Sounds of the Venom
Via Sonic State
TubeOhm BRUNOS BIG BROTHER – TubeOhm Vintage V1.86 first prev
TubeOhm VINTAGE V1.86 coming in March
here is the prev of the new TubeOhm flagship. BRUNO‘s big brother.
TubeOhm VINTAGE contains
two complete Syths in one ( Structure 1 and Structure 2 ). Mixed mode > sampler> oscillator. Keysplit, two ARP‘s, four sampler or up to
28 oscillators / voice.
10 multistage envelopes, 6 LFO‘s, vector amp modulation , four multi VCF
MIDI free assign knobs and many many other features.
And the sound ??? Let you surprise …….
Coming soon , we hope in the first quarter of 2011
TubeOhm
- TubeOhm VINTAGE contains two complete synths in one ( Structure 1 and Structure 2 ).
- Mixed mode > sampler> oscillator.
- Keysplit, two ARP‘s, four sampler or up to 28 oscillators / voice.
- 10 multistage envelopes, 6 LFO‘s, vector amp modulation , four multi VCF
- MIDI free assign knobs and many many other features.
Wusik Arduino Drum Machine Step-Note Tracks (S1 and S2)
http://www.youtube.com/watch?v=Dj21NL1Ecjg
Overview below:
For Version 1.0.4 we added 2 Step-Note Tracks for Bass and Synth lines. This is a short demonstration of 2 patterns playing both Drums and 2 Synth Lines.
Those two new tracks, S1 and S2, have Note Selection per Step, Note-Off and Slide.
http://arduino.wusik.com
http://open.wusik.com
Grüvtron Demo
A demo showing the basic way of using grüvtron. It shows Arpeggio, Bass, Chord and Loop instruments and creation of new instrument parts through playing and morphing the Presets. Great fun! Grüvtron runs on iPhone, iPod touch and iPad 1 and 2. There will be another video later to show Audio Copy/Paste use and BeatSync for jamming with another iOS device.
Monotron modified CV Gate, Korg SQ 10 demo
Korg Monotron with a DIY CV/Gate interface, sequenced by SQ 10 / played with a roland SH 09
all sounds comes from the monotron, except the drum : sound master stix st-305
For more information about this modification see here :
http://www.dendrobate-magnetique.org/synth/article8/korg-monotron-cv-gate-mod…
sorry for the poor video quality, sound is good, live improvisation.
MIDI Sequencer test
I built a cliplead patchbay MIDI sequencer using the HighlyLiquid MIDI CPU kit: highlyliquid.com/midi-controllers/midi-cpu/
The nail and cliplead design is inspired by the work of Talking Computron.
The sequencer is a CMOS 4017 decade counter.
The MIDI notes are running to a MeeBlip synth: meeblip.noisepages.com/
A clock signal is being provided by Ableton Live, which also syncs up the drum track and bassline.
Shared by Michael Una
Teaser for VSP-330 Voice Synth Plus beta r2
http://www.youtube.com/watch?v=0K6xHk_hW4o
Version 2 beta sound test of my Voice Synth Plus VST plugin. Ready for download soon – stay tuned!
Added Features:
– Stunning new GUI looks more like a vintage instrument
– “pitch set” knob for the pitch shift slider
– “tune” knob like the original, global detuning by +/- 50 cents
– ensemble controls: rate, depth, amount
– power button!
– and a wicked new feature….OSC2 detuning! OSC2 is the source for Male 8′ and string Bass 16′. Instead of OSC2 being restricted to one octave below OSC1, pitch intervals can now be set. You can also make OSC2 be very close to OSC1 tuning, resulting in two voice unison detuned-type sounds. It takes the classic VP-330 sound to a whole new level – you will not believe your ears!
The audio was recorded in Cubase on four tracks w/ no other processing added – ALL VSP-330!
Learn to make your own Max for Ableton live synths!
How To Build A MIDI Synth In 60 Seconds With Max For Live. Yes, it’s basic, monophonic, and limited to sin waves, but I challenge you to create a velocity sensitive synth in less than 1 minute with fewer max objects!
I’m going to add features in future tutorials, including polyphony, other waveforms, filters, envelopes and much more, so subscribe and tune in! Will include modulation for that dubstep/DNB wobble of course!
Via eameres2
SynthTronica – synth for iPad – Dynamic Multitouch Filter
Space here we come:
This video demonstrates SynthTronica, the spectral synth by Leisuresonic for the iPad. This episode showcases SynthTronica’s Dynamic Multitouch Filter, an expressive and innovative musical controller, for use in live performance, and for touch sound synthesis.
Synth Architecture
SynthTronica is a hybrid instrument; its synth engine combines characteristics of virtual analog synthesis and digital sampling. For most “traditional” synthesizers, sound evolution is controlled by parametric filters — combinations of VCFs and LFOs. Instead, SynthTronica uses time-varying filter data to provide spectral evolution; an instance of such data is called a “formant”. Formants can be created in several ways, through the iPad’s microphone, importing audio files, and capturing performances of SynthTronica’s multitouch filter. While formants are currently played in strict loops, the maximum formant duration is fairly large — just over 60 seconds — providing potential for significant, albeit prerecorded, variation. The benefit of formants lies with their generality. A formant can be made from sources as disparate and varied as Nord percussion, cellos, choirs, braying donkeys, or the chorus of Katy Perry’s latest single. The latter example is an interesting consideration: a formant can reflect much of the rhythmic and sometimes vocal characteristics of its source sound, while effectively obliterating its pitch. Pitch is instead provided by SynthTronica’s synthesizer front-end. When readily-discernible formant sources are used, SynthTronica provides a unique musical space that lies between the boundaries of pure sound synthesis and referential sampling. Formant synthesis is not explicit like sampling; you play through the Katy Perry groove as if it was your avatar. With SynthTronica, a performer needs to make pitch choices for any sound to be heard.
Moog MuRF Syncing – Gate Method
Short demo:
Have a Moog MuRF, Bass MuRF or MIDI MuRF? Here’s a way to sync it to the beat using the Gate output from a Moog Voyager (w/ VX-351). This method should work with other Gate-producing gear as well. Learn more at www.experimentalsynth.com
DATAMASKIN
