Contemporary music ensemble Icebreaker will recreate crucial phase in electronic music history – Kraftwerk
Popular demand for all things Kraftwerk will continue in the new year, as contemporary music ensemble Icebreaker embark on a live show that aims to recreate the electronic band’s experimental early period. The tour kicks off at the London Science Museum on 24 January and is titled Kraftwerk Uncovered – A Future Past.
Announcing the concept, German composer, producer and sound-scapist J. Peter Schwalm said: “Our focus is on Kraftwerk’s early, semi-improvised music that combined acoustic and electronic instruments, [and that period's] relationship to their career-defining albums from Trans Europa Express to Computer World.
“Where Kraftwerk’s aesthetic moved ever closer to the ‘man machine’ we aim to adopt a more ‘retro-futurist’ approach to find the ‘human’ inside the machine, beginning with Ralf Hütter and Florian Schneider’s own early albums”.
The tour dates are:
- Fri 24th Jan – London, The IMAX Cinema at The Science Museum
- Thurs 6th Feb – Manchester, Royal Northern College of Music
- Fri 8th Feb – Birmingham, Town Hall
- Weds 12th Feb – Nottingham, Lakeside Arts Centre
For more info, visit Icebreaker.
Rich Hilton is back from touring with Chic, which included a live appearance on X Factory in the UK, We talk Jimmy Sommerville, Elektro Moskva, Cubase Gesture Control, Da Vinci’s Viola Organista, Zynaptiq Pitchmap and the tiny linux PC Cloudsto MK802IV LE Quad Core
ACTION STRIKES delivers high-impact, orchestral percussion with state-of-the-art workflow and playability. http://www.native-instruments.com/act…
Re-envision your orchestral percussion. 12 full ensembles plus 65 single instruments, exclusively recorded in uncompromising quality. Hundreds of timeless rhythms, adaptable for any project. And a state-of-the-art interface that lets you direct the drama in real time. Become the conductor — this is ACTION STRIKES.
Learn how to use Action Strikes’ state-of-the-art interface in this informative tutorial video. http://www.native-instruments.com/act…
Gravitation in Time (2013)
Composition for Orchestra, Robotic Instruments, Leap motion and Electronics
Composed by GayBird
Gravity Glock (robotic instrument) concept and design: GayBird, Thomas Ip
Engineering and programming: Thomas Ip
Gravity, as an ultimate natural force on Earth, people living there may easily neglect its presence, and not to mention to its influence in our seemingly ordinary everyday experience.
We are used to take such magical force for granted, however, the potential energy that it can generate is indeed powerful. My work – Gravitation in Time, is intended to draw our attention to such force again.
To perform this piece, I have custom-made two pieces of robotic instruments – Gravity Glock. They are activated by the gravitational force, and incorporate with mechanical engineering and electronic sound processing, to provide a breath-taking audio-visual experience to audience.
Musically, the constantly progressing serpentine melodies symbolised the state of unawareness presence of gravity. The piece is structured from scattered to polyphonic texture, and developed into an integrity ensemble of repetitive melodies, that demonstrated the weight of gravity in an abstract sense.
Great Violin Concertos – Iskandar Widjaja Plays Wieniawski
Presented by Hong Kong Sinfonietta
Date: 12 October, 2013
Venue: Concert Hall, Hong Kong City Hall
The magic of the ARP Quartet lies in layering its four sounds (Brass, Organ, Piano, and Strings) together in interesting ways to create some huge analog sounds. Here are a couple short demos of the huge analog walls of sound that can be created by combining Brass & Strings, and Strings & Organ together.
More on the ARP:
The ARP Quartet is identical to the Italian made Siel Orchestra. In fact, it is the Orchestra! ARP bought, relabeled and sold it as the Quartet without changing it much. It’s a 4-part orchestral synthesizer with 4 sections: Brass, Strings, Organ and Piano. These 4 tone color families can be played individually or two can be simultaneously played. They are also individually tweakable. Selected presets will light up LEDs to show you which sliders and buttons can be used to modify the current section. The synth itself is very limited however, and there’s no external control, no pitch/mod wheel and few edit parameters. But it sounds very good and it is, after all, a classic analog synth.
The Brass section creates Trumpet and Trombone sounds with independent attack and sustain controls. The String section creates Cello and Violin sounds with independent attack and sustain controls. The Organ section is 2-voice and has a Celeste sound available as well. The Piano section offers two types, traditional or Honky Tonk.
For full details visit: http://bit.ly/YI0HgY
Garritan Instant Orchestra is about instantly producing orchestral music very quickly and easily. Our goal is to provide an instantly playable orchestral library with many pre-packaged orchestral sounds.
This library was designed to be an effective shortcut to reach your musical goals. Consider it as a Swiss army knife for musicians – a clean, simple, multi-purpose orchestral tool that will allow you to do many things in an instant. Moreover, it is affordable and fulfills our mission of simplifying and democratizing making music and orchestrating.
Instant Orchestra is for those who do not want to spend time building orchestrations with one instrument or section at a time. It provides pre- packaged groups of instruments, combined sections, orchestral effects, and mood-based presets. Instant Orchestra is designed for those who know little about orchestration or do not have the time to build them. The idea is to provide a large variety of lush, playable orchestrations with the least time and effort.
This is mostly to show what is available and what IO is about. It does not even touch the amount of patches one can use. Often I just randomly hit the notes with the mouse in some cases. I did not want to make a composition, just simply show some stuff from each folder including big multis that are presets to give instant gratification.
I hope this clears up any misconceptions. It is a swiss army knife for orchestra.
A walk-through of some of the features of Indiginus’ Solid State Symphony, the Analogue Orchestra sample library for use with Kontakt 4+
The Laptop Orchestra of Lake Forest Academy plays Radiohead’s “Meeting in the Isle” as they open their Fall 2012 concert. 8 musicians play and project iPads on sound panels behind them while using a combination of apps including Animoog, iMS-20, iElectribe, Reactable, and Garageband. The Laptop Orchestra is held as a class within the Fine and Performing Arts department alongside Orchestra and Choir. 2012 marks its 3rd year as a class and 6th year as a part of Lake Forest Academy student life.
Radioactive orchestra is a cross-boundary collaboration of nuclear physicists, a DJ and one media artist. The project wishes to inspire young people to learn about the natural sciences, but it also has an artistic aim to find new musically interesting patterns. By giving every radioactive isotop its own sound based on scientific algorithms they turn nuclear science into music, hence making a world available to us that our senses can not otherwise percieve.
Interesting experimental video from Chris Cairns, details below:
So glad to be able to share this!
We, and by we I mean isthis.gd, built a MIDI orchestra from old computer junk. Photocopiers, scanners, fax machines, printers,hard drives, modems and the like.
We thought it’d be most fun to do it for real.
We were really inspired by Tristram Cary, James Houston, BD594 and other radical tinkerers. Making cold stuff warm is fun.
We found loads of old machines destined for landfill, took them to bits and reverse engineered them to make noises that we could control via MIDI.
Badman Will Cohen made an arrangement of Bob Dylan’s ‘The Times They Are A-Changin’ but the orchestra can play any MIDI arrangement, or indeed be performed live.
Maximum respect to Neil Mendoza, Marek Bereza, Will Cohen, Stefan Dzisiewski-Smith, Justin Pentecost, Mike Harrison, Mat Holloway, Bonnie Anthony, Jason Oakley and all at Partizan, Liat Wassershtrom, Ben Joffe, Tim Leask, Jack Ellis, Ozzie Pullin.
Awesome cinematography by Denzil Armour-Brown and Daniel Lowe. Tight edit by Ross Hallard.