Neo DynaMaster – new dynamic processor effect plug-in for Windows and Mac

November 13, 2013 · Posted in Uncategorized · Comment 

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Sound Magic has announced the release of Neo DynaMaster, a dynamic processor effect plug-in for Windows and Mac.

Neo DynaMaster is a full-featured, multi-purpose stereo dual dynamics processor utilising a unique custom designed metering system and modelling engine, providing emulations of many vintage units, e.g. SSL, Tube-Tech and so on.

Neo DynaMaster performs simultaneous compression and expansion allowing more complex dynamics response curves than common compressors and provides huge scope to engineer your final sound. Neo DynaMaster’s intuitive GUI allows you to precisely edit view the dynamics response curve which is essential if you want to take full control of your dynamic range.

The comprehensive metering section comprising Peak and RMS bar meters, multi-channel scope, and Input/Output volt meters continuously provides all the information you need to better control your dynamics and levels.

Neo DynaMaster features a transparent, natural sound. In order to achieve this, Neo DynaMaster utilises a new, custom designed Peak Metering system to provide an unrivalled stable metering signal which eliminates audible level modulation artefacts while still retaining sample accurate transient detection resulting in -122dB THD+N (Total Harmonic Distortion + Noise); far below the human audible range.

The plug-in is available to purchase for 99 EUR.

More info here >>

New Reason rack Extension—Tritone Multiband Waveshaper by SoundMod

November 7, 2013 · Posted in Uncategorized · Comment 

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SoundMod Tritone is a multiband waveshaper allowing you to split your signal into three separated band and apply an individual waveshaping algorithm with a sets of control available for each band thus creating rich overtones. Transform simple tones into complex one, add punch to your guitar and bass line, destroy drum beats, fatten up your synth sounds and create movement. This is what Tritone will do for you.

Intro Price.:
25.00 Eur, 29.00 USD til Nov.10th
32.00 Eur, 39.00 USD from Nov.11th til Nov.17th

Here is a quick description of the main features:

Input section:
-1 Input gain control

Crossover section:
-1 Low/Mid-Low control
-1 Mid-High/High control

Envelope follower modulator section:
-1 EF response control
-3 EF amount control (1 per band)
-3 EF target control (2 per band)

Waveshaper section:
-3 Drive control (1 per band)
-3 Algorithm selector(1 per band, 11 algorithm at this point)
-3 Asymmetry control(1 per band)
-3 Blend control(1 per band)
-3 Level control(1 per band)

Bandwidth limiter section:
-1 On/Off control
-1 Offset control

More info here >>

Abbey Road Tape Recorder Saturation Emulated

October 17, 2013 · Posted in Uncategorized · Comment 

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Waves Audio and Abbey Road Studios have released the J37 tape saturation plugin, which they describe as a precision model of the very machine used to record many of the greatest masterpieces in modern music. With a variety of user-adjustable controls including Tape Speed, Bias, Noise, Saturation, Wow and Flutter, the Waves: Abbey Road J37 faithfully recreates the inimitable sonic signature of the original machine. In addition to the J37 itself, three exclusive oxide tape formulas have been modeled. Specially developed by EMI during the 60s and 70s, each formula has its own unique frequency response and harmonic distortion behavior.

While the J37 was used on many famous recordings, it is perhaps best known for its innovative use on The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Producer George Martin utilized the machine not only for recording but also as a creative production tool, bouncing tracks between two J37s and creating layer upon layer of sound to achieve ground-breaking sonic textures.
Mirek Stiles, Head of Audio Products, Abbey Road Studios, told us, “The winning combination of Abbey Road Studios’ Studer J37 Four-Track machine and EMI Tape has been used to create some of the most important recordings of all time. As well as modeling the J37, with the amazing warmth of 52 valves, Waves has teamed it with the last remaining blank 60s and 70s tape stock from the EMI archives. EMI Tape has stood the test of time; it never needs baking and sounds wonderful. Abbey Road Studios’ technical staff from the J37’s heyday were consulted on the line-up procedures that they used over 50 years ago, with the end results sounding simply stunning. Waves has given us yet another unique example of Abbey Road Studios’ heritage, available for the first time as a software plugin.”
A Waves spokesperson added, “The Waves: Abbey Road J37 tape emulation plugin delivers a level of hardware realism never before experienced ‘in the box’, bringing stunning analogue warmth to your digital recordings.”

J37 tape saturation plugin features:

  • Created in association with Abbey Road Studios
  • Modeled on the machine used to create countless classic 60s tracks
  • Adds analog warmth to digital recordings
  • Controls for Bias, Wow, Flutter, Tape Speed and more
  • Comprehensive Tape Delay including three different delay types, Sync, LP and HP filter controls and more.

The J37 is Native and SoundGrid-compatible. It is not included in any Waves bundle; it is only available separately.

Pricing and Availability:

The Waves: Abbey Road J37 Tape Saturation plugin is now available with a U.S. MSRP of Native $249 and SoundGrid $375. Both are now available at special introductory pricing of $149 (Native) and $249 (SoundGrid).

More info here >>

Ableton Vinyl Scratch Emulation and Delay Mode Tutorial

September 22, 2013 · Posted in Uncategorized · Comment 

Create vinyl record scratches and learn about Ableton’s various Delay Plug in’s modes.

Download the AfroDJMac Vinyl Scratcher Rack for free @ http://bit.ly/freesynth91

bx_hybrid V2 – new mono and stereo equalizer bundle

September 13, 2013 · Posted in Uncategorized · Comment 

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Plugin Alliance has announced the release of bx_hybrid V2, a mono and stereo equalizer bundle by Brainworx.

bx_hybrid V2 was re-designed from the ground up, using Brainworx´ latest filter-designs. Bringing you unrivaled analog-style filters and awesome digital workflow. The EQs will map any & all features of the AVID / Digidesign ICON center section EQ plus the Surround Joysticks.

Artifact-free EQ-ing up to 26(!)kHz, even in low-resolution sessions (44.1k & 48k).

5-band EQ plus Lo- and Hi-Pass filters with various adjustable filter orders (up to 5th order / – 30dB per octave), Lo- and Hi-Shelving EQs, Peak filters, 2 Notch-filters (with adjustable Q!), and Shifter EQs which can be controlled with Surround Joysticks or your mouse.

bx_hybrid V2 features

  • New: Brainworx critically acclaimed filters.
  • Artifact-free EQ-ing up to 26kHz.
  • 64-Bit & AAX (DSP & Native) Support.
  • New and innovative Solo Modes.
  • Shelving Filters, Hi- & Low-Pass, Notch Filters, Peak Bands, 11 Bands in total.
  • “Mouse Over” feature: adjust the parameters by holding the mouse over any knob and turning your mouse wheel.
  • Direct access: type in any valid number into the text fields for direct access to the exact value.
  • EQ graphic panel switch-able.
  • Fully automatable.

The bx_hybrid V2 is available to purchase for $199 USD.

Get it here >>

Ableton Live Modular Synth Plug-in – Free Max for Live Download

September 11, 2013 · Posted in Uncategorized · Comment 

The Point Blank modular synth is based on the legendary EMS VCS3. The VCS3 was built in London in the late ’60s and there were a number of subsequent models of varying sizes. It was a popular synth and used by the Radiophonic Workshop (the ring modulator was used to process the sound of the daleks) through to Pink Floyd.

It’s a great synth to generate sounds and jam around with and the interface was really well thought out, featuring an innovative matrix which is still a neat way to patch the different synth sections together. It features three oscillators, a noise generator, a ring modulator, a couple of filter sections, audio input, envelope generator, spring reverb and an assignable joystick control – if you really wanted you could even hook up a keyboard!

The Point Blank modular synth is a simpler interface, but still offers three oscillators and noise generator, a filter section, ring modulator and X/Y controller. Unlike the VCS3, it’s possible to store your settings, and trigger the sounds easily (and in tune!) from a MIDI source. We’ve also included a slide control to emulate the smooth sweeps you could sometimes achieve with the original synth.

The modular synth is a free download for Point Blank Facebook fans.

Get it here >>

Quick tour of ESLines – vintage clone plug-ins

September 2, 2013 · Posted in Uncategorized · Comment 

A small demo of two of the plugins from Electro studio.

More info here >>

Morphing with Waves Plugins

August 22, 2013 · Posted in Uncategorized · Comment 

In this video, Rishabh Rajan shows a technique of morphing from one plugin preset to another using automation.

Epoch Dynamic Comb Filter – a new effect plug-in

August 8, 2013 · Posted in Uncategorized · Comment 

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Cerberus Audio has announced the release of Epoch Dynamic Comb Filter, an effect plug-in for Windows and Mac.

Epoch Dynamic Comb Filter is a unique alternative to traditional filtering and dynamics processes such as equalizers and compressors.

Unlike most equalizers, Epoch is musically reactive, and Epoch has a wider range of tonal color than most compressors.

The heart of Epoch is its Comb Filter Section which features a 360° Phase Rotator and a Fractional Delay. The filtered signal is applied selectively by Epoch’s bespoke Dynamics Section.

Epoch (VST/AU) is available to purchase for $72 USD (single user) / $86 USD (commercial).

Get it here >>

GenoQs Machines Octopus Meets Ableton Live 8

August 5, 2013 · Posted in Uncategorized · Comment 

Just a quick little demo to show the Mother of ALL Sequencers controlling four virtual instruments in Abelton Live 8. The plugins where: Arturia MiniV, Artutia ModularV, 2 instances of Alchemy and drum Impulse

While sequencers are machines to control synthesizers, Octopus stands out for a broad user base as a musical instrument. The merit lies in the directness, intuitiveness and creativity that gets unleashed by interacting with Octopus.

User experience and musical creation are the centerpieces of the Octopus design: a no-compromise machine built from metal, wood, and modern real-time software technology. The thorougly structured user interface, its stunning looks, the materials and our care going into hand-assembling every unit make each Octopus a unique piece to stand the test of time.

Octopus’ tactile and visual feedback is a physical experience so typical for traditional musical instruments. Music is being felt, heard and played with Octopus. And the numbers behind it all.. no display? Well, do you really care? Yes, computers love them. We love light, color, and most of all music!

The family of Octopi has three members which differ in the enclosure they come in: Octopus New Classic for the piano lacquered wood look, comes with white painted panels and a red-green-yellow LED matrix. Octopus Lion Head carries on the nature wood look legacy that our original (and now discontinued) model has set, and which many users still long for. And finally Octopus The Shell- thisone you will never have to leave again! Built in an industrial strength road case, it features black anodized panels, and sparkles with red-green-yellow LEDs.

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