ReDominator is an emulation of the classic Alpha Juno 1/2 (JU-1/2), a polyphonic DCO (digitally controlled oscillator) based synth from 1986. The JU-1/2 became popular in the early 90’s techno and rave scene particularly by the classic Hoover sound (which ReDominator attempts to emulate accurately). But beyond those niche sounds there lays a versatile synthesizer that does bass, pads, leads, organs and a lot of other sounds waiting to be discovered!
Available at the Prop Shop:
- Oscillator A’
- Oscillator A Waveforms:
- Square, Sine, Sow, Revers Sow.
- Oscillator A Volume.
- Oscillator A Step:
- X1 X2 X4 X8 X16
- Oscillator B’
- Oscillator B Waveforms:
- Square, Sine, Sow, Reverse Sow.
- Oscillator B Volume.
- Oscillator B Step:
- X1 X2 X4 X8 X16
- LFO Waveforms:
- Square, Sine, Sow, Reverse Sow.
- LFO Amount.
- LFO Rate.
- LFO mode:
- Filter, Pitch, Wave.
- Arpeggiator Step:
- Up, Down, Up & Down, Random.
- Octaves, 1 To 5.
- Arpeggiator Rate.
- Volume Envelope’
- Attack, Decay, Sustain, Release.
- Filter Envelope’
- Attack, Decay, Sustain, Release.
- Oscillator B Fine Tune’
- Oscillator A-B Sync.
Warning Before Use:
Please Volume Down, The Gain is +10db : )
Also The 432Hz Synth Has No Rules, Only Pure Fun. Enjoy!
Powered by Oren Fridman – Promobeat™. This Synth Dedicated To Mr Allen Porter Behind This Open Source Code.
New UltraMini 1.5 : rich hybrid software synthesizer based on the classic sounds of the original ‘affordable analog synth’. With over 200 new presets, a low-CPU mode and computer-based authentication, UltraMini is leaner, meaner and easier to use than ever.
The same thick analog tones, meaty harmonics and modeled filters that made v1.0 so aggressive are back in spades. Over 200 new presets have been forged by the sound design team at UVI, giving you over 600 in total. Find the sounds you’re looking for quickly with convenient category browsing and explore a wide range of analog timbres and soundscapes provided by the newly updated patch library.
UltraMini 1.5 also introduces a new low-CPU mode, known internally as UltraMini LE. This new mode significantly reduces the processor overhead by replacing the dual multimode filters with dual single-mode LP filters. The new filters offers the same great sound as the original at a fraction of the CPU cost, making UltraMini a no-brainer go-to synth for classic analog sounds. The new low-CPU mode is perfect for laptop-based producers, composers working with large multitrack arrangements or anyone who needs to keep their processor use in check.
Also included is compatibility with the completely revised iLok system; now supporting computer-based authentication. Utilizing the free iLok License Manager, your UltraMini license can now be stored on a computer hard drive or a physical iLok dongle. Furthermore you’re free to move your license from computer to iLok or vice versa at will, giving you the ultimate in convenience and portability. Gone are the days of dongle dependance — authorize the way you want to.
Free Ableton Live Instruments created with vocal samples from Alluxe’s “Warrior”
Caustic 3 is a music creation tool inspired by rack-mount synthesizers / samplers rigs.
Everything is real-time and optimized for mobile devices.
Create your rack by adding up to 14 machines from a choice of:
* Subsynth – Virtual analog subtractive synthesizer
* PCMSynth – Multi-sample wave synthesizer
* BassLine – 303-like monosynth
* BeatBox – 8-channel sampling drum machine
* PadSynth – Harmonic table pad synthesizer
* 8BitSynth – 8bit equation solver synthesizer
* Modular – Fully configurable and routable synthesizer
* Organ – Hammond-like tonewheel organ with rotary speaker
* Vocoder – 8-band harmonic vocoder
* FMSynth – DX-style 3-operator fm synthesizer
The app also includes:
* Effects rack supporting 2 effects per machine. (16 effect types)
* Mixer desk with global Delay/Reverb effects
* Master section with parametric EQ and limiter
* Song sequencer
Supports automation on most controls and includes powerful editors for modifying recorded automation curves.
All files are stored on the user-accessible storage, and users can supply their own WAV files for use in the PCMSynth, BeatBox, and Vocoder.
Supports all uncompressed WAV files (8-16-24-32bit, any sampling rate).
The PCMSynth can also load SoundFont files (.sf2) and FL Studio mobile instruments (.instr, .ZIP)
Class-compliant USB MIDI controllers can be connected via USB OTG cable on devices running at least Android 3.2 and supporting USB host mode.
Just going through some of the sounds in the Arp 2600 V2 Bank.
Going through yet more of the Arp 2600 V2 patches.
Analog Laboratory is an extremely powerful software synthesizer solution.
First of all, Analog Laboratory offers 4300 legendary classic synthesizer sounds from Arturia’s vintage analog recreations: Mini V, Prophet V, CS-80, Jupiter-8, ARP, Prophet VS,Moog Modular V, Wurlitzer and Oberheim SEM V.
But Analog Laboratory goes further by offering a unique interface to tweak them all as well as the ability to edit each of them in depth, in the original synthesizer*.
With the addition of 200 scenes organized by genres, including drum loops, advanced arpeggiation melodies and ways to allocate sounds to different parts of your keyboard, Analog Laboratory is likely to become your favorite synth workstation, constantly feeding your creativity with inspiring ideas.
Rhythmic Robot has released SH Poly, a classic analogue subtractive synth for Native Instruments Kontakt, sampled from Roland’s 70′s flagship synthesizer, the SH7.
It features two main oscillators accessing six different waveforms between them, plus a white / pink noise generator, dual LFOs with sine, ramp or randomised output, and a host of modulation possibilities.
The two main oscillators can be thickened further using the Multi-Osc feature, which adds multiple extra detonable oscillators – up to a maximum of ten, for an intense, stacked, “supersaw” style sound. SH Poly also features a selection of 70s-inspired effects and Rhythmic Robot’s trademark Glitch button, which randomises the instrument in a musically-aware fashion, making generating your own patches extremely simple. The user interface is closely modelled on the classic Roland signature graphics and colour palette.
The original SH7 was a powerhouse monosynth that crowned Roland’s lineup in the late 70s. SH Poly takes that amazing sound and crams it into a poly machine: rich, lush pads and thick basses can be dialled up with ease; bubbling leads and squelchy riffs are right there too. The sound is characteristically dense, warm and rich, especially with the Over Load control turned up and a little dose of Multi-Osc.
SH Poly features
- Classic twin-oscillator subtractive synthesis in a Roland-inspired framework.
- Multiple samples of authentic SH7 oscillators.
- 58 factory patches to start you off.
- “Multi-Osc” allows extra oscillators to be switched in for a hugely rich, intense sound.
- “Glitch” button for instant, musically-randomised inspiration.
The Poly SH for Kontakt is available to purchase for the introductory price of £13.45 GBP (regular £14.95 GBP).
Novakill has announced that its Ultrakiller synthesizer instrument for Windows is now available as freeware.
ULTRAkILLER is NOVAkILL’s latest uber-synth.
It has two oscillators, each of which offers multiple forms of synthesis. They run through two independant multi-mode filters with multiple routing opportunities. Three envelopes, two LFO and a modulation matrix make for almost endless possibilities.
You can now download it for free.
The Ultrakiller plug-in is available for Windows VST (32-bit).
Here’s a new teaser featuring Madrona Labs’ new soft synth Kaivo
Cube Synth is a groundbreaking new iPad Synthesizer giving you the power and flexibility of additive synthesis together with easy editing and morphing capabilities. Macro parameters allow you to control this beast with unequalled ease.
Intelligent sound morphing capabilities enables you to easily create complex evolving sound scapes, vocal phrases or stunning rhythms simply by choosing up to four sound sources from a predefined set. Then add one of the predefined envelopes and a unique, complex sound preset containing thousands of parameters is created! If you want to dive deeper into the inner secrets of this synthesis monster you can manipulate each parameter individually to get precise control over the sound. A number of high level parameters such as Brightness and Harmonic spread control hundreds of synthesis parameters in a way modeled after the inner workings of natural instruments.
Cube Synth gives you also a new method of getting randomly generated sound patches in a way you never experienced before: roll the dice! Every single try gives you a new unique sound patch, really every try, promised…
• over 400 sound presets
• four morphable sound sources
• up to 512 partials per voice
• harmonic/inharmonic spectra
• arbitrary noise spectra
• morphable filter banks
• 3 Envelopes with tempo sync
• 64 time/level segments per envelope
• Uses programmable sequences with up to 32 steps.
• Can trigger single notes and chords.
• Unique randomizer generates Arpeggios with 100% usability.
• 32 Arpeggios included, unlimited useer arpeggios possible.
• For each step you can program tie, accent, transposition and note order
• Audiobus compatible (Output)
• CoreMIDI / Virtual MIDI
• Audio recorder with Metronome.
• Upload to SoundCloud and File Export.
• Audio pasteboard.