“In this demo, I use a Walkman as the source for the Doepfer A-148 Sample and Hold module. The output is sent into the 1v/Oct CV input of the Kraftzwerg Triple Oscillator. Notice the subtlety of the random notes compared to using white noise. Hope you enjoy it!”
Borderlands Granular jam with iPad, specs below:
Borderlands Granular is a new musical instrument for the iPad.
NOTE: Borderlands Granular is designed for iPad 2 and 3. It will run on the iPad 1, but with potentially slower performance due to the heavy requirements of the audio processing.
Explore, touch, and transform sound with this new interface for granular synthesis, a technique that involves the superposition of small fragments of sound, or grains, to create complex, evolving timbres and textures.
Borderlands Granular emphasizes gestural interaction over knobs and sliders. Create, drag, and throw pulsing collections of grains over a landscape of audio files, or use the built-in accelerometer to sculpt sound with gravity. Record and share performances on the web.
More information including demo videos and examples is available at www.borderlands-granular.com
Doepfer Filter & iPad BORDERLANDS & BOSS SE-70
Nintendo DS running Glitch DS, to Doepfer A-119 to generate gate signals. Gates divided, multiplied, by various modules and sent to Rene X and Y inputs. Rene quantized cv to Synth Tech. cloud generator. Out to QMMG then to mixer.
Had fun with this one, hope you like it.
BRUNO ENDER LEE – “Return to the Pleiades” – performed live, October 14. 2012
MacBeth M5N & Doepfer MAQ-sequencer, Synthesizers.com Studio-88, ARP Odyssey, MiniMoog Voyager OS, Moog Little Phatty, Analogue Solutions Vostok, Korg Polysix, Korg DS-8, Korg MS2000, Roland Juno-60
2012 Velvet Voyage Productions, all rights reserved
A demonstration of Frequency modulation of a sequence on the Doepfer A 155 Analog/Trigger Sequencer with low rate cv signals and audio rate signals. Sound and Description by Raul Pena.
Make Noise Phonogene and Echophon manipulating a sample from Kraftwerk’s “Boing Boom Tschak”. Totally insane!
Phonogene output is routed to a doepfer A-119 which extracts the gate signal and then is fed back into the ping input on a 4ms PEG, then those env outs are fed recursively into the phonogene, final out into Echophon then Intellijel Mutamix.
A brief guide to sound synthesis / how synthesisers (synthesizers) work. Using a Doepfer A-100 modular synthesiser, I demonstrate CV pitch and gate signals, oscillators, attenuators, mixers, ADSR envelope generators and filters.
A new video by Keram featuring his DIY Doepfer synth:
My Doepfer DIY Synth.
I am using Silent Way( Step LFO) in Ableton with some drum loops, with Motu Ultralite , using Y cable. One side( tip) of the cable Y cable is driving the CV of the oscillator another(ring) is modulating the cut of of the frequency of the filter.
It is a first video using Sony HDR XR-500 camera using camera build in microphone.
Short Doepfer A-106-5 Demo by NetPierre
Starts with a sequenced bassline, generated by my Doepfer MAQ16/3 and Doepfer VCO A-110 (saw wave)
Bandpass Mode first, LP/HP later
A-118 Random voltages added to VC2 input somewhere in the middle.
Drums provided by an Elektron Machinedrum
More info on the A-100 and related stuff at http://PatchPierre.blogspot.com
Three takes of (basically) the same patch, played back simultaneously.
Make Noise DPO (VCO-A Lin FM of VCO-B, fixed index), controlled by Noisering outputs 1 and 2 (via Doepfer A-156 Dual Quantizer). Scaled versions of these voltages are also controlling the Rise, Fall and “Both” (timebase) values of three envelopes on two Maths modules, which are opening two LPG channels and two VCA channels on the QMMG (2x LPG –> VCA stereo arrangement), and are triggered by the Trig Outs of the A-156. Both LPGs are fed by the sine out of DPO VCO-B.
The Wogglebug’s clock out is patched to the External Control input on the Noisering, and its Stepped output (through an attenuator) is controlling the A-156′s Transpose amount.
The three takes were recorded and mixed together between 6 and 7am– lighting courtesy of the rising Chicago sun.
(Number in the top-right indicates which take is on screen.)