Fabio Lendrum – Out The Water (LIVE)

June 25, 2012 · Posted in Uncategorized · Comment 

Fabio performing Out The Water on an Emulator DVS

Emulator Dual View System (DVS) is the most revolutionary experience for on-stage performers in the last 30 years! Emulator DVS is the first REAL and USABLE Multi-Touch MIDI Control System that allows the crowd to see exactly what the artist is doing on a huge transparent touch screen. Whether you are a VJ, Lighting Programmer, Controlling Lasers or the DJ, you can use the Emulator DVS to control your software all while the audience watches in awe!

The art of performing on stage is now part of the clubs lightshow, this is the next level in performance!

The Emulator DVS can also be used as a multi-touch podium & presentation tool for meetings, conferences, lectures and any public address situations. Corporate events are made more interactive because the podium is transparent and the audience can see right through it while watching the presenter. Audience attention is increased, presenters feel enlivened with new technology!

What is the backbone of Emulator DVS?

Emulator is multi-touch midi control software for Musicians, DJ’s, Lighting Designers, Video Editors, VJ’s, Radio Broadcast Stations, Recording Studios and much more.
Our patent-pending technology allows you to make a custom multi-touch layout on top of any software you wish to control. Our easy to use control editor gives you unlimited options for how you create your dream midi interface. Emulator really is the best midi controller you will ever own. When new versions of your software come out, you can quickly and easily change your multi-touch controller so your hardware NEVER becomes obsolete (well, unless we invent something that doesn’t require a screen).

Emulator Modular & Emulator for Traktor (FT) software come bundled with the DVS hardware.

Emulator for Traktor is a complete multi-touch midi controller software. Emulator for Traktor contains over 130 buttons, knobs and faders covering all common features of the underlying software. Emulator Modular includes a complete set of objects so you can completely custom design your own multi-touch interface with buttons, sliders, circular knobs, jog wheels and even your own custom graphics.

You have NEVER seen a crowd react to DJ equipment like this before.
The reaction is simply incredible.

SketchSynth – A drawable OSC control panel

May 16, 2012 · Posted in Uncategorized · Comment 

SketchSynth – A drawable OSC control panel (not to be confused with the SketchSynth 3D available on iOS)

“My final project for Golan Levin’s Interactive Art and Computational Design class at CMU, Spring 2012.
Built with openFrameworks, ofxCv, OSC, and Pure Data.”

More info: golancourses.net/2012spring/05/13/billy-keyes-final-project-sketchsynth/
Behind-the-scenes view: vimeo.com/42053693

Music: ioflow – mnml autmn

Thanks to Golan Levin, the CMU Art Department (Bob Kollar), and Nick Mazurek for lending me equipment for the project and the video. Also, thanks to Kyle McDonald for his excellent ofxCv addon, which makes it incredibly easy to work with OpenCV inside openFrameworks.

Closer look at ControlAble – multitouch controller for Ableton Live

March 27, 2012 · Posted in Uncategorized · Comment 

ControlAble is a multitouch controller for Ableton Live. ControlAbles display includes track names, clip names, clip colours, clip playing status, mixer controls, device rack controls, tempo, and transport controls. All controls are mapped automatically so no more need for midi assign.

ControlAble is written in python using the Kivy framework. More information on Kivy can be found here: http://kivy.org/

More information & free download of ControlAble will be available Wednesday 28th March on http://www.multitouchmusic.com

Exploring Soundplane by Madrona Labs

March 19, 2012 · Posted in Uncategorized · Comment 

A first look and try of the new instrument by Madrona labs called Soundplane. More info here: http://madronalabs.com/

The Soundplane A is a computer music controller with the sensitivity and feel of an acoustic instrument. It detects a wide range of touches on its walnut playing surface, from a light tickle to a very firm press. The Soundplane A can be configured as either a 150-note keyboard with position and pressure sensing on each key, or as one continuous surface.

The playing surface is a material custom developed for us, an articulated sheet of walnut veneer bonded to a fiber backing for strength. The case is milled out of alder, a sustainably harvested Northwest hardwood. We have sourced all of the construction locally and test and assemble Soundplanes by hand here in Seattle. The entire instrument is about 28 inches wide by 8 inches deep by 1 inch thick.

Included with the Soundplane is Aalto for Soundplane, a custom, signal-driven version of our patchable software synthesizer. The Soundplane client software can send MIDI and OSC messages to control other software and hardware.

See this Soundplane onesheet PDF for specifications: [3 Mb PDF]

Delora lpTouch – new iPad remote controller for Logic Pro

March 6, 2012 · Posted in Uncategorized · Comment 

Harmony Systems, Inc. announced the worldwide availability of Delora lpTouch, an iPad application that functions as a remote controller for the Apple Logic Pro application program on a Mac. lpTouch is an intuitive, powerful control surface app optimized for use with Logic. It uses Logic’s built-in Open Sound Control (OSC) control surface support, so all that’s needed is a working Wi-Fi connection between the Mac and iPad.

lpTouch expands the Delora Software line of music controller apps for iOS devices and the Mac, including gbTouch and gbRemote for GarageBand.

Features & Benefits

Adjust track settings, send values, Logic’s EQ, plug-in effects, and software instruments to “dial in” to the right sound. Mute or solo any track to evaluate a mix during playback. Arm one or more tracks for recording. Know where you’re at with the timecode and bar-beat display, and track name and number identification. Access transport controls from any screen.

No more frustrating attempts to make sound setting adjustments with tiny computer screen controls and mouse. lpTouch’s five screens offer large, usable multi-touch faders and rotaries – with values displayed – to easily edit software instruments, insert parameters, EQ settings, or track volume, pan, and send levels.

Pricing & Availability

lpTouch is available for $4.99 (USD) on the iTunes App Store >>

 

Free iPad Control Surface for JP-80

February 27, 2012 · Posted in Uncategorized · Comment 

This is a free file I created which you can download by going to jupiter80.music-technology-online.com. This control surface for the iPad adds extra control to your JP-80. The “JP-80 Mixer” runs via the MIDI Touch app which can be found on the iTunes app store.

This control surface for the iPad adds extra control to your JP-80. The “JP-80 Mixer” runs via the MIDI Touchapp which can be found on the iTunes app store. The control surface offers the following control for your JP-80:

1. Global control of Upper, Lower, Solo and Percussion parts.

2. Independent On/Off control of tones for the Upper and Lower parts.

3. Independent control of Cutoff and Resonance for the Upper and Lower parts.

4. Independent Toneblender control for the Upper and Lower parts.

5. Independent Matrix controls of the Cutoff and Resonance for the Upper and Lower Parts.

“To use the control surface, you will need to download MIDI Touch from the iTunes app store and install it on your iPad. Then simply send me an email to request the control surface plug-in and installation instructions. You will also need the Apple Camera Connection Kit in order to connect your iPad to the JP-80 via USB.”

Pulse Surface Controller System

February 22, 2012 · Posted in Uncategorized · Comment 

For more information and purchase:
http://www.pulsecontroller.com

Pulse Surface Controller liberates computer-based musicians from conventional input devices of predetermined form factor and layout, allowing the user to turn a surface of various size, orientation and material into an expressive, flexible, reconfigurable MIDI controller.

The Pulse Controller is a hardware / software solution that liberates computer-based musicians and performers from conventional input devices by allowing a surface – i.e. desk, laptop, objects and more – to become a playable MIDI controller. An included piezo microphone coupled with a simple yet powerful software interface converts acoustic impulses into MIDI Note messages for playing your software instruments in an intuitive, responsive and connected manner.


The idea behind Pulse Controller was born out of the belief that as computer-based musicians and performers we should not feel relegated to a grid of small 1×1″ pads or a keyboard to create our rhythms and provide pulse to our music. Controllers once intended to give us the immediacy of playing an instrument often end up feeling more disconnected and distracting. With the Pulse Surface Controller System, controlling percussive instruments has a more visceral, immediate quality, and via a powerful MIDI generator that generates notes in predefined musical scales the user can easily extend into the melodic domain to tap into an inspiring world of happy accidents. Power to the fingers!

System Features:

+ Piezo microphone and powerful software interface
+ Attaches to any surface via integrated suction cup
(velcro strips also provided)
+ Connects to external audio device or built-in audio inputs
(1/4″ and 1/8″)
+ Velocity-sensitive and highly responsive
+ Low-latency performance
+ Compatible with all software that accepts MIDI Note messages
(Cubase, Ableton Live, Pro Tools, VST/AU plug-ins, etc)
+ Generate fixed note or random notes in a selected scale,
with control of octave, octave width, root pitch and 21 Scales
+ Fixed note length and note choke modes
+ Store and recall presets
+ Keyboard shortcuts for quick access to presets and important controls
+ Mac OS 10.5, 10.6, 10.7 compatible
(Windows / Ableton Live users, please contact us about M4L version)

Pulse Surface Controller System

February 20, 2012 · Posted in Uncategorized · Comment 

For more information and purchase:
http://www.pulsecontroller.com

Pulse Surface Controller liberates computer-based musicians from conventional input devices of predetermined form factor and layout, allowing the user to turn a surface of various size, orientation and material into an expressive, flexible, reconfigurable MIDI controller.

Pulse Surface Controller. The idea behind Pulse Surface Controller is to liberate computer-based musicians from conventional input devices of predetermined form factor and layout, and allow the user to turn a surface of various size, orientation and material into an expressive, flexible, reconfigurable MIDI controller.

The system includes a wired piezo microphone that can be attached to a surface via the integrated suction cup (or the included velcro strips) and connected to any computer audio input, as well as a standalone software application that converts acoustical impulses from the microphone into velocity-sensitive MIDI data. With the Pulse Surface Controller System, controlling percussive instruments has a more visceral, immediate quality, and via a powerful Melodic Generator that can generate notes in various scales the user can easily extend into the melodic domain to tap into an inspiring world of happy accidents.

The idea behind Pulse Controller was born out of the belief that as computer-based musicians and performers we should not feel relegated to a grid of small 1×1″ pads or a keyboard to create our rhythms and provide pulse to our music. Controllers once intended to give us the immediacy of playing an instrument often end up feeling more disconnected and distracting. With the Pulse Surface Controller System, controlling percussive instruments has a more visceral, immediate quality, and via a powerful MIDI generator that generates notes in predefined musical scales the user can easily extend into the melodic domain to tap into an inspiring world of happy accidents. Power to the fingers!

System Features:

+ Piezo microphone and powerful software interface
+ Attaches to any surface via integrated suction cup
(velcro strips also provided)
+ Connects to external audio device or built-in audio inputs
(1/4″ and 1/8″)
+ Velocity-sensitive and highly responsive
+ Low-latency performance
+ Compatible with all software that accepts MIDI Note messages (Cubase, Ableton Live, Pro Tools, VST plug-ins, etc)
+ Generate fixed note or random notes in a selected scale,
with control of octave, octave width, root pitch and 21 Scales
+ Fixed note length and note choke modes
+ Store and recall presets
+ Keyboard shortcuts for quick access to presets and important controls
+ Mac OS 10.5, 10.6, 10.7 compatible (Windows / Ableton Live users, please contact us about M4L version)

Akai MPC Fly app walkthrough

January 26, 2012 · Posted in Uncategorized · Comment 

“We were lucky enough to grab the Akai MPC Fly app developer for a 5 minute walkthrough – something that the PR doesn’t show you.”

And here’s AKAI’s pitch:

MPC Fly merges unmatched Akai Professional technology with the power of your iPad 2, embodying legendary capabilities that have made the MPC an industry standard like real MPC pads, MPC Note Repeat and MPC Swing. Its multifunctional, double-hinged design gives you the flexibility to produce tracks anywhere, while also acting as a protective case between sessions and giving you total access to your iPad 2 for normal uses.

  • Sequence four tracks simultaneously: four-track mixer built in
  • Built in sound library of samples and drum kits
  • Record and overdub sequences and create and edit your own Programs
  • 16-Levels mode: play one sample at 16 levels of attack, velocity, length, and tuning
  • Note variation slider allows you to manipulate attack, velocity, length, and tuning as you play
  • Built-in effects: delay, bit crusher, master compressor/limiter
  • Time correct: 1/8 note – 1/32T with variable Swing setting
  • Note Repeat: 1/8 note – 1/32T timing
  • Sample using internal mic or line-in and trim and categorize samples
  • Sample from your iPod library with turntable interface
  • Share on SoundCloud, Facebook or twitter
  • Supports WIST, Wireless Sync Start protocol from Korg
  • Supports AudioPaste

Emulator KS-1974 hands-on

January 23, 2012 · Posted in Uncategorized · Comment 

Joe checks out the Kontrol Surface from SmithsonMartin.

Connect the KS-1974 to your laptop, desktop or any computer to transform them into a powerful and comfortable 22 inch surface with 4 simultaneous touch points. This is perfect for your studio or live performances. KS-1974 is a state-of-the-art DJ, VJ, and Studio Production tool. KS-1974 is the perfect size for any DJ booth or studio desk.

KS-1974 is the newest product from SmithsonMartin, winners of the 2011 DJ Mag Tech Awards: “Most Innovative Product”.  Emulator for Traktor and Emulator Modular come bundled with the KS-1974.

Emulator Modular includes a complete set of objects so you can completely custom design your own multi-touch interface with buttons, sliders, circular knobs, jog wheels and even your own custom graphics.

With Emulator Modular you can build your customized multi-touch interface in just minutes. Imagine a custom layout for Traktor, Ableton, Virtual DJ, Mixvibes, Torq, Deckadance, Arkaos, Resolume, and any other MIDI based software. You can share your creations with Emulator community, benefit from the experience and collaboration of other users from our forum. Sharing templates is easy and free, with Emulator Modular, the game has officially changed.

KS-1974 is manufactured with a highly accurate and extremely responsive 4 touch sensor, running at ultra low latency (less 4ms) and completely compatible with Windows 7 & 8 and OSX.

S-1974 is an ultra durable MIDI controller, glass used in the sensors is chemically strengthened to withstand high-volume user interaction and repetitive motion. The system allows continuous usage and will never wear out the faders and of course no more missing buttons.

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