Warping for Remixing | Ableton Live Tutorial
Ableton Certified Trainer and Dubspot Instructor Laura Escudé explains how to warp a song for remixing in Ableton Live 8. Using “Help I’m Alive” by Metric, Laura takes you step by step through the process of warping the stems of a song.
Stutter Edit – Live Remixing
Stutter Edit is a unique playable effect designed by BT and developed by iZotope. Create entire tracks from just a short loop, or generate incredible live remixes just by using your MIDI keyboard and a host like Ableton Live. Stutter Edit is perfect for both the stage and studio.
How To Get Swedish House Mafia Anthem Sound of One
How to create the big room anthem sound of Swedish House Mafia’s massive hit ‘One’. Use of stacked synth sounds to build huge layered lead line. Walk-through using Logic, synth and various FX. Free from www.soundstosample.com, the definitive download resource for music makers.
Stereo Width w/ The Haas Effect
New tutorial from Propellerhead
This week I’m going to show you one of the most tried and true methods we have to add stereo width and depth to our mixes: The Haas Affect.
Named after Dr. Helmut Haas for his early research into the effect, the Haas Effect essentially uses short delays to fool your brain into perceiving a stereo sound from a mono source. In mixing we can exploit your brain’s gullibility to carve out wide stereo fields and provide our mixes enough room for center elements like lead vocals or bass guitar.
I’ve made a combinator patch that accompanies this tutorial and it can be downloaded here:
http://www.propellerheads.se/stuff/JB…
How To Produce Massive Skrillex Basslines
Tutorial on how to create basslines using NI’s Massive
Shared via samplemagic
Trifonic – Using Morph Square in FM8
Electronic music production tutorial by Brian Trifon of Trifonic
Tutorial: “call and response” layering technique to create bass lines
Great sounds in electronic music often do not stem from one killer source. Rather, they result from blending many small elements into what becomes a singular sound.
In this video, Brian demonstrates how Trifonic applies a “call and response” layering technique to create bass lines using multiple bass tracks.
Moog 900 Series Demo Record
This is a very cool find. This is a copy of the 1967 Moog 900 Series modular synthesizer demo record. This was given to people interested in the new Moog synthesizer. This is uploaded for educational purposes only, and also to show the historical significance of early electronic music.
Shared by oboeman123
Reason Key Commands to Speed up Your Work
Wanna impress all your friends with your mad Reason skillz? This weeks episode will give you all the tools you need to have you blazing around your Reason sessions and make you the envy of all your friends.
Create basslines like the Kandi-man
Here’s what the author has to say about the tutorial:
READ ME =D
The recording is poor, you will not hear much bass at all in this, but the ideas are all there!Back with another tutorial! This is a question I get a hell of a lot, and it regards those dirty, distorted basslines that you hear in Daniel Kandi and Suncatcher tracks. Watch to see how I create them in Sylenth1.
NOTE: The effects were done VERY quickly, and I would like to point a few things out:
1. With EQ, remember to use those ears, and only boost and cut to suit your track, take these settings as a rough guide ONLY.
2. The compression, to achieve the best result, lower the threshold about 5 to 6db below the output. Say your bass is at -12db, make the threshold about -18db or so. This will make the compressor act a lot harder and tighten the sound more.http://www.mediafire.com/?3ql4zc8f8ca…
It’s also worth recommending using a VST like MonoMate or Otium BassLaneFX to center the lower end.
DATAMASKIN
