In this video, Rishabh Rajan shows a technique of morphing from one plugin preset to another using automation.
Cerberus Audio has announced the release of Epoch Dynamic Comb Filter, an effect plug-in for Windows and Mac.
Epoch Dynamic Comb Filter is a unique alternative to traditional filtering and dynamics processes such as equalizers and compressors.
Unlike most equalizers, Epoch is musically reactive, and Epoch has a wider range of tonal color than most compressors.
The heart of Epoch is its Comb Filter Section which features a 360° Phase Rotator and a Fractional Delay. The filtered signal is applied selectively by Epoch’s bespoke Dynamics Section.
Epoch (VST/AU) is available to purchase for $72 USD (single user) / $86 USD (commercial).
Just a quick little demo to show the Mother of ALL Sequencers controlling four virtual instruments in Abelton Live 8. The plugins where: Arturia MiniV, Artutia ModularV, 2 instances of Alchemy and drum Impulse
While sequencers are machines to control synthesizers, Octopus stands out for a broad user base as a musical instrument. The merit lies in the directness, intuitiveness and creativity that gets unleashed by interacting with Octopus.
User experience and musical creation are the centerpieces of the Octopus design: a no-compromise machine built from metal, wood, and modern real-time software technology. The thorougly structured user interface, its stunning looks, the materials and our care going into hand-assembling every unit make each Octopus a unique piece to stand the test of time.
Octopus’ tactile and visual feedback is a physical experience so typical for traditional musical instruments. Music is being felt, heard and played with Octopus. And the numbers behind it all.. no display? Well, do you really care? Yes, computers love them. We love light, color, and most of all music!
The family of Octopi has three members which differ in the enclosure they come in: Octopus New Classic for the piano lacquered wood look, comes with white painted panels and a red-green-yellow LED matrix. Octopus Lion Head carries on the nature wood look legacy that our original (and now discontinued) model has set, and which many users still long for. And finally Octopus The Shell- thisone you will never have to leave again! Built in an industrial strength road case, it features black anodized panels, and sparkles with red-green-yellow LEDs.
Inear Display describes Tkapik as an amplitude controlled generative sampler plugin. They say that you ad it to a track, then load a sound file and Tkapik will trigger the sample with random settings every time an amplitude peak is detected in the input signal. The sample can either be mixed with the input according to its amplitude envelope or completely replace the signal using the “solo” mode.
“Don’t get fooled by the minimalist interface : being sample-based, Tkapik opens a wide array of sonic possibilities. You can use it to simply layer a kick drum with some field recordings or in a more extreme way to replace a whole part by a chaos of random drills and glitches. When the sample is triggered, its start offset, loop points and optionally pitch are randomized, giving you surprising results every time.”
Additional features include the ability to resize the plugin interface to fit your display (Windows and Os X only), and map your MIDI controller easily using the built-in MIDI learn system. By its very nature, Tkapik has no preset system, but its state will be properly recalled when re-opening a project in your DAW.
Tkapik is available for Windows, Mac Os X and Linux, as VST (32/64 bit) and AU (32/64 bit, Mac only).
- Sampler supporting wav and aiff audio files
- Sample triggering based on input signal amplitude
- Combine the sample and the input signal using the envelope follower
- Replace the input signal using the solo mode
- Random start offset, loop points and optionally pitch on every trigger
- User defined range for pitch random
- Sample reverse
- MIDI learn
- Vector based resizable user interface (Windows and Os X only)
- Lifetime free updates for registered users
10€ – introductory price until 08/03/2013 (regular price: 20€)
J1000 has released two new free VST plug-ins for Windows. Here’s the details:
Parametric mixing equalizer based on MQ57. Most of the functions are the same, except that MQ55 operates only in stereo mode, has more flexible pass filters and has gain ratio that acts like dry/wet control. This is my go-to EQ for music production.
Three-band stereo processor that separates audio into low, mid and high frequencies and lets you manipulate their stereo properties – width and panning or rotation. Crossover points are easily adjusted with single knob. It has simple meters for each range showing correlation or panning. High-pass filter cuts unwanted frequencies on side channel for more stable bass.
SugarBytes dreamt of a WOW2 and now it is here! With a future-dripping user interface, 21 incredible filter types with the famous vowel mode. With distortions that cover your tracks with gas and put them on fire. Modulations that cause more trouble than your modular dark room. And finally that warm and juicy sound, that you were looking for.
– 21 Filter types like Lowpass, Bandpass, Highpass, Bandreject, Comb and much more. Low pass types up to 48 db, including flavors like SVF, Diode Ladder and Transistor Ladder.
The filters and distortions have been designed for best harmonics without aliasing, for high definition audio quality.
– Three different analog modeling overdrives and four digital distortion functions are included. Use them pre or post the filter.
– Modulation is power. Power is sex. Create stunning trance gates with the step sequencer, do some giant wobbles with the wobble generator or let all the modulators interact with each other. The LFO offers many different wave forms, restart options and sync flavors.
– Presets are just one click away. Randomize presets to inspire yourself.
Get WOW2 now! Skrillex, Boys Noise, SiriusMo, Modeselektor, MouseOnMars already did.
WOW2 is the new filter plugin from Sugar Bytes.
Find it on www.sugar-bytes.com.
H.G. Fortune has announced the releases of DrumBurst X-824, a free drum machine plug-in for Windows.
Finally here it is: DrumBurst X-824, and the good news is it is free. The bad news, well, not really bad as only temporary this is my last Synthedit based plugin. Thus it marks the end of a 10 years era. Now I’m looking for new tools to create plugins in future, but this may take some time.
DrumBurst is an 8 parts drum machine with 64 waves at each slot making 512 waves in total: not too much for a quick selection but a good variety to work with.
The inbuilt sequencer features 24 Main Pattern each based on the combination of a dedicated wave, Mute status and 1 out of 6 Step Pattern variations per part. This provides a lot of variation and less of programming effort as pattern can be re-used with a different instrument.
DrumBurst X-824 for Windows (VST) is available to download here.
Tek’it Audio has announced the release of Winkl, a free foldback distortion effect plug-in for Windows and Mac.
Winkl is not a subtle distortion, this is well suited for bass and leads, made to make scream your sounds.
- Foldback distortion.
- Drive and Output Gain controls.
- Bypass switch.
- x16 Oversampling.
- 64-bit internal processing.
- Full MIDI automation support.
- Works in mono or stereo.
Winkl for Windows and Mac (VST/AU) is available to download as freeware.
Twisted Tools has announced the release of MSMAX, a Maximizer effect and Mid/Side Matrix plugin for Reaktor.
As a Maximizer, MSMAX can be used for anything from subtle to extreme loudness maximization to get individual tracks or mixes sounding loud and finalized. As a Mid/Side matrix, MSMAX can be used to encode, decode and process Mid/Side signals to add width or create stereo imaging effects. With near-zero latency and CPU efficient code, you can use it on any type of track and run multiple instances without bogging down your system.
MSMAX also features a flexible and easy to use insert effects path, that allows you to insert your own effects to be applied to either the Left/Right or Mid/Side signals. To get you started, MSMAX includes an example effect called Nanoverb, which allows you to apply EQ and/or Reverb to any channel.
Lastly, MSMAX has a Sidechain Ducker at the output stage for some classic volume ducking or pumping effects. There are several modes to choose from to achieve instant results. For example, setting the Sidechain Ducker to auto mode will produce a 1/4 note pumping effect. Set it to ‘Self’ mode and you can duck a delay on a vocal track using the vocal itself as the sidechain input.
Whether you use MSMAX to slam your drum bus, apply creative M/S techniques within Reaktor or squeeze some more volume out of your master, MSMAX is a versatile production tool with several tricks up its sleeve.
MSMAX comes with a Lemur template by Antonio Blanca to control MSMAX remotely using an iPad and Liine’s Lemur application.
- Stereo Maximizer.
- Flexible Mid/Side Matrix (Encode/Decode Input and Output).
- Sidechain Volume Ducker (Sidechain using: Audio, MIDI, Auto, Self).
- Insert effects path (Pre/Post Maximizer).
- Use your own effects.
- Output Limiter.
- Mono Summing.
- Dry/Wet Mix with internal latency compensation.
- Near-zero Latency (1 sample).
- Low CPU.
- Phase flip (Standard or Pre-Decode M/S for 180 degree flip).
- Nanoverb Example Insert Effect (Reverb and EQ).
- Switchless switching for instant A/B’ing settings without clicks or pauses.
- Lemur template by Antonio Blanca.
- Free incremental updates.
MSMAX for Reaktor costs $39 USD. MSMAX comes with an additional 15% OFF coupon when you buy it before August 1st, 2013. All other Twisted Tools products are available at a 15% discount in the Summer Special Savings sale.
Soul sensation Alicia Keys discusses her new virtual piano plug-in “Alicia’s Keys” with editor-at-large Jon Regen in this June 2010 interview.
What is it:
The instrument samples of Native Instruments Alicia’s Keys come from Alicia Keys’ very own Yamaha C3 Neo grand piano. This unique and highly-sought after instrument was built to celebrate Yamaha’s 100th anniversary in 2002 and represents the very top of the Conservatory Collection line.
The exquisite and unique sound of the C3 Neo were painstakingly captured by Thomas Skarbye, Kontakt script wizard Nils Liberg, and Grammy-award winning engineer Ann Mincieli – making this exclusive instrument available to everyone.
Using vintage microphones and preamps and through detailed analysis of Alicia’s playing, the team succeeded in capturing the warm, soulful and inspiring sound of the C3 Neo all the way down to the finest nuances.