Streichfett – colourful string synthesizer desktop module

July 26, 2014 · Posted in Uncategorized · Comments Off on Streichfett – colourful string synthesizer desktop module 

waldorf_Streichfett_thumb

Waldorf has announced the release of Streichfett, a colourful string synthesizer desktop module.

Streichfett combines the best of the previously extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section, which is essential for recreating how adult movies sounded thirty years ago.

The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser and Reverb. Additionally, the Animate Effect can be used to modulate the strings registration, allowing spectacular sound morphs.

Streichfett is available for purchase for SRP 279 EUR (including tax).

More info here >>

64bit Waldorf Largo released

July 13, 2014 · Posted in Uncategorized · Comments Off on 64bit Waldorf Largo released 

Largo

The long awaited 64-Bit version of Waldorf Largo is now available. You’ll find the Largo download page here, and the general overview page here which has some new demos.

Largo offers three fat oscillators, two of them with sub oscillators. These oscillators include models of classic analog waveforms as well as a selection of waves from the PPG and Waldorf Wave stored in two Wavetables. All these run through two Waldorf multimode filters with steep cutoff, resonance up to self-oscillation and a drive stage to add even more punch and grainyness to the sound. Ultra-fast envelope generators and flexible LFOs as well as an easy to understand, yet extremely versatile modulation matrix make for a sound designer’s dream.

The filters have always been a core part of any Waldorf instrument. With outstanding expertise in both analog and digital synthesis, our developers took utmost care in developing the filters. And you can hear a significant difference when working with a Waldorf filter – they just sound right! Use the comb filters for plucked, stringed or blown sounds. Band pass, high pass, low pass and notch filters are all available with 12 dB and 24 dB slope. All of them sound extremely accurate and add pure sonic quality to the sound of your music.

Largo contains a flexible arpeggiator with 16 freely programmable steps as known from the exclusive Q synthesizer line plus an array of high quality effects such as Chorus, Flanger, Phaser, Overdrive, Delay and Reverb.

Barrote Jam Session

April 28, 2014 · Posted in Uncategorized · Comments Off on Barrote Jam Session 

This is Felipe Frigerio aka “Barrote” in his home studio
Bronte play the following instruments:

DSI Mopho Synthesizer
DSI Evolver
Waldorf Blofeld Synth module
Elektron Octatrack
Roland Juno Gi
Korg Radias

coming soon in youtube!
M-Audio Venom (only to control other synts)

Aira TB-3 sequencing Waldorf Rocket

April 12, 2014 · Posted in Uncategorized · Comments Off on Aira TB-3 sequencing Waldorf Rocket 

Background video description:

waldorf rocket sequenced by roland aira tb3 effects come from the mc808 in the beginning i used a little reverb later some more effects
this is just an example nothing special tb3 volume is turned down so all you hear is the waldorf rocket damn i really love the rocket great little synth

MidiBlop for Blofeld Arp

March 17, 2014 · Posted in Uncategorized · Comments Off on MidiBlop for Blofeld Arp 

Maurizio De Cecco has released MidiBlob i- a performance oriented multi touch controller for the Waldorf Blofeld synthesizer.

This video is a demo of the MidiBlob for the Blofeld App on a nice arpeggiator based Blofeld patch. Right hand play the keyboard, not visible in the video, left hand use MidiBlob on the iPad to “play” the sound.

MidiBlob is a plug and play performance oriented multi touch controller for your Blofeld synthesizer. By manipulating a 3D scene (the Blob) with a set of very intuitive interaction MidiBlob can modify and control your synth sound to a depth that cannot be reached with traditional controllers. Filters, envelopes, modulations, wave characteristics are under direct control of your fingers, the iPad become an extension of your instrument. No configuration needed.

This video is a demo of the MidiBlob for the Blofeld App, used on a nice Blofeld Lead.
Right hand play the keyboard, not visible in the video, left hand use MidiBlob on the iPad to “play” the sound.

Get it here >>

MESSE 2014: Waldorf Striechfett String Machine Demo

March 13, 2014 · Posted in Uncategorized · Comments Off on MESSE 2014: Waldorf Striechfett String Machine Demo 

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Waldorf Striechfett String Machine Demo First listen

Waldorf has announced Streichfett, a new hardware synth that combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago(!). The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.

Specifications:

  • Fully polyphonic Strings Section with Violin, Viola, Cello, Brass, Organ and Choir presets.
  • 2’nd Layer with Violin/Viola Voicing.
  • Ensemble Effect for String Section.
  • Typical String Envelope Generator with Crescendo and Release.
  • Monophonic Solo Section, offering Bass, E-Piano, Clavi, Synth and Pluto sounds.
  • Dedicated Tremolo for Solo Section.
  • Switchable Envelope generator with variable Sustain setting and Attack/Decay (Release) function.
  • Effect Section with Animate, Phaser or Reverb.
  • Layer or Split for Solo Section.
  • Dedicated balance knob for quick adjustment of layered/split sounds.
  • Fully programmable with 3 x 4 memory locations.

Controls:

  • Volume Pot.
  • Strings Section with organic preset select, Crescendo and Release pots.
  • 3-state Octave switch (Base/Both/8va).
  • 3-state 2’nd voice switch.
  • Ensemble Effect push-button.
  • Solo Section with organic solo sound select pot.
  • Tremolo pot.
  • 3 state split switch (split-point low/mid/layer).
  • 2 state sustain switch.
  • Balance pot with center detend.
  • Effect Section with 3 state switch (Chorus/Phase/Animate).
  • Effect Depth pot.
  • 3 state switch for memory bank position (A, B, C).
  • 4 push-buttons for program number (1 to 4).
  • Full MIDI/USB Control.

Connections:

  • Stereo Audio out (Left/Stereo, Right/Mono).
  • Headphone out.
  • USB MIDI.
  • MIDI in/out.

All the details on Waldorf’s new String Synthesizers – Streichfett

March 8, 2014 · Posted in Uncategorized · Comments Off on All the details on Waldorf’s new String Synthesizers – Streichfett 

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Waldorf will release a new string synth at MusikMesse but already now the full details have been revealed, read below for all the details:

Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.

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Specifications
Fully polyphonic Strings Section with Violin, Viola, Cello, Brass, Organ and Choir presets
2’nd Layer with Violin/Viola Voicing
Ensemble Effect for String Section
Typical String Envelope Generator with Crescendo and Release
Monophonic Solo Section, offering Bass, E-Piano, Clavi, Synth and Pluto sounds
Dedicated Tremolo for Solo Section
Switchable Envelope generator with variable Sustain setting and Attack/Decay (Release) function
Effect Section with Animate, Phaser or Reverb
Layer or Split for Solo Section
Dedicated balance knob for quick adjustment of layered/split sounds
Fully programmable with 3 x 4 memory locations
Controls
Volume Pot
Strings Section with organic preset select, Crescendo and Release pots
3-state Octave switch (Base/Both/8va)
3-state 2’nd voice switch
Ensemble Effect pushbutton
Solo Section with organic solo sound select pot
Tremolo pot
3 state split switch (splitpoint low/mid/layer)
2 state sustain switch
Balance pot with center detend
Effect Section with 3 state switch (Chorus/Phase/Animate)
Effect Depth pot
3 state switch for memory bank position (A, B, C)
4 pushbuttons for program number (1 to 4)
Full MIDI/USB Control

Connections
Stereo Audio out (Left/Stereo, Right/Mono)
Headphone out
USB MIDI
MIDI in/out”

Waldorf Pulse 2 at NAMM 2014

January 28, 2014 · Posted in Uncategorized · Comments Off on Waldorf Pulse 2 at NAMM 2014 

Frédéric Meslin of Waldorf Music gives us an overview of the Pulse 2. The second part of this video features direct audio in from the Pulse 2

The new filter from Waldorf and Theremini from Moog

January 24, 2014 · Posted in Uncategorized · Comments Off on The new filter from Waldorf and Theremini from Moog 

waldorf2pole_angled

“Waldorf’s mystery knob is the filter control from a big filter in a box.
That’s right, Waldorf is introducing a 2-pole filter. And one heck of a 2-pole filter it is:
Filter with cutoff and resonance, but also a Drive setting, Rectify, and switchable between low-pass, band-pass, and high-pass
LFO with Depth and Speed
LFO set to Fast, Slow, and (hilariously) Gemütlich (kinda hard to translate, actually easy-going and slower than slow)
Envelope controls: Attack/Decay/Hold, threshold, a source (hard to tell what that does), and trigger.
And it takes CV for envelope, cutoff, and gate, with jack plugs for input and output.”

theremini_upclose

“Then there’s Moog, who are introducing, as rumored, a new Theremin. And this isn’t just any Theremin: it’s a Theremin that can assist you in keeping things in tune, all whilst looking like a space-age egg from Woody Allen’s Sleeper.
It’s a Theremin with presets. Crazy presets.
It’s a digital instrument with Theremin-style controls. (Readers who speculated, you guessed right.) It’ll upset purists, perhaps, but this is rather cool: it’s based on the unique-sounding Animoog sound engine.
The synth is digital, but the input is analog: classic heterodyning style, then digitized as control signal for the engine. Onboard MIDI, CV output (presumably pre-digitization, in fact), and USB. But that engine gives you more different ways to play.
Yes, there’s a display, scale and root controls, a Presets knob, plus built-in delay. There’s a built-in speaker and headphone jack, as well, for convenience.
Price: US$299 estimated is what we heard on the floor…”

Product descriptions from our colleagues at CDM

Theremini_Render.png

“The Theremini is a re-imagination of one of the oldest electronic musical instrument in history, and Bob Moog’s first love – the theremin. Its design fuses the experience of performing with an instrument you don’t actually touch, with a powerful sound engine derived from Moog’s award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance.

A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales.

The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale & root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent.

For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity.

NAMM teaser pic from Waldorf – soon we will know

January 18, 2014 · Posted in Uncategorized · Comments Off on NAMM teaser pic from Waldorf – soon we will know 

Cut-off

Waldorf posted this message yesterday:

“NAMM Show 2014, Here We Come! Cut-offWe just embarked on the bus from Waldorf to Anaheim, and we packed some exciting new products! If you are curious or just want to say hello, we would be happy to meet you on our booth #6009.”

Note the Cutoff knob.  That’s not the Pulse 2 or the Rocket.

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