on and off throughout the video, so that you can hear how the Metasonix modules sound by themselves without the phaser effect added).
Quick soundcheck of the Sub Phatty from Moog. No EQ, compression or external FX.
“This thing is pretty freaky ;)”
FL Studio Groove is a touch-based music production & performance application. With a 10 pad sample-based drum machine and 5 polyphonic synth channels you get all you need need to compose, arrange, edit, mix and perform professional quality music.
Make complete songs, play & program synthesizers, play drums, add effects, edit musical sequences.
– Windows 8 Touch | Music Production Application
– Sequence Drums
– Powerful piano roll for melodic work
– Flexible mixer with production & performance effects
– Two-tire piano keyboard optimized for touch
– 10 drumpads with dual-sample layering
– FX: Glitch, Flanger/Phaser, Delay, Filters, EQ, Bit-crusher & more
– Five 2-oscillator synthesizer channels
– Create basses, leads, pads or experimental sounds
– Record automation of almost any parameter.