The Accelerator – full featured polyphonic synth

January 5, 2011 · Posted in Uncategorized · Comments Off on The Accelerator – full featured polyphonic synth 

The Accelerator, Radikal Technologies’ new flagship instrument, is a full featured polyphonic synth with eight powerful subtractive voices (expandable up to 32). With the introduction of its Radikal Spectralis synthesizer back in 2004 Radikal’s R&D department already had established a reputation for having created the best sounding synthesis engine in the world. Six years later the Spectralis’ sound quality remains unmatched – until now! Recent advances in DSP performance and the designer’s relentless perfectionism in the development of sound synthesis algorithms have taken things up yet another level. The result is this brand new polyphonic instrument sporting a sound quality never heard before from digital synthesizers.

New stuff from KMFDM

January 5, 2011 · Posted in Uncategorized · Comments Off on New stuff from KMFDM 

Effective immediately, Electro-industrial legends KMFDM will be releasing new material on Dependent. The first release and the band’s first single in over nine years will be “Krank”, which is German for ‘sick’. The single will feature the title track in three versions, including remixes from Skold and Komor Kommando, along with two versions of the b-side “Day Of Light”. Neither track will appear on the upcoming full length album, so both will remain exclusive to this release. Out on 10 March, the cover artwork is as usual handled by longtime KMFDM collaborator Brute.

Psychic Modulation unveils Dubtron, a bass synth for Windows

January 5, 2011 · Posted in Uncategorized · Comments Off on Psychic Modulation unveils Dubtron, a bass synth for Windows 

Dubtron is an Experimental Bass Synth designed for dubstep wobble bass, and more obscure bass sounds. Dubtron’s two oscillator sections utilize a special Unison detune feature where each voice has it’s own width control as well as drifting for a slow phasing effect. The filter’s each have a ‘Wub’ generator, which is the main feature responsible for that wobble effect. Layer in a sub oscillator and you’ve got a serious bass machine. These features along with various randomizers and FM capabilities give an experimental edge to your basslines, allowing for Dubtron to be used not only for bass, but also for unexpected, even atmospheric sounds.”
Features:

  • 2 Unison Pulse Oscillators with multiple wave shapes
  • 1 Sub Oscillator with FM capabilities
  • 2 Filters with Graphical Envelopes
  • Wub section for each filter, produces the classic dubstep wobble
  • Randomizer for wub rate, filter cutoff and Sub FM
  • FX section ranging from flanger to bathtub style delay
  • Wub speed is set to key range and can be reversed
  • Wub can be retriggered by each bar to ensure beat matching

Robert Rich at NAMM 2011

January 5, 2011 · Posted in Uncategorized · Comments Off on Robert Rich at NAMM 2011 

Robert Rich will be traveling down to Anaheim for the NAMM show to help demo some new modules on the Synthesis Technology MOTM modular synth and he is working on some new music. If you’re down at NAMM, be sure check out the MOTM booth to see Robert and their great synthesizers.

Robert Rich demonstrates the MOTM 730 Clock Divider, showing how to make the style of syncopated rhythms he’s known for on albums like Bestiary and Electric Ladder.

Via SM

Grainslide Demo

January 5, 2011 · Posted in Uncategorized · Comments Off on Grainslide Demo 

My first app for monome written in max/msp!

Any sound manipulation/change that you hear while my hand is not on screen is being caused by the crop sample length control within max. Changing the length of each sample loop.

more details here: post.monome.org/​comments.php?DiscussionID=10253

Played around with Plinkome tonight for my uprlip.com post. Nothing special… just start it and let it do it’s thing.

Shared by Jared Smyth

Exploring the possibilities of microtonal and xenharmonic music making

January 5, 2011 · Posted in Uncategorized · Comments Off on Exploring the possibilities of microtonal and xenharmonic music making 

Xen-Arts has released Xenharmonic FMTS – a 4 Operator FM Synthesis VSTi with a specialized set of features for musicians interested in exploring the expressive possibilities of microtonal and xenharmonic music making.

Xenharmonic music is music based on tuning systems other than the standard 12-tone equal tempered scale.

Xen-Arts says that the VSTi is “a gift to the xenharmonic and microtonal community, as well as to musicians and composers who are interested in exploring the exciting possibilities of microtuning in their music.”

FMTS is a free download from the Xen-Arts site. Details below.

Microtuning Features

  • Internally loads and externally receives both MTS (MIDI Tuning Standard) Bulk Dump and Single Note Microtuning Files.
  • Operator ratios can easily be set to values that are coincident with the microtuning being used, thereby producing tuning related FM sidebands in the timbre of the instrument.
  • Isoharmonic spacing of the operator ratios.
  • Precise values may be set for microtonal pitch-bends.
  • Arbitrary microtonal period shifting makes it possible to pitch transpose in both octave and non-octave increments.

FM-RM Oscillator

  • 4 Operator FM Synthesis with Ring-Modulation.
  • 57 Operator Algorithms.
  • 11 different Operator Waveforms.

Phase & Pulse-Width Oscillator

  • 22 Waveforms.
  • Phase & Pulse-Width LFO Modulation.

Envelope Generators

  • 6 independent Envelope Generators dedicated to modulating Operators A-D, Filters and VCA.
  • Velocity sensitive.
  • Keyboard tracking.

Filters

  • 2 State Variable Filters with 12 and 24 dB response.
  • Cutoff frequencies modulated by Velocity, Envelope Generator, LFO and Keyboard Tracking.
  • Low Frequency Oscillators can be set to modulate the cutoff frequencies of the filters at audio rates, thereby producing sidebands in the signal.

Effects

  • Saturator for subtle to extreme distortion.
  • 6 dB LPF Warm Filter.
  • 4-Voice Stereo Ensemble Detuner.

via Dubbhism

How to make a toy keyboard into a sequenced input device

January 5, 2011 · Posted in Uncategorized · Comments Off on How to make a toy keyboard into a sequenced input device 

Took a very basic cheap toy keyboard and turned it into a rad sequenced control voltage input device. Check it out and learn how to do it yourself!

Kinect doing Dubstep using Midi Control

January 4, 2011 · Posted in Uncategorized · Comments Off on Kinect doing Dubstep using Midi Control 

The Kinect has now been hacked to allow a user to play a virtual 5 piece drum kit, as well as being able to dance to create music using synthesizers. The software: New Wave Instrument Fabric allows a user to connect both the Kinect and WiiMote up to various Midi devices and control up to 19 midi control channels simultaneously by dancing.

http://www.youtube.com/watch?v=_e0XaeZSW-g

XBox Kinect hooked up to PC doing dubstep music controlling midi software synth with the right hand and hardware synth + fx processor with the right hand. This has to be the coolest thing I have ever touched, that includes the last motorbike I came off. To play it you have to dance; otherwise you lose sync with the oscillators and beats, I can’t believe how #’@@***ing Sik this is to play with!!!!!!!!

Shared by AlistairDBClarkson

All you need to know about BitSpeek

January 4, 2011 · Posted in Uncategorized · Comments Off on All you need to know about BitSpeek 

Sonic Charge Bitspeek is a real-time pitch-excited linear prediction codec effect. Right now you are probably thinking, “oh, another one of those”? Or perhaps not. Chances are that you have never heard about “linear prediction”, although most of us use it daily when we talk on our cell phones. Linear prediction coding is a voice compression technology that appeared in commercial products in the seventies and was implemented in some well-known speaking toys of the early eighties.

We have applied this technology to create a VST / AU effect plug-in that analyzes audio, extracts a number of parameters (including pitch, volume and formant data) and then resynthesizes the audio using a simple oscillator, noise and filter architecture.

We have added a number of playback parameters that adjusts the pitch and tonal quality of the sound as well as support for MIDI and a beat-synchronized “formant freezing effect”. Despite having only a few simple controls, this box can produce a broad range of sounds from cheap speaking toys to high-end vocoder and talkbox effects.”

Samples and demo on site.

Beneath Fear – Parallel Worlds

January 4, 2011 · Posted in Uncategorized · Comments Off on Beneath Fear – Parallel Worlds 

Created by Dimitris D. Davakis for ” Beneath Fear “, a track from Parallel Worlds’ album “Obsessive Surrealism” 2007 DiN records. www.parallel-worlds-music.com.

Doepfer A100 modular, Analogue Systems Integrator (RS370 PHG sound), system-100m(bass), electribe S(drums), s750 (string and choir) , JP8000(pad) , Reaktor (lead sound), Nord modular, MS20.

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