Resampling Reason’s Output into Kong for Jamming
Resample the rack with Kong to make your old music or ideas into new beats. Speo shows you how in this tutorial video!
Background video description:
What’s up guys! I’m back after a downtime due to exam stuff, and here’s a quick and simple tutorial on how to resample Reason’s master output into your Kong to create a jamming set up. More in-depth tutorials are on the way.
Cheers, have a good one of whatever you’re having,
-Speo.
Links:
Download theVoiceOfReason Refill: http://goo.gl/2vGXf
Music: http://www.youtube.com/speomusic
Twitter: http://www.twitter.com/speomusic
Facebook: http://www.facebook.com/speomusic
Soundcloud: http://www.soundcloud.com/speomusic
New material from Scott Walker and Sunn O))) on its way
4AD have just tweeted a link to this website, solely hosting the above image and the label’s logo, paving the way for an interesting collaboration between Scott Walker and Sunn O))).
Confirming the project, a source at the label said: “They’re working together and there is a record coming later in the year”, but wouldn’t be pressed on more details. For now, behold.
Sunn O))) )), or with a 0 instead of an O) is an American drone metal band from Seattle, Washington that formed in 1998. They are primarily known for their synthesis of diverse genres including drone, ambient, noise, and extreme metal.
A song from the album “Black One”
‘Digital Heart’ by thesecondwall (Original Demo)
This is the original demo for the tune ‘ Digital Heart’, also used on the Novation ‘Ultranova’ ad.
https://soundcloud.com/thesecondwall/…
The Weird Side Samples – free glitch sound effects library
99Sounds has released The Weird Side Samples– a free glitch sound effects library.
The Weird Side Samples is a free collection of glitch samples, weird sound effects and abstract sonic textures produced by Johan Ekelove aka Introspectral.
The author describes this sound collection as “a sonic exploration through hidden worlds afloat on a metaphysical plane”.
Contents:
- 182 audio samples in total
- 19 atmospheric sounds
- 29 sonic movements
- 17 percussive elements
- 69 tech samples
- 31 sonic textures
- 17 vox samples
- 24-bit WAV format
- 44.1 kHz Stereo
- 284 MB size on disk
- 174 MB download size (RAR archive)
The Weird Side Samples are available as a free download at 99sounds.
Bob Moog Foundation explores the Moog Apollo
The Bob Moog Foundation Archives contain a lot of fantastic historical pieces. This 1978 Moog Apollo is one of them. Marc Doty explains the history of this device and explores its functionality.
Marc Doty explores the Moog Apollo in the second of two videos that tell the history of the Moog Apollo as far as we currently know it, and let you hear this rich analog device do what it does.
Mitosynth 201 — Automation
The latest session at Mitosynth U explains how to automate synth settings to add motion to a sound.
New album from electro act NÖVÖ
“Let it be known today” is the brand new EP from Belgo-French outfit Növö aka Laurent Boudic. The track is taken from Boudic’s recent 4th studio full length CD entitled “Zeitgeist”. “Let It Be Known Today” is already the second EP released from this album. Says the label: “It again drops you in the old classic EBM / New Wave era with vintage analogue synth sequences, electronic bleeps, pulsing bass lines and prominent vocals with that little French accent and melancholic cold touch clearly evoking the cult 80’s act Trisomie 21.”
“Let It Be Known Today” comes in 4 new versions, a 7 inch and a reconstructed one by the band itself plus an extended Kraftwerkian rework with vocoder and floating synth layers by Belgian label-mates of Metroland as well as a darkish remix by Flood Veyor.
You can download this EP straight from Bandcamp, be sure to use the 50% discount amsummermadness! You can alsodownload it from iTunes, or stream it below on Spotify.
Exploring the Commodore MOS Technology
Exploring the Commodore MOS Technology 8580R5 Sound Interface Device (SID) using a Behringer BCR2000 control surface.
Filming by 3DMtunes:
https://www.youtube.com/user/3DMtunes
The PC contains a HardSID card which is controlled by a custom piece of software. The Yamaha V50 keyboard is plugged into the PC using MIDI and sends MIDI note on and note off messages. The Behringer BCR2000 control surface is also plugged into the PC using MIDI and sends MIDI controller change (CC) messages. The custom software receives both types of messages and writes SID chip register changes to the HardSID card.
The functions on the BCR2000 knobs and buttons are as follows:
Top row (from left to right)
Filter cutoff frequency
Filter resonance
Filter mode
Volume
Buttons (top row from left to right)
Filter oscillator 1 on/off
Filter oscillator 2 on/off
Filter oscillator 3 on/off
Buttons (second row from left to right)
Oscillator 1 on/off
Oscillator 2 on/off
Oscillator 3 on/off
Second row (Oscillator 1 from left to right)
Coarse tune
Fine tune
Waveform
Pulse width
Attack
Decay
Sustain
Release
Third row (Oscillator 2 from left to right)
Coarse tune
Fine tune
Waveform
Pulse width
Attack
Decay
Sustain
Release
Fourth row (Oscillator 3 from left to right)
Coarse tune
Fine tune
Waveform
Pulse width
Attack
Decay
Sustain
Release
Dave Smith Instruments Pro 2 Demo by INHALT
Dave Smith Instruments asked INHALT to return to the sound design world and join a stellar team to create some of the patches for their upcoming super synth: the Pro 2.
“Since we’re avid and long time users of the Pro One, the name alone peaked our curiosities. Once we got the absolutely stunning synth back to our studio, we were blown away not just by the raw sound quality of the new voice architecture, but also by the sheer number of possible control options. If there is a synth out there that is truly the best of all worlds and that is almost intentionally designed to sit right in the middle of a full studio set up, it most certainly is the Pro 2. 4 CV outputs (that can be used as gate outputs too), 4 CV ins, audio input, dual MIDI outputs … it’s exactly the kind of thinking a professional studio and live musician would employ in synth design.
As a sound designer, what was most interesting was the arrangement of the new filters. Not only do both the SSM and SEM inspired analog filters sound fantastic on their own, but they can be used together to create very complex effects. Since their routing (serial, meaning one filter into the other, or parallel, meaning both filters running together) is completely user assignable and modulatable (all parameters regarding the filter can be accessed via the modulation matrix and modulated by pretty much anything) incredibly rich and complex effects can be created. The first patch (first string sound you hear in this video) takes full advantage of this new architecture to create a very sophisticated and distinct jet phasing effect.
The same tonal integrity can be found on the digital delays. This time around there is a new BBD style analog modeling delay that is warm and lush. When combined with delay time modulation from an LFO, an extremely rich chorus effect results. I might also mention that the audio input itself is of very high quality and presents a clean and full bodied pre amplifier stage that just sounds good. The last two sounds in the video use this input with a bass guitar.
Absolutely no external fx or sequencing were used when recording this demo of our patches for the factory bank. Everything you hear was done with the internal sequencer, live playing, and employing the abundant set of controls on board the Pro 2. Also, these are all single patches, so no multitracking was involved. The sounds were tracked via a Precision 8 mic pre using both outputs from the Pro 2 and straight into a Digidesign 192 IO feeding Pro Tools HD.”
Electronica act Ooberfuse – Different Drum
London-based female fronted electronica band Ooberfuse have just launched their newest video, “Different Drum” via Peak Flow Records.
Released via Peak Flow Records on 28 July, “Different Drum” is a defiant cry to those who dare to break the mould and for listeners who dare to be different.
www.ooberfuse.com
@ooberfuse
www.facebook.com/ooberfuse
www.twitter.com/ooberfuse
www.youtube.com/ooberfuseband





