Wave Alchemy has introduced Digital Revolution, an upcoming drum machine instrument library for Native Instruments Kontakt.
Since the release and subsequent update of Transistor Revolution MKII we have been busy behind the scenes working on a brand new instrument which is inspired by the classic digital drum machines of the past…
Powered by ‘Revolution Engine’ technology our forthcoming Digital Revolution virtual instrument puts vintage digital drum sounds from the 1980′s at your fingertips.
We have faithfully captured the unique sound of 9 iconic digital drum machines spanning from 1980 to 1989, including all sample variations of the original drum machines, tune, decay and various other settings. Each drum sound has also been re-sampled multiple times through an iconic ‘grey’ 12-bit sampler to allow for real-time re-sample/grit modes which can easily be selected from the instrument interface.
Digital Revolution features
- 9 classic digital drum machines and 3 bonus analogue machines.
- New ‘Character Mode’ allowing real-time selection of Lo-Fi (re-sampled), Hi-Fi and Original sound sources.
- Sequence patterns quickly and easily using the ‘Revolution Engine’ step sequencer.
- Mix and match drum sounds from 12 iconic drum machines in real-time and dynamically browse any available sound either by machine or drum voice.
- Assign the same percussion sound to multiple voices to quickly play and sequence melodic patterns.
- Easy synchronization with any host or DAW.
Akai is the latest brand to get in on the vintage-inspired groovebox action with the announcement of the Rhythm Wolf – an analogue unit combining a five-voice drum machine and single-ocsillator bass synth.
The drum machine section of the Rhythm Wolf comprises kick, snare, metallic percussion, and open and closed hi-hat sounds, all of which are tuneable. The bass synth, meanwhile, can be switched between saw and square waveshapes, and features a filter with resonance control and a basic envelope shaper. Akai describes Rhythm Wolf as having an “authentic analog design that references classic rhythm machines and synthesizers” – no prizes for guessing which instruments the company is alluding to.
The whole unit is built around a 32-step sequencer, and also features six MPC pads for live performance. There’s also a ‘Howl’ distortion circuit for adding a bit of dirt to the sounds. Additionally, the Rhythm Wolf features a USB MIDI connection and has both MIDI and gate in and out ports, so can be triggered via a DAW or external hardware. It packs a swing control on its front panel, and the unit also appears to have a built-in preset bank.
Arguably the most interesting aspect of the Rhythm Wolf, however, is its price. At an estimated street price of $199, the unit comes in at slightly cheaper than the combined price of the Volca Beats and Bass, and cheaper than either the Roland TR-8 or TB-3.
The Rhythm Wolf is due to arrive summer 2014. Visit Akai Professional for more details.
Rhythm Wolf highlights (from the official press release)
- 5-voice analog drum machine and synth—authentic analog design that references classic rhythm machines and synthesizers
- Legendary analog drum sounds—kick, snare, open & closed hi-hat, and metallic percussion
- Synth-bass module—selectable square or sawtooth wave with classic filter design for warm, deep basses and squelchy leads.
- Onboard 32-step sequencer—classic drum machine workflow for quickly laying down grooves and melodies
- Six genuine MPC pads—responsive controls for sequencing and finger drumming
- Howl knob—custom distortion circuit for additional sound design
- USB-MIDI and MIDI In/Out—flexible MIDI connectivity for easy integration into modern studios
- Gate Trigger—triggering via modular synths, vintage sequencers, or external sound sources
- Independent audio outputs—dedicated outputs for the drum machine and synth-bass module for precise mixing
The Bleep Drum + MIDI controlled by an Electribe EMX-1
Get your own MIDI controllable rad-fi drum machine at bleeplabs.com
Available fully built or as a kit.
Video by Thomas Fang and Cordey Lopez
As an addition to the TR8 review I managed to get hold of an original TR808.
I must say that after using the TR8 – its not at all intuitive to use – hence the rather simple demo.
Audio Realism today announced ABL3 – the latest version of its software TB-303 clone and at the same time making some fun of the Aira
More 303? We’re going to have it. From the release of ABL1 in 2003 to ABL2 in 2007 we’re still striving to raise the bar in analog modeling and more specifically 303 emulation. In 2014 we plan on raising this bar even further. Release date: TBA
Roland has officially announced its new series of AIRA products:
- The AIRA TR-8 Rhythm Performer – a $499 drum machine;
- The AIRA TB-3 Touch Bassline – a $299 bassline synth;
- The AIRA VT-3 Voice Transformer – a $199 vocal effects processor and vocoder; and
- The AIRA System-1 Plug-Out Synthesizer – a $599 virtual analog synthesizer that can transform into a variety of classic synth, and act as a hardware controller for a new line of software synthesizers.
The AIRA series is based on Roland’s newly-developed Analog Circuit Behavior (ACB) which the company says faithfully captures the sound of some of Roland’s most revered classics. In developing the AIRA line, Roland modeled classic circuits, using original design specs, consultation with original product engineers, and a detailed part-by-part analysis of each analog circuit, using pristinely-archived Roland drum machines and synthesizers.
The TR-8 Rhythm Performer is a ‘performance rhythm machine’. It offers the sounds of Roland’s classic TR-808 and TR-909, 4 audio outputs and greater tweakability than the originals.
The TB-3 Touch Bassline is based on the classic Roland TB-303.
The new TB-3 Touch Bassline uses Roland’s ACB modeling to recreate the classic bassline sound and offers controls that will be familiar to users of the original. But the TB-3 also offers a large touch control surface that streamlines sequence programming and introduces new performance options.
The VT-3 Voice Transformer is designed for creating heavily processed vocal sounds, with pitch and formant shifting, vocoder effects and more
The System-1 Plug-Out Synthesizer is a new keyboard that can transform into a variety of types of synths.
It’s very hands-on and knobby, but the key feature is the synth’s Plug-Out technology, which lets the System-1 control – and even host – software recreations of classic Roland synths, with no computer connected.
Pricing and Availability:
- The TR-8 Rhythm Transformer will retail for a street price of $499;
- the TB-3 Touch Bassline has a street price of $299;
- the VT-3 street price will be $199; and
- he System-1 Plug-Out Synthesizer will retail for $599.
Roland AIRA products will be shipping by the end of second quarter 2014
Vintage gear demo, details below:
The sample based Roland TR-707 from the year 1985 was my first drummachine and I really love the crisp 8bit sound.
– 15 sounds (kick 1, kick 2, snare 1, snare 2, low tom, mid tom, high tom, rim-shot, cow bell, hand clap, tambourine, open and closed high-hat, crash/ ride cymbals)
– 64 pattern
TR-707 review written by me for the german amazona music magazine:
Elektron’s in-house product expert Cenk aka Mr. Dataline gives us the rundown on the new Analog Rytm analog drum machine.
See and hear Elektron’s brand new Analog Rytm hybrid analogue and digital drum machine in this exclusive demo at NAMM 2014
Elektron Analog RYTM Drum Machine Analog drum synth with sample layer
First look at the new drum machine from Elektron. It is an eight voice analog drum machine with sample support. Distinguished by the power of analog drum sounds fused with samples. Perfected by the immediacy of drum pads coupled with Elektron sequencing.
- 8-voice analog drum machine with sample support
- Analog filter & distortion per voice
- 12 velocity- and pressure-sensitive pads
- Reverb & delay send effects
- “World-class” Elektron step sequencer
- Performance-oriented beat control
More info soon on http://www.elektron.se
Discuss at http://www.elektronauts.com
Dancers from performance Me – every body, volume 2: