New electro music on this Tuesday morning
Spinning of this week with some new additions from Sinine, Vomito Negro and Ministry, enjoy
Free song download: http://www.sinine.org
Buy album on: http://www.itunes.com/sinine
http://www.accession-shop.de / http://www.lasering.ee /
Share with your friends and leave a comment if you download. Thank You!
“I Can’t See You” is the third single from Sinine – ‘Dreams Come True’ album that was released on October 19, 2012 on Accession Records.
Video credits:
Director/DOP/Editor: Ergo Kuld
Gaffer: Holger Helm
Grip: Maksim Podolski
Art director: Marili Rooba
Stylist: Anu Jääts
Stylist assistant: Margaret Kelomees
Make up: Jaana Heeringson
Production assistants: Andres Karumaa, Raivo Kolbak
Colour grading: Aleks Tenusaar at Orbital Vox studios
Vomito Negro new album “Death Sun” out 2014 by Metropolis-Records
Ministry – The Last Sucker – 13th Planet Records
Nucleus adds Viral Outbreak to the Spring Synthesis ReFill Bundle
Nucleus SoundLab has announced that it has added Viral Outbreak to the Spring Synthesis ReFill Bundle.
Another Reason ReFill has been added to Nucleus SoundLab’s Spring Synthesis ReFill Bundle. Viral Outbreak ($69 value) is now available for all purchasers who pay $49.99 or more!
Viral Outbreak brings the Virus TI synthesizer to Reason. 2.5Gb of samples and 180+ soundsets of cutting-edge electronica sounds are included. Not only that, a brand-new expansion bank of 32 patches is exclusively available with the bundle! These new patches by Tom Pritchard are highlighted by a focus on new Reason effects, including Alligator, Pulveriser, and The Echo.
The Spring Synthesis now encompasses 9 ReFills with a regular price of over $350 – at a Pay-What-You-Want price. Remember, the sale ends May 28th, 2012.
Understanding the iPolysix Step Sequencer
Understanding the iPolysix Step Sequencer.
We go over Step Switches,Step Zones,Gate Sliders,the 6 Sequence Modes and More!
The heart of the iPolysix.
Korg MS 20 Mini – Test (in German)
Background video description:
MS 20: Korg bringt den 70er Jahre Klassiker jetzt “geschrumpft” auf den Markt. Wieviel MS 20 steckt wirklich in der Mini-Version?
Electronic Eurovision
Norway did their best to position electronic music on the Eurovision Song Contest. But they certainly where not the first.
Telex from Belgium had a Moog Modular 55 on stage and some other Moog keyboards, although all un-connected.
Here’s a reportage from Telex home studio shown the guys in cozy pullovers.
Some equipment spotting:
Moog Modular 55P synthesizer controlled by PPG Computer Sequencer 350 keyboard,
Polymoog keyboard
Multimoog synthesizer
Micromoog synthesizer
Sennheizer VSM 201 vocoder
Roland CR 78 drum machine
Roland 100 modular sequencer
Orange ashtray on the mixer
Orange/White 60s chair
MD Mash Up
iPassenger – Messing about with his MDUW Mk2.
One kit made up of all internal sounds, plus a ramR and ramP machine resampling the output and adding some dirt.
Quite a few GND_— used just for lfo duties over other tracks to keep it weirding out.
CTR_ALL Also programmed and hammered on this. Often forget how useful this is to push the pattern/sounds/vibe in different directions.
New article on Logic System
Logic System is the musical project of Hideki Matsutake who was the sequencer and synth programmer for Yellow Magic Orchestra between 1978-1982, often referred to as their fourth member. Before this he was the apprentice and later assistant to electronic ‘space music’ composer Isao Tomita.
Inspired by Wendy Carlos’ album Switched On Bach, Matsutake started out in the industry arranging and programming for albums of Moog-ified popular songs (including a Beatles album), which were gaining popularity during the 70’s. He was involved in the production of various releases from pop/new wave artists in Japan (and for each member of YMO’s solo careers) throughout the 80’s, and he somehow found the time to begin to record his own output in 1981 under the name Logic System.
Full article including tracks listening can be found here >>
Teeter – Tangible Sequencing Instrument
This turntable based, free-time sequencer uses laser reflections to detect the distance of pegs as they pass by a camera and in turn trigger samples.
Programmed in Max/Msp, the PS3Eye camera calculates the distance of objects based on where the red dot reflection of the laser is on the y-axis of its lens. Up to 8 steps can be tracked reliably across the y-axis, with timing left completely free to the user to place pegs adhering to the visual grid or not.
GRP A4 filtering Acidlab MIAMI
The mighty GRP A4 Synthesizer receives audio out from MIAMI Acidlab; signal goes into RingMod (with VCO 2), Env Foll (for VCFs articulation and Gate extraction). A small touch of AutoPan for animation…
MIAMI is an analog drumcomputer based on the circuits of the 808.
Bruno Ender Lee playing Galaxies
BRUNO ENDER LEE – “Galaxies (part 2)” – studio recording May 19. 2013
-stereo-track 1: Absynth 4 – (drone)
-stereo-track 2: Korg Mono/Poly VST (arpeggio)
-stereo-track 3: MiniMoog Voyager OS (bass)
-stereo-track 4: MiniMoog Voyager OS (leads)
-stereo-track 5: Synthesizers.com Studio-88 (effects)
-stereo-track 6: ARP Odyssey (leads & effects)
composed, arranged & produced by Bruno Ender Lee
2013 Velvet Voyage Productions
DATAMASKIN
