Gary Numan interview – Q&A From The Hospital Club

October 16, 2013 · Posted in Uncategorized · Comments Off on Gary Numan interview – Q&A From The Hospital Club 

On September 23rd lucky competition winners were able to attend an exclusive Q&A with Gary Numan at The Hospital Club. The Quietus’ Simon Price was on hand to host the event.

Gary Numan’s new album Splinter (Songs From A Broken Mind) is out now. Buy from the following places…

iTunes – http://smarturl.it/gnsplinteritunes
Direct from Gary Numan – http://www.numan.co.uk/

Even more random Reaktor stuff coming your way

October 16, 2013 · Posted in Uncategorized · Comments Off on Even more random Reaktor stuff coming your way 

Yet another random Reaktor jam.

The “Drum Seq” instrument triggers and randomizes the drum synth while the “Poly Tune” instrument triggers a simple sine wave synth with some reverb.

Dave Smith Instruments has introduced the Mopho SE synthesizer

October 16, 2013 · Posted in Uncategorized · Comments Off on Dave Smith Instruments has introduced the Mopho SE synthesizer 

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Dave Smith Instruments today introduced the Mopho SE – a new take on their monophonic Mopho synthesizer.The Mopho SE is based on the same architecture as the Mopho Keyboard, but it’s been updated with a larger 44-note keyboard and design that’s closer to the Prophet synths than the original Mopho.

The Mopho SE

The Mopho SE voice is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations.

The SE’s full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable.

You can expand the Mopho SE’s polyphony using it’s Poly Chain port. Mopho, Tetra, and Prophet ’08 can all be connected to the SE to increase its voice count.

Features:

  • 100% analog signal path
  • Two oscillators capable of producing sawtooth, triangle, saw/triangle, and variable pulse width square waves, with hard sync
  • Two sub-octave generators (one octave below oscillator 1 and two octaves below oscillator 2)
  • One classic Curtis low-pass filter (switchable 2- or 4-pole) with audio rate modulation, self-oscillating in 4-pole mode
  • Analog VCA
  • Three envelope generators (ADSR plus delay)
  • Feedback loop with programmable level and gain
  • White noise generator
  • 4 LFOs
  • Gated 16 x 4 step sequencer (one sequence per program)
  • Arpeggiator
  • Glide (portamento): separate rates per oscillator
  • Full-sized, 44-note (F to C), semi-weighted keyboard action with velocity and aftertouch
  • Full-sized modulation wheel and spring-loaded pitch wheel
  • Fully programmable with 3 banks of 128 user programs (384 total)

I/O

  • USB type B receptacle
  • MIDI In, Out/Thru, and Poly Chain
  • Left and Right audio outputs: 1/4″ phone jack (unbalanced)
  • Audio Input: 1/4″ phone jack (unbalanced)
  • Sustain pedal input (accepts normally on or off momentary footswitch with 1/4″ phone plug)
  • Expression pedal/control voltage (3.3 VDC max.) input (1/4″ TRS phone jack)
  • Headphone output: 1/4″ TRS stereo phone jack

Physical Specs

  • Dimensions: approximately 25.2″ L x 11.1″ W x 3.6″ H (64 cm x 28.2 cm x 9.1 cm)
  • Weight: 13.25 Lbs

Included

  • Power supply for 100V ? 240V AC operation
  • Operation manual
  • Free downloadable software editor for Mac OS and Windows

Pricing and Availability:

The Mopho SE is priced at $949 and is expected to ship at the end of October.

More info here >>

Novation Bass Station 2 Review

October 16, 2013 · Posted in Uncategorized · Comments Off on Novation Bass Station 2 Review 

Novation’s new analogue monosynth is here, more than twenty years since the first time around. Sonic takes a look

Reaktor: TERRA INC0GN1TA: Abstract Synth (Synthetic Instruments 2013)

October 16, 2013 · Posted in Uncategorized · Comments Off on Reaktor: TERRA INC0GN1TA: Abstract Synth (Synthetic Instruments 2013) 

Background information below (Googlish):

From Córdoba, Argentina Córdoba but Martin Castro and Mauricio Piombo sent us some incredible instruments, Synthetic Instruments Reaktor ensembles to generate quite complex sounds and textures as is typical autechre, which certainly does not leave you indifferent. We have loved all your devices, also has a wide range, sound generators (RA1D3N v1 – SOUND GENERATOR), the beatbox Flash Dance (Matrix Drum Machine), the synthesizer wavetable rhythms (SINESTESYNTH – RHYTHMS WAVETABLE SYNTHESIZER ), and the synth TERRA INC0GN1TA – (sYNTH PADS) Flash Dance –

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SINESTESYNTH-WAVETABLE-RHYTHMS-SYNTHESIZER-1024x654

More info here >>

Fat sounds from a classic synth – Arp Odyssey

October 16, 2013 · Posted in Uncategorized · Comments Off on Fat sounds from a classic synth – Arp Odyssey 

This is a short demo of the ARP Odyssey’s sound and synthesis capabilities. This Odyssey is a late mk1 model. It has a gritty and present sound.

While the Minimoog proved to be a runaway success as the first compact studio synthesizer, ARP responded with a compact and user-friendly studio synthesizer of their own with the Odyssey in 1972. An almost equally legendary machine itself, the Odyssey was ARP’s highest selling synth back then, and still is to this day in the second-hand market.

The Odyssey essentially gives you a simplified hard-wired ARP 2600 in a much smaller and affordable package. The Odyssey is a 2-oscillator analog synth (with duo-phonic capability) and it sounds really nice; the Minimoog has three oscillators and is capable of thicker sounds. The Odyssey comes well equipped with all the tweakable features and analog goodness you’d expect: a resonant low pass filter, ADSR envelopes, sine or square wave LFO, and a sample-and-hold function.

First came the Odyssey Mk I (Model 2800) produced between 1972-75. These used a smooth but tinny sounding 2-pole voltage-controlled filter design (model 4023) similar to those used in the Oberheim SEM modules. From 1972 to 74 the Odyssey was produced with a white-faced front panel with black lettering. During 1974 to 75 they switched to a redesigned black front panel with gold lettering. However, all Mk I’s can be identified by the rotary knob they use for pitch bending. None had any interface jacks, but a factory modification was available to add interface jacks as well as a PPC pitch bender in place of the rotary knob.

Korg Monotribe & Analogue Solutions Oberkorn – Techno is my game!

October 15, 2013 · Posted in Uncategorized · Comments Off on Korg Monotribe & Analogue Solutions Oberkorn – Techno is my game! 

Background video description:

This is something i am experimenting with. I’m creating a techno track and thought why not start here!

The creation of Orbital’s classic hitl ‘Chime’

October 15, 2013 · Posted in Uncategorized · Comments Off on The creation of Orbital’s classic hitl ‘Chime’ 

DJ Mag’s YouTube series in association with Point Plank TV telling the stories behind dance music’s seminal tracks continues with Orbital’s ‘Chime’.

Spektro Komplex – new MaxforLive monophonic synthesizer

October 15, 2013 · Posted in Uncategorized · Comments Off on Spektro Komplex – new MaxforLive monophonic synthesizer 

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Spektro Komplex is a MaxforLive monophonic synthesizer designed to create complex and unique sounds. Like the Buchla 261e module, Komplex uses two oscillators to produce FM sounds. What really makes this synth stand out is it’s habilities to morph the waveform of the first oscillator (carrier) and use a different waveform for the second oscillator (modulator).

The frequency of the second oscillator (modulator) is calculated based on the operation:

Oscillator 1 Frequency (operation) Ratio = Oscillator 2 Frequency

For example: If the frequency of the first oscillator is 220Hz, the operation is set to multiplication, and the ratio is set to 2, the frequency of the second oscillator will be 440Hz. A variable offset can also be added to the resulting frequency.

3 different effects that can be used to further manipulate the sound:

– Shape: fold, wrap or clip the signal.

– Overdrive

– Spread: creates a stereo-widening effect by delaying the right channel.

You can use Spektro Komplex to create anything from classic FM bass to metallic percussion sounds. It’s also a great tool for sound designer who want to create complex synthetic sounds.”

You can find it here: http://www.spektroaudio.com/komplex

Demo featuring the Waldorf MicroWAVE XT synthesizer

October 15, 2013 · Posted in Uncategorized · Comments Off on Demo featuring the Waldorf MicroWAVE XT synthesizer 

Waldorf Microwave XT synthesizer demo — playing a dreamy ambient electronica music soundscape on Microwave XT wavetable synth from Waldorf. Headphones recommended!

This ambient synth demo was created using 2 wavetables, delay, tremolo, filter/envelope adjustments and more.

Performed live, no external processing. Excerpt from a longer session.

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