How to use dynamic EQ

May 3, 2013 · Posted in Uncategorized · Comments Off on How to use dynamic EQ 

Dynamic EQ really is a versatile and useful tool, and for many producers it can be a fantastic, and much-needed, problem solver. In short, it is a virtual processor which can be used for eliminating the shortcomings of static EQ by providing a dynamically applied equalization to your work. Watch as Glowcast mastering engineer, Conor Dalton explains how to use it.

How to turn a Reel to Reel Tape Machine into a Tape Delay using a Modular Synthesizer

May 2, 2013 · Posted in Uncategorized · Comments Off on How to turn a Reel to Reel Tape Machine into a Tape Delay using a Modular Synthesizer 

‘darshonaut’ wanted to turn a Reel to Reel Tape Machine (Revox A77 MK III) into a Tape Delay, but since he doesn’t use a traditional mixing desk with Aux In/Out , he had to come up with a patch for his Curetronic modular synthesizer.

Ableton Live 9 Tutorial: How to Create Dance Music Synth Leads w/ Analog

April 30, 2013 · Posted in Uncategorized · 1 Comment 

In this tutorial, Ableton Certified Trainer Michael Hatsis a.k.a. !banginclude, shows how to make dance music leads in Ableton Live 9 using Live’s built-in synth instrument Analog. These kinds of synth leads are useful for many different types of club music from dutch house and moombahton to trap and beyond. In a step-by-step process, Hatsis explains and demonstrates how to shape and transform the basic preset/default sound of Analog into an effective and customizable dance music lead that you can control and tweak to your liking.

Microkorg Tutorial Part 5: Filter Envelope

April 29, 2013 · Posted in Uncategorized · Comments Off on Microkorg Tutorial Part 5: Filter Envelope 

A look at the filter envelope and how you can use it to modulate the filter over time.

Part 1-4 can be found here >>

Audulus 2.0 Demo of free user patches and how to install them for iPad

April 27, 2013 · Posted in Uncategorized · Comments Off on Audulus 2.0 Demo of free user patches and how to install them for iPad 

This demos a few user patches for Audulus 2 and shows were and how to install them without leaving the comfort of your iPad..this was made with an iPad2 16 GB

Tutorial: How To Use Reason’s Kong With A Midi Fighter Pro

April 27, 2013 · Posted in Uncategorized · Comments Off on Tutorial: How To Use Reason’s Kong With A Midi Fighter Pro 

Our Pyramind friends made this intro to getting the Midi Fighter Pro set up with Reason’s Kong. Learn more about Pyramind’s tutorials + download a Reason demo: http://bit.ly/15Y9wZ4

Novation // Launchkey: Controlling Cubase

April 23, 2013 · Posted in Uncategorized · Comments Off on Novation // Launchkey: Controlling Cubase 

Novation Launchkey Tutorial: Controlling Cubase
http://novationmusic.com/midi-control…
~ LIKE our video and click ‘show more’ for additional information.

Quick tutorial video demonstrating how Novation Launchkey controls your DAW.

Artist: Perpetual Present
Title: Prophets not profits
Check it out here:
https://soundcloud.com/perpetual-pres…

Launchkey is a range of 25, 49 and 61 note keyboard controllers with up to 50 physical controls including 16 velocity-sensitive multi-colour trigger-pads that launch clips and scenes in Ableton Live. As well as enabling hands-on control of your DAW’s mixer, instruments and more, Launchkey is an integrated software/hardware instrument. The control surface has been designed to work tightly alongside two intuitive apps for iPad: the Launckey app and the Launchpad app – plus the powerful V-Station & Bass Station synth plug-ins for Mac and Windows.

Novation Launchkey Key Features:
• Launchkey comes with a brand new Launchkey app and Launchpad apps for iPad and the powerful Novation V-Station and Bass Station synth plug-ins for Mac and PC
• Quick, hands-on control of your mixer, transport and more in Ableton, FL Studio, Pro Tools, Reason, Cubase and Logic
• Two rows of launch pads for playing and sketching out drum beats, or launching and improvising with loops using the Launchpad app – they also launch clips and scenes in Ableton
• Synth-styled velocity-sensitive keyboard with precision accuracy and fast action – software control via 50 faders, knobs, pads and buttons (35 on 25-note version)
• Instant access to major DAW control parameters — with no assignment necessary
• Fully bus-powered, even with iPad. Just plug it in and go, with no power supply or batteries
• One gigabyte of Loopmasters sample content including artist packs, drum samples and sound FX
• Ableton Live Lite included

For more videos subscribe to our YouTube channel here:
http://www.youtube.com/novationtv

How to Create Multi Band FX in Ableton Live 9

April 18, 2013 · Posted in Uncategorized · Comments Off on How to Create Multi Band FX in Ableton Live 9 

Multi Band Effects allow you to only add an effect to certain frequency ranges. Learn how to do it in Ableton Live in this short video tutorial.

Visit AfroDJMac’s site for more stuff like this, including Live Instrument downloads, tutorials and music! http://www.afrodjmac.com

AfroDJMac
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Audio quantize and stretch in Reason 7 – Micro Tutorial

April 18, 2013 · Posted in Uncategorized · Comments Off on Audio quantize and stretch in Reason 7 – Micro Tutorial 

In this Micro Tutorial we take a look at audio slice markers in Reason 7. Whether you’re quantizing your audio tracks for flawless timing, adjusting individual notes to re-imagine your phrasing, or just looking to experiment into unknown realms Audio Slice Markers are a powerful tool. And the best part? Thanks to Reason’s legendary time stretch, it sounds amazing.

Logic Tutorial: Resampling Melodies / Add Texture To Your Tracks

April 17, 2013 · Posted in Uncategorized · Comments Off on Logic Tutorial: Resampling Melodies / Add Texture To Your Tracks 

More info: http://bit.ly/XEpxhS
Matt Shadetek returns with another episode of Secret Knowledge, our Logic Pro video tutorial series of production tips, techniques and advice for Logic users. In this video, Shadetek shows looks at the technique of “re-micing.”


This technique is commonly used in studios where people are recording electric guitars where they want to capture the sound of the guitar coming out of the amplifier. In this case I’m using it for a slightly non-traditional application to add some texture and noise to make my piano feel more like an old sample and less like a digital instrument. I’ve used this technique with amplifiers to add interest to cheap sounding casio keyboards and other ‘fake sounding’ digital sources. The basics are that we create a sound and then play it out of something, either an amplifier or a speaker and then re-record the results. In this case I’m running it out of my speakers to add some room noise and then mixing that back in with the original clean signal. Hopefully this inspires you to create your own interesting recordings and some life and dirt to your clean digital sounds. — Matt Shadetek

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