Bebot is a feature packed polyphonic synthesiser that was the very first music app to fully utilise the full touch screen to control the sound. It has a single oscillator with 4 waveform choices and a sub oscillator with another 4 waveform options, including both one and two octave options below the main oscillator. It also offers distortion, chorus and echo effects, as well as y axis expression within the settable timbre/resonant range, and great sounding filters. There are 25 presets to get started with, but you can also save your own creations. It comes with scale presets and the option to create your own custom scales so you can simply slide your finger across the screen without playing the wrong notes. Another great feature is the ability to Autotune each note to varying degrees or choose not to use Autotune to get that great fretless sound. Bebot also is AudioBus compatible for use in the input slot, so you can directly record your performances into other compatible apps. The video below runs through most of the preset sounds and then continues on to explore all of the other options available, and the audio track shows a few examples of the expressiveness of the app using a few preset sounds. Bebot is a very impressive synth with great expressive control, and with AudioBus compatibility it is definitely a must-have synth, which makes it … A Killer App!Review by Nick Trass
Short, first take improv with Arp2600, Moog Voyager and Mellotron Mk. VI. Recorded in Ableton Live 9. Film edited in Sony Vegas Movie Studio 11.
A brief look at the Doepfer A121 Multimode Filter. Audio demonstrations of the Doepfer A121 Multimode filters. A specific look at the Low and High Pass Filters. Next video in series looks at the Band Pass and Notch filters.Sound and Video by Raul Pena.
Ilona and Tobias checking out the new secret OP-1 OS coming soon. Here’s a sonic sneak peak of what’s cooking…
More sounds here: https://soundcloud.com/one/op-1-os-te…
OP-1 promo is inspired by this great video:
Steelberry Clones at MusikMesse 2013
Taking a close look at the Novation Bass Station II
Copyright 2013 Stereoklang Produktion
The full sounds of the new analog synth from Novation, live from MusikMesse 2013
Yamaha’s SK-series are combo-keyboards with synthesizer, organ, brass and string sections. The SK-10 was the first of the SK-series, released in 1979 – the SK-20, 30 and 50D followed in 1980, and the SK-15 in 1981, possibly as a replacement for the SK-10. The SK-10 is the only one in the series that does not incorporate a synth section, but has organ, brass and string sections that can all be played together for more interesting combinations. Very sturdy casing, 4-octave and fully polyphonic the features also include a leslie simulator, vibrato, attack and sustain rocker switches, a slider for ‘brilliance’ and a one-octave transpose switch. Not exactly feature-laden, but a lovely string synth sound. Interestingly, they are often referred to as ‘analog’, but in fact do have a digital section. Its organ has one of the early implementations of Yamaha’s FM technology in a very limited form, concurrent with the GS-1/2 development platforms which eventually led to the DX series.
“Just a quick-and-dirty demo of the Yamaha SK-15 Synthesizer. Please excuse my poor playing skills, I was just making stuff up to show off the various sounds the machine is capable of making. This particular machine I stripped down and nearly completely rebuilt, making more than a few changes in the audio pathway.”
The new KingKorg.
“This is the first patch I have checked out so I immediately made this video. So far so good, but I think I can improve this Jump sound ”
- A full-fledged, 61-key analog modeling synthesizer designed for live performance
- Powerful oscillators that are understandable to the beginner, yet satisfying for the expert
- Modeling filters that reproduce the sound of classic instruments
- Three master effect sections (each with six effect types) add the finishing touch to your sound
- Vacuum tube driver circuit adds rich overtones and powerful distortion
- New panel layout designed for intuitive operation
- CV/GATE OUT jack lets you control a Korg monotribe or MS-20
- Support for librarian software that lets you manage programs
Here is part two of a demonstration of the sound and functionality of the oscillators of the Korg MS-20 Mini.
The DSI Evolver in action, details below:
Single patch drone on the DSI Mono Evolver keyboard, one shot recording, no editing.
VCA is held open with max VCA level with tweaking and editing of various parameters during recording. More details below..
Making extensive use of the modulation routings of all 4 LFOs, FM and RM of the digital oscillators and one of the sequencers switching the wave shape of one of the digital oscillators. Strange pitching effects courtesy of S&H modulation of the delay time on 2 of the delay lines built into the MEK. Nastiness courtesy of the tuned feedback circuit.
All running through Sonnox Oxford reverb for a bit of atmosphere, shame I didn’t have a Roland Space Echo.
Film is edited segments of Voyage to the Planet of Prehistoric Women courtesy of http://archive.org/details/Voyagetoth…
This one goes out to Atomic Shadow. – http://www.atomicshadow.com/
Jake Widgeon from Moog Music demonstrates the Moog Minitaur analog bass synthesizer at Kraft Music.