RoboKnobs: Lemur self-recording knobs
RoboKnob is a canvas scripted Knob that can record movement and then play it back.
Simply double tap and hold then move the knob to record movement. Release the knob to start playback.
To clear recorded movement, double tap again.
download at Lemur User Library
https://liine.net/en/community/user-l…
N6 – new stereo EQ VST for Windows
RAZ Audio has released the N6 stereo EQ VST for Windows. They say that the N6 offers a natural work flow – just pick an EQ band and move it around to get the desired effect. If you prefer to use knobs, they are there for you with “control+click” for returning to default and “shift+click” for fine tuning. They tell us that the users interface keeps all the data you need without creating “graphical noise” or clogging the control screen and that N6 uses their brand new computational engine and controls for high precision, low CPU and rock solid stability.
“Music production tools should serve the user, not the other way round. This is why we offer the N6 EQ for free, no licensing, registration or locking devices needed. We did our best to get you what you need – a free ‘no strings attached’ precision tool, which is easy and intuitive to use. We hope you enjoy it.”
Features:
- High precision EQ tool
- +/- 18 [Db] gain per band
- Various band shapes: low Pass, high pass, peak (& notch), low shelf and high shelf
- Precision FFT reading with: Off, Pre-EQ & Post-EQ mode
- Zero latency
- Easy, natural GUI
- Supports any sample rate (auto detection from host)
- Clipping LED’s and Input/Output controls for avoiding signal clipping
Pricing and Availability:
Free download
iOS: Oscilab (coming soon)
Oscilab – a new mobile app that the developers say “gives you a hypnotizing musical experience.”
http://2beat.io/oscilab
Oscilab gives you a hypnotizing musical experience, is both a music instrument to perform live and a sequencer to make unique loops and musical phrases.
No musical experience required, Available on iPad, iPad-mini and Android devices.
Karin Park – ‘Shine’
Karin Park stars in and Co-directs this video with previous collaborator Olle Lundin (Restless) in the Church that she lives in. Djura Sweden follow FB www.facebook.com/karinpark
Twitter -@karinpark
Track available to buy now on I-Tunes –https://itunes.apple.com/gb/album/shi…
Karin Park previous Album Highwire Poetry out now
https://itunes.apple.com/gb/album/hig…
Diary of Dreams – a day in December
Short after release, DIARY OF DREAMS will be on Tour with Special Guest IN STRICT CONFIDENCE! Here are the Dates:
DIARY OF DREAMS & Special Guest IN STRICT CONFIDENCE:
02 April 2014 D NUREMBERG HIRSCH
03 April 2014 D REUTLINGEN KULTURZENTRUM FRANZ K
04 April 2014 D LEIPZIG WERK 2
05 April 2014 D ERFURT HSD GEWERKSCHAFTSHAUS
06 April 2014 D MUNICH BACKSTAGE WERK
08 April 2014 D FRANKFURT BATSCHKAPP
09 April 2014 D BOCHUM ZECHE
10 April 2014 D HANNOVER MUSIKZENTRUM
11 April 2014 D BERLIN C-CLUB
12 April 2014 D HAMBURG MARKTHALLE
Tickets: http://www.accession-records.de/ossho…
Juice 3 – vintage synth emulation built in Reaktor
Minimojo is an emulation of an old synthesizer built in Reaktor, available for all registered product owners in the NI Reaktor User Library.
The Juice 3 is not in any way a copy of MONARK. The builder did not have access to or ever used MONARK during the making of Juice 3. Instead, the old ensemble Minimood made by NI in 1999, which has then been modified by several users, has been used as the starting point. I think that the basic structure will be recognizable from that early ensemble.
As the Model D is the most emulated synthesizer the world probably don’t need yet another one. Juice 3 should be seen as a proof of concept; how to emulate the should of vintage synthesizers using the Reaktor environment.
The technology developed for this is called Analog Legacy. Analog Legacy is the theory of modulating all functions in a synthesizer at all frequencies. The key is to find the right balance of the modulation depth for each frequency. Juice 3 is the first attempt to use this theory in practice.
http://youtu.be/cAhNylHjX_4
Boom 808 for iOS – Vintage beats in a modern workflow
Boom 808 integrates one of the most popular drum machines of the 80’s into the modern mobile producers workflow.
With Boom 808, getting the classic 808 drum sounds into your music has never been easier. Audiobus compatibility, background audio, and audio export options allow Boom 808 to fit into your music without slowing you down.
Personalize your beats with the sound of the 808!
Features:
- Step sequencer
- High fidelity audio
- CoreMIDI
- Audiobus and background audio modes
- Record and export live performance to Soundcloud, Audio Copy, email and iTunes file sharing
- Compressor
- Swing
- Overdrive
Boom 808 provides the superb audio quality found in our other Pulse Code apps. Along with the classic drum sounds, Boom 808 has a built in compressor that is tuned to add punch to your drum beats. Soft saturation overdrive rounds out the signal chain adding warm crunch to your beats.
Using Boom 808 with Audiobus allows you to add any number of Audiobus compatible effects as well as record your beats into the app of your choice. Writing beats is easy by using the internal step sequencer or trigger the drums with CoreMIDI. Control your groove with two swing variations.
QUALITY HEADPHONES / MONITORS RECOMMENDED
BOOM 808! is priced at $0.99.
Verbos Electronics Modular Synth
Some cool West Coast style synthesis modules with additional spin.
Musikmesse 2014: MFB Dominion Demo
Analogue Zone Modular Synth Store presents:
MFB Dominion Demo by Uwe
The new analog powerfull synthesizer of MFB will be available in June 2014!
Improvisation on a “Concerto Generator” (1977)
Laurie Spiegel Playing the Bell Labs Digital Synthesizer, better known as the Alles Machine or Alice, was an experimental additive synthesizer designed by Harold G. Alles and Douglas Bayer at Bell Labs in 1977-78.
This composition was commissioned by Bell Labs and the Motion Picture Academy for the 50th anniversary of talking pictures. Working with the Alles synthesizer, with its extensive array of input and output channels for control, was a real pleasure after years of GROOVE’s extreme restrictions. The interactive software I wrote for this composition recycles the player’s keyboard input into an ongoing accompaniment. However, writing the software from a remote DEC PDP-11 computer (see also the PDP-11 FAQ and PDP Music Survey) in the new “C” computer language still undergoing frequent change, within a still-experimental UNIX operating system, without the control inputs or sonic output, under a tight deadline, while the Alles synthesizer hardware was still under construction, turned out to be quite an adventure.
It can orchestrate and perfome musicale scores as fast as a composer at its controls can think them up; create previously unheard musical sounds; and raise or lower the pitch of an instrument or human voice in real time-instantly-so that a man speaking into a microphone can be made sound like Donald Duck or Ezio Pinza. The machine divides sound into its frequencies and amplitudes, processing it un up to 200 million operations per sesond.
For more information look :
http://www.retiary.org/ls/
http://en.wikipedia.org/wiki/Bell_Lab…
http://timara.con.oberlin.edu/~jtalbe…
DATAMASKIN
