Evolve – new soundset feauturing 70 ambient/cinematic patches for the Virus TI

November 26, 2014 · Posted in Uncategorized · Comment 

hss_evolve_thumb

Humanoid Sound Systems has announced the release of Evolve, a soundset feauturing 70 ambient/cinematic patches for the Virus TI synthesizer from Access Music.

Talented Efrain Becerra takes the Virus TI to a new dimension with “Evolve”.

The sound bank comprises of 70 amazing ambient and cinematic sounds and texture, with smooth pads, sound effects and dark atmospheres, all of which evolve in interesting ways. (Hence the name Evolve! See what we did there?)

Let Evolve inspire you and bring new life to your Virus TI.

The soundset is available for purchase for $19.99 USD. More info here >>

Monochromies

October 28, 2013 · Posted in Uncategorized · Comment 

Monochromies is a musical and visual meditation on the notion of color, composed for Virus TI, details below:

The idea of monochrome is very often associated to a single color considered in itself as the substance of a painting, since Yves Klein invented his famous blue and used it constantly in reference to cosmos and alchemy. But this conception is not aware that a genuine monochrome is far more than a unique tone and Yves Klein who was initiated to the secrets of color as well as alchemy perfectly knew it. Behind the visible radiance of a his symbolical atmospheric blue, all the dimensions of the spectrum are gathered in a composition of their different values, forming the specific vibration of the cosmic substance this artist invented. Such a strange phenomenon is not only poetry or the sign of an ancient belief conveyed into a kind of painter’s mysticism, but also a physical reality. Every color radiates through the others and produces the specific aura of each of them. As an alchemist wrote about the philosophical stone ” It has every color, white, red, yellow, blue sky, green”, is also true in the filed of music since colors and sounds are two expressions of the same basic reality. In this piece, I try to explore it by a combination of music and visual events, divided into four moments, each one corresponding to an element, but also according to a process in three dimensions plus one (space and time, sides of the triangle and their blossom in a final fourth absolute form in which the distinct lines and angles finally unite. These different moments are also successive enters into the core of the universe mystery through musical and visual doors (this is why I used the noise of a genuine door in the third enter, in association with the sounds of the Virus TI, from 6:27 to 7:52). Each door leads to a deeper vision until the piece reaches its end in the suspension of the enigma, close to its revelation, but a few steps before it since we can just go on the border but never cross it. The only knowledge we are allowed to reach being the intuition of the other side through our journey of impossible discovery.
Film and music by Marc-Henri Arfeux

The Virus TI On Stage – Depeche Mode’s Delta Machine Tour

June 20, 2013 · Posted in Uncategorized · Comment 

Ben Adams and Jez Webb took the time walking us through the Instrument Setups at the Hamburg Stadium before the Depeche Mode Gig on June 17th, 2013. Ben explained the use of the Virus Polar by Andy Fletcher and the Virus TI by Peter Gordeno. Jez showed us Martin Gore’s guitar Setup.

Radikal Technologies Spectralis 2, Virus TI Polar, Korg Radias ambient electro demo

June 16, 2013 · Posted in Uncategorized · Comment 

Radikal Technologies Spectralis 2, Virus TI Polar, Korg Radias ambient electro demo

The Spectralis 2 hybrid synth, fueled by the latest DSP- and true analog technology, delivers maximum tonal capabilities and leads you into a radical new world of sounds full of life and animation. The Spectralis 2 oscillator section takes sound design to new extremes. The 4 oscillators offer continuously variable waveshapes plus time linearity modulation, FM, PM, oscillator synchronisation, bit reduction and independent pitch and volume envelopes. The self resonating filters, a 4 pole lowpass and a 2 pole multimode filter with LP, HP, BP and notch outputs, use two highly improved true analog circuit designs to overcome the restrictions of modelling based synths.

The way players can interact with the destinc-tive user interface makes the Spectralis 2 hybrid synthesizer a killer live instrument with unbeatable richness and stunning flexibility. The synthesis engine takes advantage of a sophisticated step sequencing system – 32 independent parameter control lines with up to 192 steps let you explore an universe of previously unheard rhythmic effects and atmospheric textures. Punchy high resolution envelopes, are the cutting edge of todays synthesizer technology. They are the perfect weapon for the creation of floor pounding kicks, state of the art sequencer staccatos and numerous percussion effects.

Alba Ecstasy – Solar Field – live performance

March 18, 2013 · Posted in Uncategorized · Comment 

This track is a live improvisation using 2 sequences programmed on Korg Radias, one sequence on Mopho, the drum line fron Electribe ESX-1, the pad from Nord Lead 3 and the fulte from Vrius Ti2.
All sounds are created by Alba Ecstasy and if you like them, you can visit the store:
http://www.albaecstasy.ro/blog/store

New sounds for the Virus TI synth

May 3, 2012 · Posted in Uncategorized · Comment 

Resonance Sound has announced the release of CFA-Sound V-Bass , which they describe as “a huge bass soundset for the Virus TI synthesizer that delivers some serious weapons for mass destruction: aggressive dirty electro sounds, percussive and massive bassline tools completed with wild sequences and thrilling guitar sounds.”

Features:

  • 80 patches
  • macro controls allocated
  • modwheel allocated

Requirements: Access Virus TI OS 4.5 or higher.

Pricing and Availability:
20.00 Euros

More information:

Vocoder Athmospheres featuring KORG R3, OMnisphere, and Virus TI

September 12, 2011 · Posted in Uncategorized · Comment 

“All sequences recorded by myself.
KORG R3, Omnisphere, Virus TI sounds used for this one”

Featured gear: Omnisphere is designed with a unique user interface containing progressive layers of ‘zooming’ to accommodate the complete range of users – from musicians who just want to be inspired by the sounds and customize them in an easy way, to expert synthesists and the most advanced sound designers. Users can go deeper and deeper into the software and progress in their synthesis knowledge by simply exploring additional levels of sound manipulation options. To make sure that all users get the most out of the new capabilities, Omnisphere includes an extensive set of video tutorials and synthesis lessons taught by the renown Spectrasonics sound design team.

Omnisphere offers a host of hybrid synthesis and new control capabilities including Variable Waveshaping DSP synthesis, Granular synthesis, Timbre Shifting, FM, polyphonic Ring Modulation, high-resolution streaming Sample Playback, Harmonia™, Dual Multimode Filter structure, Chaos Envelopes™, an advanced Unison mode, and the innovative Flex-Mod™ modulation routing system – to name a few.

The huge core library of Omnisphere is filled with years of creative sampling experiments and thousands of inspiring patches. Spectrasonics has pioneered several brand-new types of sampling for the core library of this instrument, including unique “Psychoacoustic” sounds and soundsources created with a new Composite Morphing Technique (CMT) – which morphs the harmonic characteristics of one instrument to another. As a bonus, a section of the core library is also devoted to representing the best of Spectrasonics award-winning sample libraries. When all of these organic core library soundsources are combined with the synthesis power of the STEAM engine, the sounds become “alive” in a truly dynamic and expressive way.

Virus TI Programming – Animate your audio

September 7, 2011 · Posted in Uncategorized · Comment 

This episode is all about modulations and in particular the modulation matrix of the Virus TI.

“We show you how to create pulsing pads beyond the omni present pumping pad effect.”

Kinect Synapse Ableton Dubstep Raw Bass Virus TI

July 18, 2011 · Posted in Uncategorized · Comment 

This is the configuration of Synapse Kinect hack Ableton
The right hand Y (LFO) and Z (Tune) Bass Virus TI patch Raw and the left hand stutter iZotope plug combined with the right hand ..
Visuals by Quartz Composer synapse hack ..

Synapse is an app for Mac and Windows that allows you to easily use your Kinect to control Ableton Live, Quartz Composer, Max/MSP/Jitter, and any other application that can receive OSC events. It sends joint positions and hit events via OSC, and also sends the depth image into Quartz Composer. In a way, this allows you to use your whole body as an instrument.

Check out this video for an explanation of how this is done: http://www.youtube.com/watch?v=teHCHsjxI00

This is an example performance of what you can make with the Synapse for Kinect tools combined with Ableton Live and Quartz Composer. You can have this running on your computer within minutes! Head to http://synapsekinect.tumblr.com to download.

Teaser of the new Virus TI OS

January 10, 2011 · Posted in Uncategorized · Comment 

This is a little preview to one of the new things we will present at the NAMM show in 2011.
We will show you a preview version of the forth coming OS 4.5 for the entire Virus TI series.

Next Page »

Get Adobe Flash player