This is the second video aimed to demonstrate the diverse capabilities of the three oscillator desktop sized MacBeth X-Series Micromac-D analogue synthesizer. In this video, we get to hear what the Oscillator section does, plus a few extras! As always, when things get going- hows does one adequately show what the potential of this thing has? Watch on………..there’s some Trio-phony too!
ArcWave is a granular re-synthesiser for Native Instruments Reaktor that uses samples in place of oscillators allowing very diverse waveform generation from virtually any conceivable sound source.
The Demo Track “UnderWater ArcLight” was improvised live using ArcWave, no other synths, effects or sounds have been used.
The track was recorded in Logic on a MacBook Pro and uses only 9 patches.
Each part was independently bounced down before playing the next, leaving 9 recorded audio tracks at the mixing stage, two of the tracks had a small amount of EQ cut at about 500 Hz to remove some of the energy, plus a bit of automation was then used to control the track levels.
The finished mix was then bounced through a 5 band compressor in Logic to produce the 24bit master, no post processing has been added.
Background video description:
Some leftover footage from a recent video project. Sounded too good not to use for something. Learn more at www.experimentalsynth.com
To give you a flavour of the 5 Oscillator/ 2 filter sound- MacBeth set up this on the M5X prototype. It’s pretty massive with hints of spring line reverb and cross modulation from one of the VC Modulators modulating as well as being audio! It’s a booming, massive sound!
In this video, Rich Formidoni takes you through the various types of oscillators that are the basic foundation of KingKORG’s sound.
For more information, please visit korg.com/kingkorg.
This first A4 tutorial focuses on the Oscillator pages, and how to apply dynamic changes to a static sequence by modulating parameters with the velocity.
Here is part two of a demonstration of the sound and functionality of the oscillators of the Korg MS-20 Mini.
First part in a new series of explorations of the Moog Sub Phatty, details below:
Here is a demonstration of the sound and functionality of the Moog Sub Phatty.
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The Moog Sub Phatty theme is comprised of Sub Phatty sounds, with the exception of the drums, which were programmed using an Ensoniq ASR-10. There are no effects used of any kind.
See if you can spot the two glaring quality control failures which evince my commitment to getting videos out quickly to all of you.
The Moog Foundation has really been busy over night – uploading some 20+ videos, below you will find a snapshot on what you can explore on their Youtube channel
This is the introductory video for the Bob Moog Foundation/macProVideo series “The Foundation of Synthesis.” In it, Marc Doty sets the stage for the intent of these videos, which is an integrative instruction which not only describes synthesizer function and operation, but also gives a historical foundation for the functionalities and their implementation.
Pulse Width Modulation is a pleasing aural effect generated by the voltage-controlled adjustment of the width of a square wave. In this Foundation of Synthesis video, Marc demonstrates this function on several classic synthesizers. The video includes an oscilloscope, which shows you exactly what is happening when the width of the square wave output of the oscillator is changed!
In this part of the 3rd Tutorial of the Foundation of Synthesis, Marc outlines the history of the filter from its origin in the telephone to its application in electronic devices in order to give a firm understanding of how the filter came to be an important part of modern synthesizers. The filter is a function which removes harmonics from a sound. Since harmonics define the timbre of the sound, this is a fast and easy way to create new timbres.
Control voltage is the concept synthesis had waited for for 60 years. This technology united the synthesizer into a single device as well as allowed that device to become fully controllable and automated. Control voltage was a revolution in synthesis. In this video, Marc gives a short history to this amazing development.
Xen-Arts has released XenFont – a two oscillator, hybrid SF2 SoundFont & Subtractive Synthesis VST for Windows.
It features full-controller MIDI Pitch Microtuning, using the MTS (MIDI Tuning Standard) format, where any MIDI Note Number can be freely microtuned to any desired pitch across the MIDI range, enabling computer musicians and composers to explore the expressive possibilities of composing music with alternative intonation systems.
XenFont is ‘a microtonal sound-designer’s SF2 sample-based synthesizer’, with a carefully designed workflow for quickly creating powerful sounding and musical useful timbres. The instrument lets you load your own SF2 SoundFont files. Routing the SF2 SoundFont Oscillators through the internal synthesis functions of the VSTi, provides a way to radically transform the original sounds and create new synthesized timbres.
XenFont is also an educational tool for learning about computer music sound-design, sampling and subtractive sound synthesis, as well as musical instrument intonation (aka microtuning and xenharmonics).
- Load your own SF2 SoundFonts into a fully microtonal, hybrid sampling & subtractive synthesis based VSTi.
- A ‘knob-less’ design featuring slider controls only, which enables intuitive direct control with a computer mouse.
- A dedicated control signal system mapped to the most important synthesis functions.
- Settings are made by typing values into fields, dropdown lists, left-and-right arrows, switches and sliders.
- Specify precise microtonal pitch-bend settings.
- Features arbitrary microtonal oscillator transposition settings.
- Velocity modulation of harmonics enables dynamically playing harmonics of the fundamental pitch.
- Envelope generators with per-stage ADSR keyboard tracking.