Polyphonic aftertouch is a rare feature on modern keyboards, but the TouchKeys can map any sensor dimension (X or Y position, contact area) to polyphonic aftertouch. This makes the TouchKeys great for controlling classic synth sounds like the CS-80 (emulated here by Arturia). But the possibilities also go beyond the capabilities of the original CS-80 to include full polyphonic control of the pitch and timbre of each note.
Time for a new circuit bending video, details below:
switched mono 1/4inch jack output
power starve control
pitch up/down control
Monotribe Sync input with 4 rotary glitch switch to select which button glitch you want. The Monotribe triggers various buttons on the keyboard to make it sound glitch – video to follow for that
Background video description:
Messing around with the new Mopho. Sorry about the motion, I’m not used to the head mount camera (GoPro Hero 3). Hope nobody gets seasick. This is a Korg ER1 thru a Korg KP3. Dave Smith Mopho keyboard thru a Rogue analog chorus, Behringer vintage analog delay and Digidelay and then the Infinity Looper pedal. You can also see my home made breakout pedal that gives the reverse capability. Send on the mixer is a Hardwire RV7 reverb pedal. No other FX or EQ were added. As you can tell, I love the reverse on the looper and the aftertouch on the Mopho. Everything is midi synced.
Although I can honestly say that the PA900 is not on top of my wishlist, this video is still quite a nice intro to the new keyboard from KORG, details below:
Specifically designed to help you perform and create music, the PA900 is the latest addition to Korg’s renowned Professional Arranger line. With a new palate of sounds designed to please any audience, as well as an enormous range of Styles covering music genres from around the world, PA900 is the perfect companion for the discerning performer or songwriter.
The Pa900 sound engine uses double the PCM memory of the best-selling Pa600 and extends the amount of User PCM to 192MB. The number of user Style locations has also expanded, to cover almost every style imaginable. An improved built-in speaker system delivers it all with clear, rich sound. These new features are complemented by powerful functionality, an intuitive user interface and an array of features such as a TC Helicon Vocal Harmonizer, an MP3 player & recorder, a Dual Sequencer with crossfader, and Video output to display song lyrics, all designed to enhance any performance. A robust color TouchView screen plus Korg’s DNC (Defined Nuance Control) system–for expressively recreating instrument articulation–round out the offerings.
For more information, head over to http://www.korg.com/pa900.
Keyboard Magazine’s editor Stephen Fortner demos the MiniLab, a library of virtual analog soft synths from Arturia’s V-Collection. It’s bundled with a custom controller that pre-maps all knob assignments. All for $99.
Arturia’s product description below:
Arturia’s MiniLab USB Controller marries the style you love with the hands-on control and portability you need to take your studio wherever you go.
Made for the musician on the go or the performer with limited space, the MiniLab gives you a great depth of features in a portable package that is sturdy and looks great.
Combined with the Analog Lab software, you get a real hybrid synthesizer that comes with a collection of 5000 sounds from the Modular V, CS-80V, Mini V, Arp 2600V, Jupiter 8V, Prophet V, Oberheim SEM V, and Wurlitzer V.
- 25 note velocity sensitive mini keyboard.
- 16 encoders
- 16 pads (two banks of 8 pads/buttons)
- Pitchbend/Modulation touch strip
- Footswitch input
- Recessed full sized USB jack
- Bus powered, Class compliant
- Works with iPAD (camera connection kit required)
- Comes with Analog Lab software
- 5000 sounds from the best synths and keyboards
Released in 1987 or 1988, this is one of Yamaha’s Tone Bank keyboards. It’s a two-operator preset FM synth with a couple of voice modifiers, the expected auto-accompaniment, and some really poor drums. Master volume, accompaniment volume and auto accompaniment select are handled by physical sliders on the front panel. The only I/O port is a headphone jack.
To change voices you need to use a dedicated keypad type the number in. There is no Up/Down button for stepping through the programs. On the positive side, there IS a large display which shows the currently selected voice. There are buttons for sustain and vibrato, as well as portamento, which seems like it would be cool but has a fixed glide rate that’s disappointingly long. Good for sound effects, not so much for music.
The sounds are good, particularly in light of the crappy drums. Since it IS an FM keyboard, things like brass, organs, and bells are quite serviceable, while more natural sounds like the various guitars, piano, and woodwinds are a little lacking. The short keyboard is a definite disadvantage with some of the patches, particularly the basses.
Background video description:
Again I am comitting some musical malpractice to a well known Classic. This time the victim is Kiss from 1986.
I am not really sure what to call the person who sang it as he had the habit of frequent stage name changes. But as far as I know he was called Prince when he recorded this song.
All sounds, instruments (except the vocals) and FX processing used in the music featured in this clip are made only with the Pa900. (written and performed by Marco Parisi).
Korg debuts the new High Performance Arranger in the acclaimed PA-Series, the Pa900. The Pa900 has plenty of new sounds (featuring Defined Nuance Control for extra realism) which will impress any audience, as well as an enormous range of styles covering music genres from all over the world. Combine this with powerful functionality, an intuitive user interface and rich, powerful sound and you have an Arranger for the most demanding performer.
For more information on the Pa900, head over to http://www.korg.com/pa900.
- Enhanced RX (Real eXperience) sound engine offers improved realism and expressiveness
- Massive internal ROM; can accommodate up to 192 MB of user PCM data; provides a powerful wave memory, delivering incredible sound quality
- Three assignable switches and a four-way joystick ensure total control for the sound articulation levels (DNC – Defined Nuance Control)
- 61 key semi–weighted keyboard action with velocity and aftertouch
- Slim and compact lightweight design
- Large TouchView™ 7” TFT display
- Easy layout and intuitive graphical interface with new Search function for quickly locating musical resources
- 2-way speaker system provides powerful, clear sound
- Improved Style and Performance selection; over 400 factory Styles, each with 4 variations and 4 Fill Ins + Break, plus 15 user banks for nearly-unlimited storage of your favorite customized or user-created Styles and settings
- Enhanced Guitar Mode 2 for even more realistic guitar parts
- Chord Sequencer function records any chord progression on-the-fly
- 4 Stereo Master Effects (125 FX Types) + 2 Global Effects (Limiter, EQ)
- TC Helicon 3-voice Vocal Processor with 4 dedicated effects
- Double MP3/MIDI file players with recording capability, X-Fader and Vocal Remover
- Enhanced compatibility with lyrics in graphical format (+G) for MP3
- Enhanced sound compatibility for GM and GS songs
- Fully-programmable SongBook database based on Styles, SMF, Karaoke, MP3 with instant recall of any song setting. User-definable custom lists. Filtering and ordering options.
- Multi-language extended character set. Lyrics can be showed in their original languages (except the Oriental and the Arabic Languages*).
- New SoundFont import function
- Mass Storage with Micro SD
CasioTron Beats re-creates the rhythm patterns found on the vintage home keyboards of the 70’s and 80’s. These popular keyboards were analogue and have now become collectors items because of their warm sound.
This particular version takes the drum sounds from the then popular Casiotone MT-70 which although was more modern than the earlier models, it is still analogue as you will be able to tell from the sound.
Remember those bossa-nova and samba beats? Well here they are!
The rarest manufactured instrument – the extinct and impossible to find Birotron playing worn out mixed tapes of string section, brass, violas, choir, and flutes across the keyboard.
The Birotron (pronounced By-ro-tron) is a tape replay keyboard conceived by Dave Biro of Yalesville, Connecticut, USA, and funded by Rick Wakeman of the progressive-rock group Yes, and Campbell Soup Company-Pepperidge Farm Foods in the mid-late 1970s. A Mellotron-like instrument in the prototype stage, and intended for mass production – it was featured on a hit single and used on several albums and tours. It appeared in advertisements and received press in several newspapers as the next ‘latest and greatest’ keyboard instrument. It also received over 1000 advance orders from many prominent musicians worldwide including members of the Beatles and Led Zeppelin. Despite this success, it is now generally considered the world’s rarest keyboard instrument in the genres of pop/rock music. It also retains the highest selling price for any Mellotron related keyboard, and since its inception, has been one of the most difficult to find, seldom seen, and least recorded instruments in the entire world.
“The musician is Chris Dale who very kindly let me do the video.
So what did this instrument sound like with a decent set of unworn tapes???? That is a mystery…..Sadly we may never know.”
Casio’s Mike Martin answers questions and takes a tour of the Privia Pro PX-5S. Recorded on 6/19/2013 – Captured Live on Ustream at http://www.ustream.tv/casiomusicgear