Roland INTEGRA-7 — Motional Surround with iPad Editor

September 1, 2012 · Posted in Uncategorized · Comments Off on Roland INTEGRA-7 — Motional Surround with iPad Editor 

This demo video was recorded on the Roland INTEGRA-7 SuperNATURAL® Sound Module using “Motional Surround” (2-channel headphone mode). Please use headphones for the full effect.

Understanding Wavetable Synthesis

September 1, 2012 · Posted in Uncategorized · Comments Off on Understanding Wavetable Synthesis 

This lesson explores wavetable synthesis and looks at different ways of playing with Animoog. This should be helpful for people using PPG Wavegenerator and other wavetable synths too! Visit the site a free pack of Animoog Timbres and details on how to make your own: http://discchord.com/blog/2012/8/25/official-unofficial-animoog-timbres-plus-…

Wavetable synthesis was pioneered by Wolfgang Palm in his PPG synths of the 70s and 80s. With wavetable synthesis, a library of relatively complex wave shapes, rather than sine, square or triangle waves, are used as building blocks of sounds. Dynamic sounds can be created by mixing or morphing between different wave shapes.

Note that Moog calls the heart of Animoog its ‘Anisotropic Synthesis Engine’, which combines elements of wavetable synthesis and subtractive synthesis. Animoog lets you animate the modulation of your wavetable source(s), and then lets you filter the result with virtual-analog filters.

Roland JUPITER Legacy Collection Trailer

September 1, 2012 · Posted in Uncategorized · Comments Off on Roland JUPITER Legacy Collection Trailer 

JUPITER Legacy Collection. Coming soon to http://www.JUPITER-80.com

Raspberry Pi Synthesizer – live demo (Oscillators and Phase Distortion)

September 1, 2012 · Posted in Uncategorized · Comments Off on Raspberry Pi Synthesizer – live demo (Oscillators and Phase Distortion) 

Background video information below:

You lot should be happy that it was a grim, wet, windy Bank Holiday as I got to plug in my Pi and make a video. Sorry the frame rate of the second half is low, it’s my Mac not being fast enough to capture everything.

So – here’s an indication of quite how rich a single-oscillator synth can be (as in, I left OSC B cranked down to zero throughout). OSC A is set to a ‘sin’ wave (which does actually have a *little* bit of harmonic content as it’s not really a sin, it’s a short power series), but all the amazing richness comes from manipulating the phase of the oscillator during each cycle of the waveform. An EG is used to stretch and squash the phase over the lifetime of each note, then the LFO is pulled in to add a warbly, squishy immenseness.

And no explicit frequency manipulation – everything here is being induced by messing with the phase within each cycle of the waveform, the fundamental is not being manipulated, at all. Things get beyond awesome when you add in pitch modulation at the same time as Phase Distortion.

But messing about with frequency is for next time – for the time being, let’s get PHASEY!!!!

Brand new stuff from Ultraίsta – “Bad Insect”

September 1, 2012 · Posted in Uncategorized · Comments Off on Brand new stuff from Ultraίsta – “Bad Insect” 

Here’s the video for Ultraista’s, “Bad Insect” balancing glitchy visuals over a glittering, shimmering melody. “Bad Insect” is the debut single from Ultraίsta, the multimedia trio comprised of vocalist/artist Laura Bettinson and multi-instrumentalist/producers Nigel Godrich and Joey Waronker.

Founded in London in 2011 on a mutual love of Afrobeat, electronic and dance music, visual art and tequila, Ultraίsta will be putting out their first LP on October 15th, 2012.

Pre-order here!
www.ultraista.co.uk

Serge TKB Controlling Oberheim SEM and Moog Voyager

September 1, 2012 · Posted in Uncategorized · Comments Off on Serge TKB Controlling Oberheim SEM and Moog Voyager 

Routing separate sequences to separate analog synthesizers in different formats the Serge tkb oversees all control voltage tracking tasks. These sounds were created and tweaked live.

Additional info about the Serge:

A few words about Serge sequencers. Note that Serge/Sound Transform does not make a traditional keyboard like you see on most other synthesizers, such as Moog, Roland, etc. You can get a traditional vintage control voltage keyboard (Roland, Moog, Polyfusion, etc.) and interface it to the Serge, since the Serge adheres to the 1 volt/octave standard. Or you can generate a control voltage from your MIDI keyboard and an interface.

Sound Transform follows the Buchla model of offering a touch sensitive keyboard/sequencer unit, as well as more traditional simple sequencers. Originally, they offered a sequencer whose stage was selected by push buttons. This is what’s called a sequencer-programmer: you could use it in an automatic mode as a traditional sequencer, or use it manually to select/program voltages you set. So you can mimic a traditional keyboard if you want by tuning each stage to various notes. Or discard the traditional keyboard concept and simply use it to fine-tune different parameters in your patch for later recall.

The TKB is the hub of the sequencers – each stage has a corresponding output that goes high when it’s selected. This complements the other sequencers, which have an input that, when high, causes that stage to be selected. So the TKB can be used to control another sequencer, or whole sets of other sequencers, regardless of the number of stages they might have.

Sound Transform offers a set of Serge sequencing programmers, from four to eight stages, plus the Sequencer with eight stages, and the TKB with sixteen stages. Confused? What they call their regular Sequencer is not a sequencing programmer in that each stage is selectable by a button but not by a stage select input. The sequencing programmers have stage select inputs. And the TKB has stage select outputs.

The sequencers are a little ‘bare’ in that none of them have an internal clock. You must use another module as a clock source, and typical sources are the DSG, DTG, and the Smooth section of the SSG, patched to oscillate. But they do have cute features such as step trigger inputs for RESET, UP/DOWN, and HOLD.

Most of the Serge sequencers are optionally available with an internal connection to a quantizer. Why would you want that? The quantizer forces the range of the stage pots into stepwise note intervals. So as you turn the pot, it isn’t a continuous rise or fall, but steps up and down a scale. This makes tuning much easier and more reliable. The variable outputs are still available on quantized sequencers also.

New music video from The Presets – Ghosts

September 1, 2012 · Posted in Uncategorized · Comments Off on New music video from The Presets – Ghosts 

‘Ghosts’, the new single by The Presets. New album ‘Pacifica’ is out September 7 [AU] / 10 [US] / 16 [GB] Modular Recordings.

Video directed by Abteen Bagheri [ http://abteen.org/ ]

Buy the song, out now on iTunes: http://smarturl.it/ghosts

Pre-order Pacifica now:
Presets Official – http://pacifica.thepresets.com/

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