Future Retro Zillion and Swynx
In this two part series Jered Flickinger of Future Retro gives us an in depth look at the new Swynx and Zillion devices. The Zillion is a new sequencer based on the rare and vintage Triadex Muse, but it is so much more than that.
You can read more and purchase the Future Retro Zillion sequencer here: http://goo.gl/jYWHjP
Rumore Cinematic Impacts – free collection of impact sound effects
99Sounds has released Rumore Cinematic Impacts, a free collection of impact sound effects designed by Alessandro Alcinesio (aka HAL9K). The library contains 50 cinematic impacts suitable for modern film scoring and electronic music production.
The included sounds range from classic sonic booms to spooky sound effects inspired by horror and sci-fi movies. All samples are available in 24-bit WAV format.
Contents:
- 50 audio samples in total.
- 24-bit WAV format.
- 44.1 kHz Stereo.
- 240 MB size on disk.
Price: Free.
ChopChop – compressor effect plug-in for Windows and Mac
audioD3CK has released ChopChop, a compressor effect plug-in for Windows and Mac.
ChopChop’s algorithm was originally designed to be reasonably clean while operating with a very fast attack time and classic peak detection. The result is a very flexible compressor with a distinct sound. ChopChop is best used when the compression is meant to be heard, but it can act as an invisible tool too!
ChopChop features
- External side chain.
- Linear domain compression for an old school sound.
- High pass filter in side chain.
- Range control to limit amount of gain reduction.
- Range knee to alter character of compression range.
- Mid/side mode.
- Freely adjustable channel linking.
- Adjustable compression knee.
- Full range ratio, all the way form 1:1 to 1:infinity.
- Flexible metering.
- Parallel compression.
- Release acceleration control to alter compressors behavior.
ChopChop for Windows and Mac (VST/AU) is available for purchase for 19 EUR (non-commercial) / 49 EUR (commercial).
AudioD3CK has also released a version 1.1 update for all its plugins, which includes the following new features:
- Resizable UIs.
- Internal preset handling.
- Undo/redo for parameter changes.
- Updated manuals.
- Better authorization process.
- Improved installer.
- Registration free demo versions.
- Some presets.
- [Krucz] Additional makeup parameter.
The updates are free to existing customers. AAX and VST3 versions are in development.
Cymatics Audiovisual Instrument
Interactive installation commissioned by Mac Center for the 2014 Estéreo Picnic Festival in Bogotá Colombia.
The installation is a musical and visual instrument where eight users can make music and see the influence of audio waves on non Newtonian fluid placed inside the speakers.
Four iPads were used as user interface controlling 15 inches speakers working with frequencies of 160HZ, 80 Hz, 40 Hz and 31.5 Hz . Four other user interfaces were made using bare conductive paint to control 12 inches speakers working with harmonics of the dominant frequencies.
Creditos:
Concepto y desarrollo: Giancarlo Orsi ( Nisba )
Dirección de Arte: Tomás Méndez ( Elegante )
Producción: Nicolás Romero y Sandra Mejia ( Arbol Naranja )
Sound Design: Santiago Pineda y Santiago Uribe (Audiobit Studios)
Agencia: Arbol Naranja
Cliente: Mac Center
Festival Estéreo Picnic 2014. Bogotá Colombia.
Música : Dj Deekline & Ed Solo – Young ones.
The New World of Synthesizer in Osaka
Japanese synthesizer documentary movie “The New World of Synthesizer in Osaka”(Naniwa no Shinsekai) trailer with english subtitle.
Richard Devine Live @ NAMM 2014
Richard Devine performs on the show room floor of Hall E at NAMM 2014.
Shot on Canon T4i w/ Canon EF 24-105mm f/4L.
Microphone: Rode VideoMic
Richard Devine is an Atlanta-based electronic musician and sound designer. He is recognized for producing a layered and heavily processed sound, combining influences from hip-hop to old and modern electronic music. Devine largely records for the Miami-based Schematic Records, which was founded byJosh Kay of Phoenecia. He has also done extensive recording and sample work with Josh Kay under the name DEVSND. As a result of praise of his music from Autechre as well as a remix of Aphex Twin‘s Come To Daddy, Devine recorded an album for Warp Records which was jointly released by Schematic andWarp.
Yamaha RX7 Drum Machine
Quick play of the RX7, little brother of the RX5 and almost as good. First is some preset patterns and then all the sounds.
About RX7 and RX5:
Out of the eighties comes this hugely underrated drum machine—in 1986, the RX5 was Yamaha’s flagship drum machine. Although its vintage appeal may be diminished by the Roland R-8 (as well as the resurgence of the TR-808 and TR-909 machines), if you’re on a budget, this one could be for you.
The RX5 has many features that other drum machines simply do not have. Aside from all of the basics, such as pitch adjustment, level control, etc., this machine also features “Attack” and “Decay” envelope controls and two levels of “Accent” for each sound, allowing you to really change the character of any of its 24 built-in sounds. The sounds range from surprisingly real and punchy kicks and snares, to gunshots, door slams, even guitar and bass samples.
The RX5 features a RAM/ROM cartridge slot for storing custom edited sounds and loading in new sounds as well (adding an additional 28 sounds to the 24 built-in). Any sound can be assigned along the top row of pads (the bottom row are preset to the usual suspects—kick, snare, toms, hats, etc.), allowing you to customize your drum kit. Make an orchestra of handclaps, bass drums, or guitars! You can create and store up to three custom drum kits.
Another interesting feature of the RX5 is its pitch envelope. There are two simple parameters: “Bend Amount” and “Bend Rate”. With this feature, you can make any sound pitch-bend downwards or upwards, across several octaves. This effect can be stored as part of your custom edited sound at the touch of a few buttons.
Also overlooked but extremely useful are the “Reverse” and “Damp” functions. You can record a reverse crash cymbal at one point in a drum pattern, and switch back to a regular crash cymbal elsewhere in the same pattern. The “Damp” function emulates the dampening of a drum head or a cymbal choke. Many drum machines overlook these useful functions, which can really help add a touch more authenticity and nuance to your drum patterns.
The sequencer section can record up to 100 patterns with time signatures ranging from 01/32 to 99/2 in either Real Time or Step Time record modes. Real Time recorded patterns can be quantized to the nearest 1/2 to 1/48 note. Patterns can be arranged in up to 30 Songs. And Songs can be chained together to form complete performance sets. All sequence data can also be offloaded to external RAM cartridge or cassette tape interface.
It is also worth mentioning that the RX5 has a 12 channel mixer with stereo out plus 12 individual outputs. Along with full MIDI Implementation, it’s a snap to integrate into your studio. Use it as a stand-alone desktop drum machine, or hook it up to your MIDI keyboard or DAW system like a sound module for some serious drums! Sounds can be arranged for a MIDI keyboard however you please, and the RX5 will save the keyboard mapping—even if the sounds are coming from an external sound cartridge.
The RX5 was shipped by Yamaha with one additional cartridge of sounds—the “RX5 ROM”. Three additional Waveform ROM Cartridges were made to suit various genres: WRC-02 “Jazz/Fusion,” WRC-03 “Heavy Metal,” and WRC-04 “Effects.” There were also a few third-party cartridges made, containing TR-808 and TR-909 samples, but they are rather rare. If you’re looking for an RX5, try to find one with all the ROM cartridges, and maybe a “RAM4” cartridge too, as they may come in handy.
Overall, a very unique and in-depth machine, capable of a huge variety of sounds. From the nostalgic sounds that defined 80’s drum beats, to rock, metal, and electronic music. Programming a beat may not be as easy as a Roland TR machine, but it’s still intuitive tap-based recording. You will have no problem finding a place for this beast in your studio.
Nocturne for Moog Voyager
A quick improvisation. Tools used: Moog Voyager, Camel Audio Alchemy Player, Logic Pro X (sequencing and effects). Audio captured direct to camera. More at www.experimentalsynth.com
Experimental: It’s not a kettle, it’s a sound machine, boilophone
Background video description:
I get pretty into playing the kettle here, didnt realise i was in the shot.
“This is not a kettle, it is a synth. It’s a drone synth / sound machine with 3 oscillators, combined by 2 different methods of signal heterodyning to produce interstellar cosmic electronic sounds! This device makes some of the most analogue, yet raw sounds, I’ve ever made with any variations of this circuit! (my patented C493 circuit).
It has two light sensors (on each side of the kettle, towards the front) and two touch contacts on the top. Careful manipulation of these simple control methods yeilds vast and complex vistas of sonic anomalies. Wails like tuning old radios, bleeps like a gameboy, hums like a genuine analogue synthesizer; This drone synth has vast capabilities!”
Chip64 Rack Extension has been released
Chip64 brings the sound chips from vintage computers and video game consoles to the Reason rack.
Music by Tune Cooks.
Ochen K has released Chip64, described as a new synth Rack Extension that’s an emulation of audio chips from vintage computer and video game consoles.
A spokesperson told us, “Chip64 brings the sound chips from vintage computers and video game consoles to the Reason rack. Chip64 includes mathematical modeling of 5 chips: the TIA used in the Atari 2600, the SID chip used in the Commodore 64, the TA0x series used in the NES and Gameboy, the Vic-I used in the Vic 20, and the SN76489 chip used in the ColecoVision and Sega consoles. With an on-board sequencer, as well as a multi-mode filter, LFO, modulation envelope, and more, Chip64 brings true chip emulation to your rack.”
Pricing and Availability:
Available at the Propellerhead shop.
€32.00
More information:
DATAMASKIN
