Airplay Soundcheck Test 1 (MaxMsp, Audulus (iOS), Airserver)

January 18, 2013 · Posted in Uncategorized · Comment 

Using the software Airserver Airplay to send the audio from iPad Audulus to MaxMsp. Soundflower for Audio Routing.

“Please ignore the audio Mic Input, in fact I just want to try whether I can Mic Input and Airplay at the same time.”

http://www.airserverapp.com – Airserver Software
http://cycling74.com – MaxMsp Software

AirServer is an AirPlay receiver for Mac/PC. It allows you to receive AirPlay feeds, similar to an Apple TV, so you can stream content or Mirror your display from your iOS devices or Mountain Lion

AirServer now delivers full 1080p HD mirroring and is faster and more powerful than ever. The update for AirServer is free for existing users, and gives you more features to make the things you do every day even better. AirServer for PC hits version 1.0 and is now feature complete, with audio, movie and photo streaming. All good things come to those who wait.

 

Teenage Engineering on cloud hunting – Introduces the OD-11 Cloud Speaker

January 10, 2013 · Posted in Uncategorized · Comment 

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Here’s the background info:

World’s first Cloud Speaker.

Today, almost all music has moved to the cloud. We think this is great evolution. Sadly, the audio equipment needed to listen to music in the cloud hasn’t really caught up with this transition. We investigated the market closely, but we couldn’t find one system that delivered both great sound and a great user experience. So we had to build it ourselves. We have created a device that is built from the ground up especially for enjoying music in the cloud. We call this device Cloud Speaker.

Everything you need is Built-In.

Inside the OD-11 you’ll find an integrated amplifier that delivers 100W. Combine this with integrated WiFi and a sound processor and you have everything you need to enjoy cloud music. To make the user experience even greater we designed an amazingly simple volume remote with wireless communication built around the latest Bluetooth 4 Low Energy chip that allows the remote to run for years on a single button cell battery. We also added a magnet on the back of the remote so you can stick it to anything from your fridge to the front of your OD-11.

Reintroducing good sound.

The original Carlsson OD-11 was introduced in 1974. Created by Stig Carlsson, the Swedish engineer that challenged the audio industry in the 60s and 70s by designing and refining his loudspeaker for real living rooms, as opposed to the common practice of developing speakers in perfectly damped rooms. Oddly, that contradiction is the same today. At introduction the OD-11 was the most affordable HiFi speaker of its time. The Carlssons loudspeakers sold over 100.000 pairs just in Sweden and was instantly established as icons of it’s time.

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The original Carlsson speaker.

Teenage Engineering has worked closely with the Stig Carlsson Foundation to build on the tradition of Stig Carlssons work and his life long mission for great natural sound. The result of this is OD-11. Carefully and meticulosly re-engineered by Teenage Engineering. Welcome to a great cloud music experience.

More info and specs can be found here >>

Audiobus In Action

December 16, 2012 · Posted in Uncategorized · Comment 

Jordan Rudess explores Audiobus, details below:

AudioBus in Action on the iPad. Using my own Geo Synthesizer to run virtual midi into ThumbJam (which is the sound source!) and is in the background using the new and very cool Audiobus, which is routing the signal thru JamUp Pro and finally the DAW app which is ready to record if I want to! The iOS music world is reaching new heights people!

Audiobus: Filtering FunkBox and Sunrizer with NLog into Loopy HD

November 25, 2012 · Posted in Uncategorized · Comment 

Sebastian uses Loopy HD to loop Sunrizer and FunkBox being filtered by NLog. Audiobus is a communications channel for sending live audio, like the audible output of a synthesizer app, or the output of a guitar amp effects app, for example.
http://audiob.us

Funkbox: https://itunes.apple.com/app/funkbox-drum-machine/id350437349?mt=8
NLog Synth PRO: https://itunes.apple.com/app/nlogsynth-pro/id393879841?mt=8
Sunrizer: https://itunes.apple.com/app/sunrizer-synth/id443663267?mt=8
Loopy: https://itunes.apple.com/app/loopy-hd/id467923185?mt=8

Teenage Engineering OP-1: Tape Machine Troubles

November 22, 2012 · Posted in Uncategorized · Comment 

This guy is experiencing ghosts on his OP-1, check it out, details below:

Today while working on a composition on the OP-1, this strange problem arose. Ghost audio segments. Watch the video and you will see what I mean. Anybody else out there have this problem? Yo, TE.. a little help!

Game changer perhaps – Audiobus Inter-App Audio on iOS Approved

September 14, 2012 · Posted in Uncategorized · Comment 

“This morning, Apple finished reviewing the first version of Audiobus, and it has been approved.

We’ve been working with a small group of third party developers that we already have a close connection with because we want to make sure that those apps can serve as examples for all the other developers (currently more than 400) for how to implement Audiobus.

Once our initial community of developers have finished the Audiobus integration, we’ll be all launching together and opening up the SDK to the public.”

So what is it?
Audiobus will allow the audio of one app to be process by another. You will be able to process your iOS synths with other synths and effects. Until now you could only run them in parallel and you could only sync or control them via virtual MIDI. Audiobus will fix this going forward.

Apogee introduces Quartet for desktop recording

September 5, 2012 · Posted in Uncategorized · Comment 

Apogee Electronics has unveiled Quartet, which they describe as “The ultimate desktop audio interface and control center for Mac.” They say that, featuring four inputs, eight outputs, MIDI, top panel display and control, Quartet sets a new standard in performance and connectivity for the modern studio. Here’s the full details in Apogee’s own words…

With ample input and output connections, the signature single controller knob, QuickTouch pads, and Apogee’s conversion technology, Quartet delivers where it counts; sound, functionality and usability.

Quartet connects to any Mac via USB 2.0 high-speed for extremely low-latency and stellar performance. From MacBook Air to Mac Pro, Quartet easily connects at amazingly high-speeds no matter the machine or sample rate; 44.1-192kHz.

Quartet’s four combination inputs offer microphone, instrument and line input with an exceptional gain range of up to 75 dB, leaving plenty of headroom for demanding microphones and sound sources. For additional channels, Quartet’s eight digital inputs create the option of connecting an external interface, like the Apogee Ensemble.

Quartet’s six balanced outputs deliver options for the video producer to mix in surround, the live performer to send multiple mixes to monitors and front-of-house and the mixer to send a mix to outboard compressors and EQs. Using Apogee’s Maestro software, the outputs will also split into three stereo pairs for connecting three speaker sets for auditioning mixes across various types of studio monitors.

A first for an Apogee audio interface, Quartet includes a USB MIDI connection for connecting a keyboard, synth or DJ controller. This feature consolidates all gear connections away from the Mac, making Quartet the control center for any studio.

Apogee CEO and Co-Founder Betty Bennett, told SBC, “We are excited to announce Quartet. Quartet offers a highly requested I/O configuration, award-winning sound and sleek design, all at an affordable price. We have listened to our customers and have designed Quartet with their requests in mind. At Apogee, we are all about delivering the absolutely best in sound, design and functionality and believe Quartet is a winner on every front.”

Quartet Highlights:

  • Best-in-class sound quality with Apogee AD/DA converters
  • 4 Analog inputs with world-class mic preamps
  • Monitor control – up to 3 speaker sets
  • USB 2.0 High-speed Mac audio interface
  • ADAT/SMUX digital inputs
  • MIDI input (USB-A type connector)
  • 8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level 1 independent 1/4″ stereo headphone output
  • 2 top panel high-resolution OLED displays
  • Controller knob
  • 6 touchpads for direct selection of inputs and outputs
  • 3 assignable touchpads
  • Quartet works with any Core Audio compatible application including: Logic, Pro Tools 9 and 10, Final Cut, Ableton Live
  • Made in the U.S.A.

Features & Specifications:

  • 4 Analog Inputs: Combination line (balanced +20dBu max), Mic/Instrument (+20dBu/+14dBu max)
  • 4 Microphone preamps with up to 75dB of gain
  • 8 Digital Inputs: ADAT/SMUX Input, 2 Toslink connectors, 44.1kHz to 96kHz
  • 8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level, 1 Independent 1/4″ stereo headphone output
  • MIDI I/O (USB-A type connector)
  • Word clock output
  • USB 2.0 High-speed Mac audio interface
  • A/D and D/A conversion: 24 bit/192kHz
  • 2 top panel high resolution OLED displays
  • Controller knob
  • 6 touchpads for direct selection of inputs and outputs
  • 3 assignable touchpads to control:
    • Mute Outputs
    • Dim Outputs
    • Sum to Mono
    • Clear Meters
    • Engage Speaker Set (allows monitoring of up to 3 pairs of speakers)

Pricing and Availability:
Price: $1,295 US, €1,295 EUR
Worldwide Availability: September 2012

More information:

Video description:

Apogee Quartet
The ultimate desktop studio interface and control center for Mac
Apogee Quartet is a professional USB audio interface designed to deliver the ultimate desktop recording experience to the Mac-based studio. Featuring 4 inputs and 8 outputs of Apogee’s industry-leading AD/DA conversion technology as well as 4 world-class mic preamps, Quartet bridges the gap between the 2-channel Apogee Duet and the 8-channel Apogee Ensemble.

Complete Connections
All the I/O you need with room to grow
Connect up to 4 microphones, instruments, keyboards or line inputs. Plug in your MIDI controller or keyboard. Expand with up to 8 digital inputs. Monitor and mix it all in stereo, with up to 3 sets of speakers or in 5.1 surround. Quartet is the center of the modern studio and will help you take the performance and sound quality of your projects to the next level.

Total Creative Control
Simple, powerful and easy to work with
With its ergonomic, angular design and intuitive user interface, Quartet is inspiring, easy to use and in perfect harmony with your workspace. Dual full-color screens for critical input and output details, QuickTouch pads for easy I/O selection, and a single controller knob to conduct it all, make Quartet the perfect studio control center for your Mac.

Legendary Sound Quality
Why Apogee Quartet is the best choice for your studio
Apogee is an award-winning industry leader in digital recording technology with over 25 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Quartet is built solidly on this reputation.

Highlights
Best-in-class sound quality with Apogee AD/DA converters
4 Analog Inputs with world-class mic preamps
Monitor control – up to 3 speaker sets
USB 2.0 High-speed Mac audio interface
ADAT/SMUX digital Inputs
MIDI input (USB-A type connector)
8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level
1 Independent 1/4″ stereo headphone output
2 top panel high resolution OLED displays
Controller knob
6 touchpads for direct selection of inputs and outputs
3 assignable touchpads
Quartet works with any Core Audio compatible application including: Logic, Pro Tools 9 and 10, Final Cut. Ableton Live

Hard Soft Synth 3jb – new audio and video synthesizer

August 23, 2012 · Posted in Uncategorized · Comment 

Bleep Labs has introduced the new Hard Soft Synth 3jb, a audio + video synthesizer. The HSS3jb features 15 modes of audio/video excellence, each with 4-5 variables of control. There are also 8 video only modes designed for use with the trigger and audio inputs. An adjustable analog filter keeps everything smooth.

Features:

  • 15 Audio+Video modes and 8 video only modes.
  • RCA, S-video, and VGA video out.
  • Audio, IR, and trigger input as well as trigger out. IR with Handmade Music Austin or Gieskes devices,
  • Hook it up to a modular via trigger or use the audio input to control the sounds and video of the HSS3i.
  • Analog low-pass filter controlled via photocell.
  • MIDI input controls device parameters.
  • Circuit bending, color switching, fade, and individual color controls for video.
  • New enclosure and more compact design (5.5? x 3.5? x 2.5?).

The Hard Soft Synth 3jb is available now for US $285.

Demo:

The new Hard Soft Synth is here. See all the new features at http://bleeplabs.com/hss3j/

Time to mangle and mutate your audio recordings – Permut8 Presentation

August 14, 2012 · Posted in Uncategorized · Comment 

http://soniccharge.com/permut8

Sonic Charge Permut8 lets you modulate, manipulate and mangle your audio in countless ways through the combination of some basic but unique building blocks. The sound of Permut8 is is inspired by primitive digital hardware. Raw and complex but noisy and warm at the same time. Permut8 was launched on August 13, 2012.

Description:

Permut8 is an effect plug-in that embraces the sounds of primitive signal processing hardware. At its core is a 12-bit digital delay with variable sample rate from 0 to 352 khz. The delay is controlled by a programmable processor that allows you to change and modulate the delay time with various “operators”. The input and output stages offers virtual analog components for saturation, limiting and filtering. The sound of Permut8 is raw and complex but noisy and warm at the same time. Permut8 is shipped with 11 “program banks” equalling a total of 320 presets covering a wide range of effects from traditional delays and flangers to beat-repeaters, bit-crushers and yet unheard of circuit bent madness. Use the player on the left to try some of the programs on top of a simple MicroTonic beat.

SpectraLayers PRO – new software for audio and video production from Sony

July 21, 2012 · Posted in Uncategorized · Comment 

Sony has released SpectraLayers PRO, the newest addition to its line of award-winning software for audio and video production. An intelligent audio editing program, SpectraLayers operates directly on waveform spectra using a wide variety of smart editing tools. Through this application, users can more accurately edit audio by graphically dividing files into discrete, user-defined layers that can be processed independently and reintegrated to achieve flawless master files.

“SpectraLayers introduces an innovative, unique workflow that redefines what can be accomplished in the professional audio editor’s suite,” said Dave Chaimson, vice president of global marketing for Sony Creative Software. “The level of editing precision and advanced capabilities SpectraLayers offers makes it an essential tool for industry professionals who demand the deepest audio analysis tools.”

SpectraLayers Offers the Following Transformational Features:
Extreme Audio Editing:
– Divide audio files into discrete, user-defined layers that can be processed independently and reintegrated to achieve perfect master files.
– Remove unwanted noises and artifacts with ease while leaving surrounding audio data completely intact.
– Separate music and dialogue into individual component layers.
– Perform pitch correction on user-selected components of an audio file.
– Employ SpectraLayers in audio mastering, sound design, analysis, and forensics tasks.
– All tools are modifiable using a wide range of user-definable sensitivities and tolerances.

Extraction Tools:
Extract audio into independent layers using intelligent, programmable tools:
– Area — select any audio for transfer from directly within the spectrum graph.
– Frequency — track frequencies and transfer them directly to selected layers.
– Harmonics — seek and select harmonics in user-defined amounts and orders.

Modification Tools:
Operate directly on waveform spectra to perform precise, creative edits:
– Amplify
– Clone
– Erase

Creation Tools:
Create sound directly in the SpectraLayers interface:
– Frequency
– Noise

Fidelity / Flexibility:
– 32-bit 96 kHz capable.
– SpectraLayers provides seamless file transfer to Sound Forge Pro and other audio editing programs.

Dual Platform Support:
SpectraLayers is available for both Mac and Windows platforms.

Price and Availability:
SpectraLayers is now available for purchase worldwide, and online for immediate download at www.sonycreativesoftware.com. Manufacturer’s Suggested Retail Price (MSRP) is $399 USD.

More information: http://www.sonycreativesoftware.com/spectralayersp… .

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