Teaser video: PPG Wavegenerator iPad App From Wolfgang Palm

August 18, 2012 · Posted in Uncategorized · Comments Off on Teaser video: PPG Wavegenerator iPad App From Wolfgang Palm 

PPG Wavegenerator is a next generation iOS based synth from Wolfgang Palm, the inventor of the classic PPG Wave; from one of history’s great synths comes a future classic.

For more info visit our page https://www.facebook.com/PPGWavegenerator

Smule | Sing! App Tutorial

August 18, 2012 · Posted in Uncategorized · Comments Off on Smule | Sing! App Tutorial 

App description can be found below:

Download Sing! for iPhone and iPod touch: http://bit.ly/SingTutorialVideo

Sing! Join the global karaoke party.

I sing, you sing, we all sing! Share your voice with people all over the globe, invite others to join your songs, or perfect a challenging song and then share it with the world.

SING THE HOTTEST SONGS:
Choose from a huge catalog of songs, with the hottest hits by your favorite artists. Sing songs from an array of genres, from Pop to Rock, Hip-Hop to Musicals, Country to Classics. New songs are added all the time! Sing the song featured in this video: Count On Me by Bruno Mars!

JOIN THE KARAOKE PARTY:
Find and follow your friends in Sing!, and discover new songs and new artists — both artists whose songs are in the app, and incredible singers who are using the app just like you and me. Sing your heart out on Solo songs, or express your musicality with others in Duets or Group songs. Keep up with your friends and favorite singers, and love and comment on performances to show your support.

SOUND LIKE A STAR:
Sound amazing every time with Sing!’s basic voice enhancement technology. Use special voice filters to spice up your performance even more. Sing! is a supportive, joyful community where music-making at all levels is encouraged and appreciated.

Songbook includes:
Call Me Maybe — Carly Rae Jepsen
Boyfriend — Justin Bieber
Rolling in the Deep — Adele
Love You Like A Love Song — Selena Gomez & The Scene
The Edge of Glory, Bad Romance, Poker Face, Born This Way — Lady Gaga
Before He Cheats — Carrie Underwood
Count On Me, Grenade, Nothin On You — Bruno Mars
And many more! New songs added all the time!

Want a song that’s not yet available? Suggest songs on Smule’s Facebook page: www.facebook.com/smule

Features:
– Connect with your friends by giving & receiving comments and likes.
– Share your performances with the community through the globe.
– Join other songs for free and make it a duet or group song!
– Enhance your voice with special voice effects: Pop, Vintage, or SupaTune.
– Easy sharing to outside the community via Facebook.
– And much more!

Oberheim OBXa “Poly Evolution”

August 18, 2012 · Posted in Uncategorized · Comments Off on Oberheim OBXa “Poly Evolution” 

The OB-Xa is a massive analog synthesizer with a very familiar and classic Oberheim sound. Its sound, size and power are very similar to the Prophet 5 from Sequential. However this one has up to 8 voices which can be split, layered and stored!

The OB-Xa was available in four, six or eight voice polyphonic models. They all featured patch memories, also in varying degrees. A minimum of 32 patches were available on early models (4 banks of 8). The maximum amount of patch memory storage found on many OB-Xa’s is 120 patch memories. All models of OB-Xa, however, featured the new Curtis chips which offered great stability for an analog synth and they are attributed to its great filters and sounds.

The OB-X was very similar to the OB-Xa except that its voices could not be split or layered and, more significantly, the OB-X had a lowpass-only discrete SEM 12dB/oct state variable filter, which had a great and classic Oberheim sound. The OB-Xa changed that in an attempt to economize manufacturing and increase stability by switching to CEM3320 Curtis chips for its filters. The Xa offered two switchable filter modes: 12 dB/oct (2-pole) or 24 dB/oct (4-pole). This hardware change resulted in a more agressive sound, not quite as creamy as the OBX original, but what still became a “bread and butter” sound of the Oberheim line.

Korg Radias “Reso Synth Experiment”

August 18, 2012 · Posted in Uncategorized · Comments Off on Korg Radias “Reso Synth Experiment” 

Nice demo featuring the KORG Radias – a description of the synth can be found below:

The Korg Radias is a Virtual Analog synthesizer that was released by Korg in 2006. It takes advantage of the MMT (Multiple Modeling Technology) that their flagship OASYS synthesizer module employs. The synthesizer itself is similar in design to the MS2000, but offers many more capabilities. It is capable of emulating older digital synthesizers and classic analog synthesizers like the MS-series without any noise or aliasing. The Radias also allows for various external sounds to be fed through its filters and envelopes. It also has the Korg DWGS (Digital Waveform Generator System) that the Korg DW-8000 employs.

The Radias also takes advantage of the KKS (Korg Komponent System) which allows it to be used with the 49-key keyboard or used as a standalone rack module, and the Radias-R unit can be connected to the M3 Music Workstation/Sampler along with its various keyboard models.

The Radias has two oscillators per timbre and a noise generator. Oscillator #1 has nine basic waveforms, with four types of modulation and PCM (64 synth sounds, 128 drum sounds) and Oscillator #2 has four basic waveforms with two types of modulation. The Radias has the ability to stack up to five types of waveforms in Oscillator #1, while using only one voice of polyphony. In Unison mode, you can stack five additional waveforms, while using more polyphony. With this function, you can create some awesome super waveforms-the overall result can contain up to 25 detuned waveforms. The Radias also has two Low-frequency Oscillators (LFO) that add more modulation to the two audio oscillators. These LFO’s provide six waveforms and their speeds can be set manually or by tempo.

The Radias itself has four timbres per program. With a timbre, you can assign one drum program, another can have a lead, a bass, and a vocoder as well; all in one program! Each timbre can contain one synthesizer/drum kit, equalizer, and two multi-effects.

The Radias has two filters that can be used side-by-side, individually, or in a series. They offer Low Pass, High Pass, Band Pass, and Combination modes. Each filter offers 24 or 12 dB modes for the low pass filter. The effects on this unit are remarkable as well. The Radias comes loaded with 33 different effects: Delays, Chorus, Flangers, Compressors, talking modulator, and even the good old Polysix Ensemble effect. You can assign one master effect to the program, while each timbre gets its own two effects, creating a whole world of possibilities. The Radias also offers a 16-band vocoder with a nice Formant Motion recording function that allows you to record up to 7.5 seconds of external audio which can then be triggered via the keyboard.

The Radias has a built in arpeggiator as well, providing six different patterns to choose from. Patterns can be up to 32 steps long and the gate/velocity can be set for each step to get that sound you want! It also has two 32-step sequencers (they can be combined for a 64-step on a single timbre). They can easily be assigned to a drum kit, for example, to use the Radias as a programmable drum machine. The step sequencer supports 8-voice polyphony per step.

Mopho x4 Synth Demo – Dave Smith Instruments

August 18, 2012 · Posted in Uncategorized · Comments Off on Mopho x4 Synth Demo – Dave Smith Instruments 

Carson Day demonstrates some factory sounds on the new Mopho x4 polyphonic analog synthesizer. Except for the programs that are obviously played on the keyboard, the x4 is receiving MIDI data from an external sequencer in this demo.

Alpha Juno 2 Ableton Live Pack

August 17, 2012 · Posted in Uncategorized · Comments Off on Alpha Juno 2 Ableton Live Pack 

The Roland Alpha Juno 2 is a classic analog synth that has been sampled inside and out for Ableton Live. This Ableton Pack features 64 instruments, 72 Ableton Instrument Racks, 9 Ableton Live Sets, and 1.5 GB of samples. Truly massive!

Get it here: http://afrodjmac.spinshop.com/details/157931

About the synth:

This is an upgraded version of the Alpha Juno 1. It adds an extended 61 note keyboard with velocity and aftertouch and an external memory cartridge slot. Other than that it has the same great sound and features as the Juno 1. Sliders and buttons were replaced by membrane buttons and the Alpha Dial which is used to edit and browse through the extensive selection of parameters: DCO digitally controlled oscillators, LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF (filter) with freq/env/res/lfo/kybd, VCA envelope, chorus, and more.

Adequate in the studio or on the stage, the Juno 2 has 64 presets and 64 user memory patches, a nice LCD display, an LFO capable of a very slow rate for some cool sweeping effects, and a great bass sound (especially nice for acid basslines) and noise effects! It also has chord memory which is perfect for rave & techno, portamento and keyboard transposing. The PG-300 Synthesizer Programmer gives you traditional slider control of each parameter for much easier and faster editing.

Punch Evolved – new compressor effect plug-in for Windows

August 17, 2012 · Posted in Uncategorized · Comments Off on Punch Evolved – new compressor effect plug-in for Windows 

Minimal System Instruments has released Punch Evolved, a compressor effect plug-in for Windows.

The original Punch compressor is one of Minimal System Instruments most popular and respected plugins. Punch is an up-to-date version of one of the all time classic analogue compression and limiting processors, the 1176AE.

The new Punch Evolved plugin takes this highly respected processor even further with a completely redesigned engine and the addition of new sound shaping features such as Mid/Side processing, EQ, and Gate sections.

Punch Evolved features

  • Ultra-fast attack time.
  • Unique Analogue Modelled characteristics.
  • FET Gain Reduction Emulation.
  • Input & Output Gain Adjustment Knobs with adjustable Attack and Release Settings.
  • An array of ratio’s including 2:1, 4:1, and 8:1 perfect for compression duties – but there is also the 20:1 ratio designed for full limiting applications.
  • Mid/Side Processing.
  • Gate with controls for Threshold, Attack, and Release.
  • EQ with controls for Low/Mid/High.
  • Custom Output Transformer Emulation design.
  • Full automation capabilities.
  • Flexible VU metering options.
  • LED Visual Feedback.
  • Professionally designed GUI.
  • Fantastic Presets produced by Movie Iga and Kendal Osborne.
  • Based on the 1176AE Limiting Amplifier Compressor.
  • Fantastic on drums!

The Punch Evolved plug-in for Windows (VST) is available to purchase for £19.95 GBP.

More info here >>

Molecule Synth: An Electronic Musical Instrument for Everyone

August 17, 2012 · Posted in Uncategorized · Comments Off on Molecule Synth: An Electronic Musical Instrument for Everyone 

Invent the sounds of the future! Create your own astounding electronic instruments with lego-like hexes & physical sensors.

WHAT IS THE MOLECULE SYNTH?

The MOLECULE SYNTH is a unique, utterly new kind of musical instrument. It offers the elemental components of a traditional keyboard synthesizer — a speaker & amp, a sound generator, and a pitch controller — but presents those elements as pieces that you arrange (and rearrange!) in various combinations to create your own musical device. The MOLECULE SYNTH is designed to be intuitive to use: each of its hexagonal pieces is color-coded to indicate what that piece is and does, and each piece is marked to show how it connects to other pieces. With these building blocks, you choose how to configure your instrument, and, later, you can move the pieces and configure an entirely new instrument!

Studiologic Sledge Synthesizer Test / Demo / Sounds

August 17, 2012 · Posted in Uncategorized · Comments Off on Studiologic Sledge Synthesizer Test / Demo / Sounds 

Here’s a nice demo of the Sledge synth by a German music store, here’s what they have to say about it (Googlish from German):

“At this year’s Musikmesse, he was presented to the enthusiastic fans of synth: The Studio Logic Sledge synthesizer is finally here! As a fanatic of electronic soundscapes, Manfred has made available a copy of the first shipment stolen and extensively tested. Rumor has it he spent the whole night with the Sledge :-) The full test as a video with a lot of sound samples – now for you at Music Store TV!”

About the synth:

For many synthesizer enthusiasts, it is the particular interaction of the sound engine and user interface that makes a great instrument. A quick look at Sledge shows you the generous set of controls available to interact directly with the sound engine.  When you touch the knobs and switches of the front panel, you will instantly be aware of the meticulous attention to detail our engineers have refined, during many decades building the best electronic keyboards.

You will experience the logical set-up of the synthesizer modules, mirroring the signal flow of a classic analogue synthesizer.  But what really distinguishes any synthesizer is its sound. Fortunately, our friends at Waldorf Music have happily shared their experience and know-how on this crucial part of the Sledge Synthesizer.

Tutorial: Creating Compelling Pads with Trifonic

August 17, 2012 · Posted in Uncategorized · Comments Off on Tutorial: Creating Compelling Pads with Trifonic 

Pads can be quite complex to master here Brian provides some useful tips, details below:

Electronic Music Production Programs at Pyramind Training:
http://www.pyramind.com/training/programs/electronic-music-production/

More tips, tricks & tutorials — Join our FREE online community:
http://www.pyramindonline.com

Online Music Production Classes:
http://www.pyramind.com/training/online-classes/

Brian Trifon (Pyramind Synthesis & Sound Design Instructor) from Trifonic digs deep into using reverbs and creative effects channels to create compelling pads/melodic elements.

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