Paper circuit controlling a Doepfer A-152 sequencer, details below:
Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made using a Doepfer analog modular system including an A-152. Enjoy !
I am a (proud !) member of the french association PWM (Patch Work Music) :
Nice black and white studio capture featuring to classic machines, details below:
Here is (1 of 2) videos that I’ve made demostrating the MacBeth Mk1 Modular and two Korg Prophecy Synthesizers. The Mk1 Modular has 5 Oscillators and 2 Sub Octaves going into a Mk1 Low Pass Filter ‘A’…the Prophecies provide ambient sounds and Tenor Saxaphone sounds. The Tenor Sax is a reeds algorythm model………it all makes for a very interesting mix. I’ve tried to reproduce the kind of sound from the Bowie/Berlin seventies days! This is the first video…
Testing the Super Synthesis Super 37 modular keyboard……..
Super 37 midi out to Technosaurus Microcon II midi input. Square wave out. Super 37 keyscan module gate out to HexVCA channel 1. keyscan 1v/oct out to TipTop Z3000. Square wave out. keyscan velocity out to Z3000 pulse width modulation in. No filter on the Z3000 square wave out to HexVCA channel 1. Mild area effect from mixer on synth sounds. Korg ER-1 mkII percussion.
“Thank you to David at Super Synthesis for customizing my Super 37 for me and helping me to adapt my Padouk endpanels to the Super 37 without through hole mounting. BTW, the QuickLok QL-400 stand for the larger MPC series machines is a perfect fit and highly recommended for your Super 37.”
Live set using Elektron Machinedrum SPS-1 UW mk2 and Monomachine SFX-60 mk1, as well as small modular synthesis system.
As performed at the Diskordance night of 14/8/2013 at The Green Door Store, Brighton.
The Moog modular synthesizers use the 900-series of modules. These modules, many of them designed entirely by Robert Moog, are examples of analog synthesis at its finest. The modules are actually quite musician-friendly with straight forward input and output jacks and clearly labeled knobs. There are no technical electronic diagrams silk-screened all over them or esoteric controls. They were very easy to grasp conceptually, making them perfect candidates for music labs and professional musicians alike.
The voltage-controlled oscillator modules produce stunning tones with only one real drawback…drift. Revised VCO modules (the 921-series) were eventually released that offered more stable tuning. But the legend of the Moog sound truly comes from the 24 dB/oct lowpass filter (the 904A). To this day, no one has come close to improving upon the original Moog filter and its patented ladder design. Additional modules include VCAs, envelope generators, highpass filters, equalizers, noise generators, a sequencer, and utilitarian modules such as audio mixers, control voltage processors and power supplies. There is no dedicated LFO module, however. Instead, one of the VCO modules has a rate slow enough (0.1 Hz) that it can be used as an LFO instead of a sound source.
Background video description:
Here is a little demo of the majestic R.A.Moog 901 VCO – the original and BEST VCO ever made! I’m really happy because this 901 (not to be confused with the 901 A B combo VCO) came with my original modular IIIC system that I bought in 1994, but it NEVER WORKED. Thats right – I tried a few times over the years to get it fixed but it seemed to beat the fixers – until last week when I took it to my friend. He fathomed it out and also did a simple mod to it on my request – I have added pulse width modulation on the square wave – something that Robert Moog himself didn’t think of implementing on the first generation of VCOs. So for the first time I have a 901 VCO with PWM and it sounds spectacular. In this patch I am using the 901 and two 901B oscillators mixed together, and a third 901B saw wave to modulate the pulse with of the 901. Unfortunately the MP3 encoding on the MOV file does terrible things to the purity of these sounds, it sounds nothing like the real thing, in fact nothing sounds as good as these up close
A classic combination explored, details below:
This was one of the first times I’d played the Modular/Mini combination together. Getting the CV and triggers set up took a little doing. I even had to build an interface circuit for the S-trig connection before I could get it all to work properly.
Suit & Tie Guy of STG Sound Labs brought his modular synthesizer by the Moog Sound Lab and controlled four of our Sub Phatty Analog Synthesizers with his labyrinth of analog modules.
Ado- piece by Maria Horn, played by the Micro Modular Ensemble
The Micro Modular Ensemble is an ensemble built around a small piece of legacy hardware called: The Micro Modular synthesizer.
Inside the red box anything can happen. All of the basic building blocks for synthesis are made available to the user.
The red box has been a trusted companion for Noise and New Music makers for over a decade.
The Micro Modular ensemble have chosen to rely solely on the little red box for it’s focusing paradigm both in terms of timbre and control.
Maria Horn, Daniel Karlsson, David Granström, Magnus Bunnskog – The Micro Modular Ensemble
The AteOhAte Mutant Cowbell is a DIY (do it yourself) TR-808 Cowbell module based on the analogue circuit in Roland’s famous drum machine. The circuit has been adapted for use in a modular synthesizer, and, while being able to create the same sounds featured on the 808, can also create other sounds thanks to the modified tunable oscillators and voltage control over the cowbell’s pitch.
You can build one yourself at home (along with many other x0x-based drum modules) once PCBs are available from me at hexinverter.net
I will be releasing the AteOhAte Mutant HiHats at the same time as this project.
Receive an email when PCBs are available by signing up for the mailing list here: http://eepurl.com/pDf_5
Visit the Muffwiggler forum thread for updates on the project: http://www.muffwiggler.com/forum/view…
Sneak preview from Sonic Logic version 1.2
The MIDI broadcast button allows you to map controls in your DAW easier and faster.
Download Sonic Logic for iPad here: https://itunes.apple.com/us/app/sonic…
App description below:
Sonic Logic is a modular MIDI controller allowing you to edit and control MIDI controller setups from your iPad.
Control Ableton Live, Logic Pro, Cubase, Protools, Traktor, and other popular DAWs right from your iPad.
Sonic Logic uses CoreMIDI to send MIDI signals so you can even hook it up to hardware synths using and iPad to MIDI cable.
Edit on your iPad! Super easy interface to create, edit, control, manipulate, assign MIDI controllers and notes live, using touch gestures. (No external editor needed).
Add Buttons, switches, toggle buttons, XY pads, sliders and text objects.
Their look and feel is meant to emulate real life controls, with real feedback.
* Create your MIDI controller easily from your iPad.
* Edit component’s color, size, MIDI channel and controller number.
* Time advancing gestures for buttons, create a timed MIDI transition from 0 to 127 with just a press of a button.
* Control everything with multi touch.
* Snap to middle feature on sliders.
* Built in, editable templates.
* iCloud support, always stay synced with all your setups on any device.
* Low latency.