Dream, create and play your perfect MIDI controller with MIDI Designer.
“We’re adored by Recording Magazine, loved by Sound on Sound, raved about by enthusiastic users, and winner of the Sonic Touch Gold Award for Best App. Trusted on stage by touring acts like Todd Rundgren, POSTYR and Electroband. Used in studios, theaters, VJ and DJ booths all around the world, MIDI Designer is also the platform for community- and professionally-sourced layouts for top-flight gear, including synths by Korg, Roland and Casio. If you can dream it, you can create it in MIDI Designer.”
Sometimes you need a professional MIDI controller, but with just a few controls. MIDI Designer 12 provides the same rock-solid platform, ease of use and awesome playability with just 12 controls. Embrace the simplicity.
MIDI Designer is the top choice for controlling ANYTHING via MIDI—from hardware synths to DAWs, lighting rigs to other iOS apps:
- Design your perfect controller using customizable knobs, sliders, XY pads, labels, panels and more
- Choose background color, texture and LED color for up to 8 banks of 6 pages
- Save, load and share your layouts and pages with other users
- Send and receive all MIDI message types, including sysex, NRPN and 14-bit CC.
- Connect any way CoreMIDI can: use Wi-Fi or hardware such as the Line6 MIDI Mobilizer II, iRig, iConnect, and others
- Use supercontrols and subcontrols to create simple and complex relationships between controls
- Full support for external hardware via the “Pedalboards Feature”
- Presets and other features make a mature, reliable platform for your future development
MIDI Designer is easy to use, infinitely flexible and customizable, and battle-tested in performance. It’s the most-respected MIDI controller for iOS.
The app is only $0.99 at the moment.
Polyphonic aftertouch is a rare feature on modern keyboards, but the TouchKeys can map any sensor dimension (X or Y position, contact area) to polyphonic aftertouch. This makes the TouchKeys great for controlling classic synth sounds like the CS-80 (emulated here by Arturia). But the possibilities also go beyond the capabilities of the original CS-80 to include full polyphonic control of the pitch and timbre of each note.
We go over the controls and demo the features of the Native Instruments Traktor Kontrol Z1.
This is an overview of the Electrix Tweaker mapping for Traktor’s Remix Decks. NI just released Traktor Pro 2.6.2 which enables the remix decks to be mapped to any MIDI controller. The mapping is available at http://www.electrixpro.com/downloads
The Remix Deck mapping was designed to allow the user to directly access Remix Decks C/D. The Tweaker’s layout assists in more easily controlling the remix decks, with its 32 button grid giving direct access to the 16 sample cells on each deck. The Tweaker’s grid section also provides direct access to sample settings like Punch, Monitor, FX, and Keylock functions.
Additionally, the Tweaker?s pads allow the user to Mute sample slots, switch Trigger Type, as well as Play Mode (e.g. Loop or One-Shot). The mapping also allows the user to switch back and forth between Mixer Mode and Deck Mode. In Mixer Mode the knobs and faders act as EQs and Channel Faders. In Deck Mode, the knobs and faders are used to control the pitch, loops, sample pages, and more. This allows users to quickly switch between the mixer functions and deck functions.
The Remix Deck mapping can be used in a variety of situations. Two sample use cases include:
- 1 x Tweaker (Decks A/B), 1 x Tweaker (Decks C/D)
For users who want to make full use of Traktor?s Track Decks and Remix Decks, a two-Tweaker setup is the perfect fit. Performers can utilize the Tweaker?s native Track Deck mapping for Decks A/B and the newly released Remix Deck mapping for Decks C/D. Utilizing two Tweakers in this setup allows the user to perform entirely in Traktor?s internal mixing mode and thus take full advantage of Traktor?s FX, looping, and sampling features.
- 1 x MIDI Controller (Decks A/B), 1 x Tweaker (Remix Decks B/C)
For users looking for additional MIDI control over the remix decks, the Tweaker is the perfect addition to an existing digital DJ setup.Plug the Tweaker into an extra USB port and load the Remix Deck mapping. This effectively allows the user to continue using Decks A/B as usual, while expanding the user’s ability to remix on the fly by adding samples via the Decks C/D (Remix Decks).
Background video description:
Last week I finally got the Ableton Push, so this sunday I’ve tried to recreate a song on the push only to find out what you can do on the push itself and as a learning experiment. I’ve recreated a very old trance classic called Alphabet Blue – Cybertrance.
Going over the features and demonstrates the controls of the Numark Orbit wireless DJ controller.
The Numark Orbit has the standard DJ controls you can come to expect from other popular DJ controllers. There are some obvious differences but you have everything you need to get mixing and performing, right out of the box. While many DJ controllers tout the “plug and play” functionality but require a few extra steps to get going, the Numark Orbit and it’s companion Orbit DJ software synched as soon as I got connected. So if you are someone who is just starting out with audio and DJ software, you can rest assured that the Numark Orbit will not put up a fight when it comes to getting started right out of the box.
The pads, the bank buttons, the bumpers, and the endless rotary, all have a great feel and the controller itself is built very well. Using the rotary wheel in the middle is certainly a different way to DJ. It can be used to control volume, EQ levels, and act as a crossfader depending on what function you have it assigned to control. The wheel itself responds well to the touch and has a nice LED indicator for your level control.
Next to the wireless capabilities, the built in accelerometer is sort of what the Numark Orbit is all about. You can control all the parameters of your effects by tapping the bumpers and manipulating the controller in the proper fashion. Each bumper can control a parameter of a selected effect on its own, or you can hold down both bumpers and open the full function of the accelerometer control. You can lock the Numark Orbit’s accelerometer by double tapping the bumper, which eliminates the need to hold the bumper down when controlling effects.
This is a video of NE playing around with their prototype external touch pad for the NEA Pyxis aftertouch system.
“This one here is our test model. The sensor pad has many unique capabilities when interfaced with the Pyxis controller. This video is to demonstrate the percussive effects that are possible with the Pyxis. The tapping effect is created by routing the output voltage from the sensor pad to the vca and vcf. The more of the sensor signal that gets sent to either, the more pronounced the effect. Keep in mind that this is not intended to be a musically coherent demonstration, but a demonstration of the capabilities of the instrument. For more information about the Pyxis, vintage synthesizer restoration, sales, and repair, please check us out at www.NewEnglandAnalog.com.”
Behringer iSudio 202 and FCB1010 MIDI foot controller
Used Audiobus , Loopy HD as output and Jam up XT for guitar ,Rhythm Pad free for drums
Composed with Ableton Push // yehezkelraz.com
Controllerist Yehezkel Raz gives Ableton Push a workout on Paganini Etude for Push, a series of original variations on a theme by classical composer Niccolò Paganini.
The carefully redesigned DJ performance controller for TRAKTOR PRO 2 is coming soon. http://www.native-instruments.com/x1
Witness the evolution of TRAKTOR KONTROL X1. A new multi-purpose touch strip lets you nudge, needle drop, or get creative with loops and effects – at the swipe of a finger. Touch-sensitive encoders provide smart, reactive TRAKTOR integration. Command your decks as RGB back-lit buttons provide constant feedback, even in the darkest clubs.
Power, precision, and portability under maximum control – you’ve never felt closer to the music.
Jack Dixon & Rick Grant – Muted (ManMakeMusic / MMAKEM002)
George Fitzgerald – Hearts (ManMakeMusic / MMAKEM001)
October – Singularity Jump (Tanstaafl / TANS002)