KORG pitchblack Portable
KORG pitchblack Portable :
http://www.korg.co.jp/Product/Tuner/pitchblackportable/
In Googlish from japanese:
pitchblack Portable is a polyphonic tuner for guitar / bass to be equipped with a high brightness LED display outstanding visibility, unparalleled tuning to achieve accurate and speedy. You can check visually the deviation of the pitch moment of each string, make ultra-high-precision tuning of ± 0.1 cent quickly. Also features Korg’s proprietary cable checker to detect the disconnection of the cable, the stage is ideal for studio use of course. Lineup, the three models of aluminum black / red aluminum / silver aluminum Wearing a beautiful hairline. pitchblack Portable is presenting the guitar / bass tuning up a notch.
Nord C2D Combo Organ
Three musicians showcasing the different sections of Nord C2D Combo organ. Tone-wheel Organ: Pierre Swärd, Baroque Pipe Organ: Ulla Olsson and Mats Björke on the Farfisa Transistor Organ.
Read more about the Nord C2D here: http://nordkeyboards.com/c2d
Big thanks to the musicians and to Hasse & Lasse (http://www.hasseochlasse.se/) for making the video!
MS-20 is reborn!!! – KORG MS-20 mini Overview
Join Korg Inc.’s own Fumio Mieda and Hiroaki Nishijima – the engineers who brought us the legendary MS-20 back in 1978 – as we take a look at the new MS-20 Mini! Both personally oversaw the design of the modern-day MS-20, which features the exact same true-analog signal path as the legendary original. The incredibly powerful dual filters with peak/resonance, CV functionality, external signal processing, and unique hands-on patching system are all here – with 5-pin and USB MIDI to boot — and all at 86% of the original size.
For More Info on MS-20 Mini head over to
http://www.korg.com/ms20mini.
WNAMM13: Korg MS20 Mini First Look Its an analog MS20 only smaller
Press release:
Today Korg announced a new analog synthesizer, in a bite-size form factor. Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still coveted to this day for its thick, robust sound, powerful, iconic analog filter, and versatile patching options. It has now been reborn as the new MS-20 mini. The same engineers who developed the original MS-20 have perfectly reproduced it in a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original.
The MS-20 Mini offers the same distinctive synthesis that made the original MS-20 popular: two oscillators with ring modulation, and envelope generators with delay and hold. The VCA (Voltage Controlled Amp) maintains the original basic design, but it’s been modified to produce less noise. Particular attention has also been paid to delivering smooth parameter adjustments, which are a distinctive feature of analog synthesizers. Special care was also taken to completely reproduce the original specifications of the MS-20, to deliver the same powerful sound, from deep, growling basses to crisp, rounded leads.
One of the most well-known – and still most sought after – characteristics of the original MS-20 was its powerful filters, which provided both high-pass and low-pass with peak/resonance. Maximizing the peak/resonance would cause the filter to self-oscillate; producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was used many years later on Korg’s monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.
The ESP (External Signal Processor) functionality carries on the experimental spirit of MS-20, allowing users to utilize the pitch or volume of an external audio source to control the synthesizer. For example, an electric guitar can be used as an input signal, and the MS-20 mini can be used as a guitar synthesizer, or the mic input can allow it to be used it as a vocal synthesizer.
The patching system enables the creation of complex sounds by allowing the rerouting of both modulation and audio (both the internal oscillators and external audio). Different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart printed on the panel, musicians of all levels can take advantage of these possibilities right away.
To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original, with meticulous care taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4″ phone plugs to mini-plugs, and the newly-designed keyboard is 86% of the original size as well.
The MS-20 mini is equipped with a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. Users can also connect the MS20 mini to a computer and play it from an external sequencer.
For added authenticity, the MS-20 mini packaging replicates much of the original. Also included are the original MS-20 owner’s manual and settings chart.
The Korg MS-20 Mini will be available April 2013 for a U.S. Street price of $599.00 Additional product information is available at Korg.com.
NAMM 2013: Akai MPX8 eight-pad sample launcher
At NAMM 2013 Akai show Future Music their new MPX8 eight-pad sample launcher complete with SD card slot, built in effects and MIDI I/O.
Korg KingKORG Modeling Synthesizer Product Overview
Korg’s new KingKORG modeling synthesizer delivers the sound and excitement of vintage analog synthesis, with next-generation power and flexibility that could only come from Korg. It’s optimized for live performance, and its easy, knob-driven interface also makes deep sound creation a breeze.
Learn more about KingKORG at http://www.korg.com/kingkorg.
Ready for live performance.
KingKORG is the full-fledged analog modeling synthesizer you’ve been waiting for. It carries on the design philosophy of classic Korg analog synthesizers such as the MS-20 and the Mono/Poly, which gave rise to the Prophecy, the Z1, the MS2000, and the RADIAS. This exciting new instrument delivers the unique characteristics of a dedicated synthesizer, especially the fun of transforming the sound by tweaking an impressive array of knobs. While technologically impressive, KingKORG is approachable even to players who are new to synthesizers. And it particularly shines on stage, not only with its great sound, but also literally with a gorgeous champagne gold finish, befitting its royal name – KingKORG.
Product Highlights:
- A full-fledged, 61-key analog modeling synthesizer designed for live performance
- Powerful oscillators that are understandable to the beginner, yet satisfying for the expert
- Modeling filters that reproduce the sound of classic instruments
- Three master effect sections (each with six effect types) add the finishing touch to your sound
- Vacuum tube driver circuit adds rich overtones and powerful distortion
- New panel layout designed for intuitive operation
- CV/GATE OUT jack lets you control a Korg monotribe or MS-20
- Support for librarian software that lets you manage programs
Press release:
Korg USA announces the King Korg analog modeling synth. Focused on live performance, it features Korg’s new XMT (Xpanded Modeling Technology) engine, with many types of oscillators and filters that can accurately model sought-after vintage analog synths. With its controls laid out in easily identifiable sections, King Korg delivers the unique characteristics of a dedicated synthesizer, while remaining approachable to players who are new to synthesizers. It not only shines on stage with high quality sound, but also with a champagne gold finish befitting its royal name.
A 3-oscillator, 2-timbre design allows players to generate thick and rich sounds. In addition to essential waveform choices such as sawtooth, square, sine, triangle, and noise, King Korg provides pre-set algorithms that contain various combinations of oscillator numbers and types, for easily and quickly sculpting stage-ready sounds. The oscillator algorithms also include numerous PCM/DWGS algorithms for creating highly personal sounds.
The filter section is crucial to a synthesizer’s character, and King Korg’s filters add unparalleled flexibility. In addition to a variety of essential analog modeling filter types, there are faithful filter models from analog monophonic synths that were used for lead and bass sounds in the ’70s, as well as the polyphonic synths used in new wave music of the ’80s, plus the filters of Korg’s classic MS-20 analog synth. These filters can also be made to self-oscillate by raising the resonance setting- a unique capability of analog synthesizers.
A selection of 200 stage-ready preset programs includes many familiar and authentic sounds for playing classic and modern songs, plus fresh, inspiring sounds for new musical creations. An assortment of live performance staple sounds includes PCM-based piano, electric piano, organ, and clavinet. Users can store their own creations in 100 onboard user sound locations.
Each of three master effect sections offers a choice of six effect types: PRE FX such as distortion and amp simulator; MOD FX, including phaser, chorus, and tremolo; and REV/DELAY such as hall reverb and modulation delay. A full-analog vacuum tube driver circuit is also included as a mastering effect. It can be used to add warm fullness, a powerful overdrive, or anything in between. In addition, a built-in, full-featured vocoder uses audio from the onboard mic input to create a talking effect.
Many classic synthesizers used patch cables to physically reconfigure the signal flow. King Korg’s intuitive Virtual Patch system reproduces this function. With six Virtual Patch assignments per timbre, control signals such as EG, LFO, or joystick movement can be virtually connected to sound parameters such as pitch or cutoff, allowing users to modulate a parameter for even greater sound-shaping possibilities.
King Korg’s design makes it easy to create and modify sounds. The oscillator section has its own dedicated display, and the control knobs are assigned to the most important parameters for each oscillator. There are also dedicated dials for each of the three master effects, making it easy to audition different effects to hear how they modify the sound. Self-luminous organic EL displays are used for excellent visibility, even on a dimly lit stage.
King Korg features five octaves of velocity-sensitive keys, with adjustable response (Normal, Shallow, or Deep) to mimic that of classic instruments. Below the dedicated octave shift buttons, a backlit X/Y joystick is ready to control important live performance tweaks.
A CV/GATE OUT jack enables players to use an analog signal to control a KORG monotribe or MS-20. A dedicated cable is included to use the keyboard of King Korg to play the monotribe.
The King Korg will be available February 2013 for a U.S. Street price of $1299. Additional product information and sound demos are available at korg.com
Introducing the Prophet 12 Synthesizer – Dave Smith Instruments
Introducing the Prophet 12! At twelve voices, the Prophet 12 boasts the greatest polyphony of any instrument designed by Dave Smith. Each voice features four oscillators capable of generating classic and complex waveforms, a sub-oscillator, resonant analog low-pass and high-pass filters, and analog VCAs. The new Character section adds a variety of wave shaping and sound sculpting options, like Drive, Hack, Decimation, Girth, and Air. Additional features include a tuned feedback path, a four-tap stereo delay per voice, expanded arpeggiator functionality, deep modulation capabilities, and bi-timbral operation. The LFOs, delay, and arpeggiator can all be synced, either to the internal clock or an external MIDI clock. Two programmable position- and pressure-sensitive touch sliders take the performance controls beyond the standard pitch and mod wheels.
The Prophet 12 is expected to be available Q2 of 2013 with a projected MAP of $2,999.
Dave Smith will release something new at NAMM – lots of knobs
Well we only have this teaser pic, with a big fat iMac hiding most of it, but you can spot something lurking behind it, with lots of knobs, stay tuned for more info as we get it
According to Smith, the photo documents “Critical listening tests, 3 months ago. Tune in Thursday for the results!”
Two hot new instruments: Vacuum Pro Polyphonic Analog Tube Synthesizer and Loom Modular Additive Synthesizer
AIR Music Technology has expanded their virtual instrument offerings with the Vacuum Pro Polyphonic Analog Tube Synthesizer and Loom Modular Additive Synthesizer. They tell us that both programs are compatible with 32- or 64-bit Mac or Windows systems, and both support the new AAX plug-in format, as well as traditional VST, AU, and RTAS formats. Here’s their press release with all the details…
Vacuum Pro is a polyphonic analog tube synthesizer that travels light-years beyond the original monophonic Vacuum, first developed by the AIR team as part of the Pro Tools® Creative Collection from Avid®. The new Vacuum Pro is polyphonic, offering up to 160 oscillators plus substantial improvements in both horsepower and features. Loom is an entirely new modular additive synthesizer. While both of these new synthesizers offer an amazing amount of detailed control, each also provides programming aids and shortcuts to create custom user-created sounds quickly. Each contains 250 presets created by the AIR team. The Eco (economy) mode reduces the draw on the host processor, with minimal effect on the final sound.
“We offer the customer the best of both worlds,” said Samara Winterfeld, Principal Product Manager, AIR Music Technology, “The organic sound of a vintage/analog synths, combined with the flexibility/capability of a virtual instrument.”
Vacuum Pro
Polyphonic Analog Tube Synthesizer
The Vacuum part of the name Vacuum Pro relates to the six tube circuits that lend a particularly analog flavor to each of the main synthesis modules–oscillators, filters, mixer, etc. Vacuum Pro combines this vintage, organic sound with the versatility of up-to-date virtual instrument control. The interface is populated by single-function knobs, delivering a vintage feel that reflects the rich analog flavor of the instrument. Modulation effects, delay, and a classic arpeggiator add motion and depth to the sound.
Vacuum Pro sounds are created using one or two parts. When creating parts, the Smart Sound Randomizer allows new values to be created instantly for any or all selected modules. This makes it easy to keep an interesting oscillator sound, for example, while quickly trying out new filter settings. In addition, the Parts Lock feature allows the current settings of any modules (both parts) to be retained when changing sounds, providing a fast way to combine elements from different patches. Best of all, the Easy Sound Design Page reduces the dozens of front panel knobs down to eight, grouping related controls together for rapid results.
Loom
Modular Additive Synthesizer
Loom weaves together a unique sonic spectrum, offering between 128 and 512 individual additive harmonics. Using an innovative modular approach, Loom has made additive synthesis both powerful and easy to control. Loom provides 30 sound modules, each with a distinct function–moving filter, octaver, repeater, second tone, etc. Up to 10 of these modules can be connected in a string. Spectral modulation, extensive envelope control, and multiple LFOs deliver deep control. Onboard effects provide the finishing elements for each sound.
The Smart Morph Page is where Loom really comes to life. In addition to real-time knobs offering sound, dynamic, modulation, and effect control, this simplified editing page also opens up the extensive morphing capabilities of the Loom additive sound engine and effects. Four assignable quadrants on an X-Y display provide incredible morphing control. Custom morphing paths can be plotted using points and segments. These morphing paths can then be automated, placed under MIDI control, and even synced to the tempo of the host program, creating a morphing pattern that takes 8 or 16 bars to complete, as one example. Intuitive color-coding makes the Loom graphical user interface easy to understand
More information:
NAMM 2013: Akai Max 25 and the M-Audio Axiom Air 25
Nate from Akai Professional shows of the new Max 25 MIDI keyboard controller at Winter NAMM 2013.
Nate from M-Audio shows us their latest keyboard controller the M-Audio Axiom Air 25.
New M-Audio Keyboards Controller range extended with three new Axiom AIR models
The place to be: Bob Moog Foundation booth at NAMM + the Sub Phatty
Check out the amazing visitors we had at our NAMM booth in 2012. Our booth was a hub of excitement as throngs of people stopped by to check on our progress. Going to NAMM this year? Come see us in booth 5307!
WNAMM13: World Exclusive Moog Sub Phatty We get an in-depth look at the new synth
DATAMASKIN
