Audiomatic Retro Transformer – Micro Tutorial

June 1, 2013 · Posted in Uncategorized · Comment 

More info on Reason: https://www.propellerheads.se/product…

The Audiomatic Retro Transformer is a new Rack Extension that comes free with Reason 7. Audiomatic is for your music what those insta-hipsta-analogififcation apps are for your cellphone pics. It’s about taking your sounds and making them a little bit wrong in the right way. Color your sounds, add extra grit, or indulge in the lo-fi goodness.

In this microtutorial, we’ll show you how Audiomatic was deployed across an entire mix to bring authenticity to the retro vibe. A little retro here… a little retro there… and it adds up to a dramatically awesomized mix.

Logic Tutorial: Programming Trap Beat Patterns Using a MIDI Controller

May 31, 2013 · Posted in Uncategorized · Comment 

More info: http://blog.dubspot.com/logic-trap-3/
Matt Shadetek returns with another episode of Secret Knowledge, our video tutorial series of production tips, techniques and advice for Logic users. In this concluding chapter tutorial on trap drum programming, Shadetek explains how to put all the ingredients together in a mapped MIDI instrument so you can easily trigger kick, snare, hi-hats, and snare rolls. In case you missed the previous tutorials within this series, check out parts one and two.

Sound destruction with Scream 4 Distortion – Micro Tutorial

May 31, 2013 · Posted in Uncategorized · Comment 

More info on Reason: https://www.propellerheads.se/product…

Scream 4 Sound Destruction Unit is a multi-mode sound mangling utility that adds all kinds of distortion — from the gentle tape compression to full-on sonic mayhem. Relatively simple to use but satisfyingly nasty, in this video we cover the basics of this destroyer of sounds.

Reason 7 Tutorial – MIDI Output, ReCycle, Retro Effects +

May 30, 2013 · Posted in Uncategorized · Comment 

More info: http://bit.ly/175awvf
In this video, Reason guru James Bernard takes a look at Propellerhead Reason 7′s new features including MIDI / CV output, the spectrum EQ analyzer, parallel processing, some new retro effects, and the addition of ReCycle to the already powerful music production and sound design software.

Getting to know the Korg MS-20 Mini — Overview/Tutorial

May 30, 2013 · Posted in Uncategorized · Comment 

Looking to learn more about how to program the Korg MS-20 Mini monophonic analog synthesizer? This comprehensive video series will quickly familiarize you with the layout and functionality of the MS-20 Mini’s legendary semi-modular interface.

For more information on MS-20 Mini, head over to http://www.korg.com/ms20mini.

Real-time vocal sample manipulation using SampleWiz

May 29, 2013 · Posted in Uncategorized · Comment 

How to use SampleWiz to create real-time sampling effects for the Radiohead song “Everything In Its Right Place”

The Washington & Lee University Electronic Music Ensemble (EME) performed the Radiohead song “Everything In Its Right Place” in their Fall ’12 concert. This video describes how they utilized an iPad app called SampleWiz to mimic the real-time sampling effects used by Radiohead in this song. EME members Matt Kinderman ’16 and Rodes Brown ’13 explain and demonstrate these techniques.

Under the direction of Graham Spice, the EME capitalizes on the strengths of its individual members. This ensemble calls upon its performers to utilize their instrumental or vocal talents in new ways incorporating electronic music. In addition, those students who specialize in composition, engineering, and production are given the opportunity to showcase their skills in the creation and performance of this contemporary music. A strong visual element is also included in their concerts provided by computer-generated video projections.

Tutorial: Re-Grooving Audio in Reason 7

May 29, 2013 · Posted in Uncategorized · Comment 

Jim Aikin shows how to conform audio files (such as drum loops) to MIDI grooves, and how to export and work with the results as a sliced REX file in Reason’s Dr. OctoRex instrument.

Reason 7 brings tons of new improvements for the mixer, the rack and the sequencer. Integrate your instruments into Reason with MIDI out, audio slicing and audio quantize. Turn your recordings into REX loops. For mixing, we’re introducing a spectrum analyzer with visual EQ, group and parallel channels and workflow improvements. To inspire, Reason 7 imports audio from your music library and web formats, the enhanced Factory Sound Bank comes fully loaded with tons of new loops and drum kits and the new Audiomatic Retro Transformer effect adds a futuristic-vintage sound to any tracks.

Learn more about what’s new in Reason 7

How to create the 1980s pop ballad sound

May 29, 2013 · Posted in Uncategorized · Comment 

One of the typical keyboard-based setups that were used in the ’80s for ballads.
Moog Minimoog: synth bass
Roland TR-808: drum machine
Yamaha DX7: electric piano

Funkagenda – How to create anthemic synth sounds in Sylenth1

May 24, 2013 · Posted in Uncategorized · Comment 

In this You Tube exclusive video DJ/Producer Funkagenda explains how to create from scratch that classic Anthemic Mainroom sound using the Lennar Digital Sylenth1 software synth.

screenshot

Sylenth1 is a virtual analog VSTi synthesizer that takes the definitions of quality and performance to a higher level. Until now only very few software synthesizers have been able to stand up to the sound quality standards of hardware synths. Sylenth1 is one that does.

Sylenth1 is not just another synth. It was built from a producer’s point of view. It was built to produce superior quality sound and music. It was built to perform. A lot of research has been invested in order to achieve unheard warmth and clarity. The graphical interface ensures the highest level of usability so you can fully unleash your creativity.

Intro to Auria: Recording audio using Audiobus

May 23, 2013 · Posted in Uncategorized · Comment 

In this tutorial Ryan Hemeon goes over some of the basic features of Auria and some of it’s limitations. Setting Tempo, Transport options, Audio Paste, etc.. Then he shows how to record audio into Auria using Audiobus. He starts off recording Animoog and then add to it by using Guitarism as a midi controller for iGrand. He is using an iPad 3rd gen.

“I also take 3 seconds to explain how to pronounce “Animoog” not that I listen to my own advice. :-)

I hope this tutorial was helpful, look forward to upcoming Auria tutorials for more advanced techniques.”

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