Rapture’s non-aliasing resampling engine technology sets a new standard for sound quality, and produces pristine, high-resolution rendering and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences.
With its beautifully designed interface and extensive sound manipulation capabilities, Rapture is capable of producing the rich, hypnotic, and rhythmic basses, leads, and pads destined to put the spirit back into your music.
Found an interesting post/article called the Sequencer wars, where the author had used Google trends over the past years to analyze which sequencers are gaining or loosing in market share. The result is shown in the graph below.
And the result shows that Ableton continues to grow as the most popular system going forward.
Cubase started from a high in early 2004 and has seemingly experienced a steady decline ever since apart from a few short-lived spikes; most notably in late 2004 when the news graph shows that Steinberg announced an update to Cubase SX 3.0.1
(I initially thought this result was quite odd so I performed other searches based around the [Cubase ] search-word to see if there was a correlation… and there is! The search trends for Cubase SX and VST pretty much match the same downward trend as above.)
Cakewalk shows an even more dramatic fall. It starts from a higher spike than Cubase at the start of 2004, but ends lower than it did in the last quarter of 2006!
(Still a bit sceptical, I ran another for Cakewalk SONAR Although there’s been a more volatile ride, ithe graph shows a similar start and end-point as above.)
Ableton on average, has experienced a steady rise in search volume all through the timeline, reflecting its new-kid-on-the-block rise into the mind-share of electronic musicians.
Pro Tools does end at a slightly lower point than when the resultset began, but the trend-line itself is pretty much even when you look at the spikes it has seen. However, 2006 shows a fairly strong downward trend that is seemingly breaking-away from the rest of the line!
Thanks to The Whippingpost for sharing
Cakewalk has announced that it’s now offering it a bunch of free Windows music software, including synths and effects processors.
Here’s what Cakewalk has to say about each of the freebies:
- SFZ+ is rgc:audio’s SoundFont player sample-playback engine, packed in a professional VST/DXi instrument. Outstanding sound quality, stereo built-in effects, adjustable CPU/quality settings to adjust it to your hardware, fully multitimbral operation, multiple stereo outputs, several loading modes including direct-from-disk streaming and a beautiful interface make sfz+ the perfect choice for SoundFont users and professional composers.
- Square I offers the warmness and classic sound of the vintage analog synthesizers, combined with the fidelity and precision of a VST instrument. A simple synthesizer, oriented to the serious music enthusiast.
- Cakewalk Audio FX 1 is a series of real-time audio processing plug-ins. All Cakewalk Audio FX plug-ins are Microsoft DirectX- compatible, allowing you to use them with any digital audio software that supports DirectX – including Cakewalk SONAR and other Cakewalk applications.
- Cakewalk Audio FX 2. Audio FX 2 uses advanced processing algorithms to apply the classic sound and warmth of several different vintage guitar amplifiers and analog tape decks to your digital audio.
- Cakewalk Audio FX 3 SoundStage allows you to design acoustic environments in which to play back digital audio, resulting in unique, realistic reverb. Audio FX 3 Features Two Views: Performer’s View and Room View. To create the perfect room, just click and drag your mouse to move walls and change ceiling height. Choose from different microphones, and place them inside the room. Then assign each audio track to different “performer” positions to hear custom reverb on each track. When you’re finished, save your soundstage for other sessions, or use as a template for other designs. Audio FX 3 includes ready-to-use soundstages too.