Youtube alias peahix has uploaded this DM cover of Big Muff, details below:
I’ve had several skeptics weigh in on my various Depeche Mode covers done all on my Yamaha CS01II synth, so I thought I’d make a screen-cap video showing the Cubase session for my rendition of “Big Muff.” Here’s the mastered version I posted previously: http://www.youtube.com/watch?v=5IiZlvr7fXs
In this version, you can see all my parts, and I solo all the different bits throughout so you can hear how it all comes together. Note that for several sounds there are actually two different tracks that play together to form a composite sound. The CS01II is a pretty limited synth, and in order to more accurately achieve certain sounds, I had to split things into their component parts. The channels that remain muted throughout are just the MIDI parts, which aren’t outputting to anything here, since each MIDI track was recorded one at a time via the CS01II to an audio track. Anyway, hopefully this is useful or interesting to someone!!
Yamaha CSo1 II:
The CS01 is a very old but classic analog monosynth from Yamaha. Although originally designed for use by novice musicians or first time synth-buyers, the CS01 has been recognized by today’s electronic musicians as one fat little bass machine with simple controls. In a nutshell, the CS01 is simple to use and edit but still has some great features for any situation. It’s tiny and portable, it has baby-sized keys and it can run on batteries, and there is a built-in amplifier and speaker which is quite fun.
As for sounds and synthesizing, the CS01 is the perfect monosynth for bubbly and growling bass! It features a very nice 12dB resonant VCF filter. In addition to the oscillators’ sine and square type waveforms there is PWM and noise. There are also LFO controls, glissando (like portamento), a typical ADSR envelope generator, pitch & mod wheels and even a breath controller input. A CS01 mkII (pictured below) was later released by Yamaha soon after the original. It featured an improved 24dB resonant VCF (filter) with adjustable slider control over resonance instead of switchable on/off resonance as found on the original. The CS01 mkII is also identifiable by its black case with green letters.
Cubase was on show at the Music Production Show at London’s Emirate Stadium this week.
“We grabbed product specialist Andy to show us more about the new Mixer Window”
The completely new MixConsole excels not only in terms of usability, look and feel, but also sounds better than anything before it! Featuring full-screen mode, total scalability and quick in-place access to the parameters most relevant to the task, MixConsole adjusts seamlessly to notebook screens and large-scale displays.
With its extremely flexible channel layout, 12 dB boost and dedicated processing power per channel, an exceptional feel to the controls and comprehensive online and offline automation tools, MixConsole provides uncompromising audio quality and routing flexibility from the outset, with plenty of pristine headroom and a fundamentally transparent sonic signature.
Cubase 7 brings extraordinary workflow improvements to the table, delivering a genuine benefit to professionals working regularly with the mixer. Highlights include A/B comparison and global bypass for all audio effects, a plug-in search function as well as drag-and-drop support throughout.
Plus, dynamic sends and inserts provide a streamlined overview, whereas the professional meter bridge lets you keep track of your signals. Aiming on providing barrier-free accessibility to the blind and visually impaired, MixConsole is compatible with screen reader software and can be operated using only the computer keyboard.
Steinberg has announced Cubase 7 and Cubase Artist 7.
Highlights of Cubase 7:
- The all-new MixConsole stars with brilliant mixing capabilities that give you plenty of workflow improvements
- Integrated channel strip modules for epic pro-console sound
- New Chord Track with intelligent composing assistance
- VariAudio 2.0 with harmonizer capabilities and multi-part editing
- VST Connect SE for recording over the net
- All this together with the full version of Voxengo’s acclaimed CurveEQ, the brand-new Remote Control Editor, Hermode tuning, more instrument content and an array of real-world workflow enhancements make Cubase the producer’s choice.
Cubase 7 and Cubase Artist 7 will be available starting December 5, 2012. See the Steinberg site for details.
Hal Leonard Books has published ThePower in Cubase by Matthew Loel T. Hepworth. They say that it’s a comprehensive, thoughtful, and engaging guide, written to help the new user master the ins and outs of Cubase. Here’s what they have to say:
Consider this: Cubase is a program that will turn your computer into a complete recording studio. That is, Cubase can create virtually every button, knob, switch, and fader found in a “real” studio, including a few components that don’t exist in the hardware realm. Imagine the challenge of sitting at a large mixing desk and being expected to use all that technology to produce professional recordings. Well, by installing Cubase on your computer, that’s exactly what you’ve expected of yourself. Knowing how daunting that task sounds, it’s easy to get overwhelmed, if not disillusioned.
The Power in Cubase: Tracking Audio, MIDI, and Virtual Instruments will help you get started so that you can use Cubase to your full benefit. It is specifically written to allow a new user to quickly get started with Cubase while avoiding a myriad of pitfalls. First, you’ll learn the process of installation and proper studio configuration. Next, you’ll learn the foundations of rudimentary Cubase operations. You’ll also learn how to avoid common mistakes that can ruin a recording. Finally, you’ll learn how to properly record MIDI, instrument, and audio tracks. Whether they’re your own tracks or those of a client, you’ll achieve recordings in your own home or project studio that were recently considered unobtainable without a big studio. And you’ll discover Cubase is easier to learn than you may have expected.
If you want to quickly start implementing professional techniques into your audio recordings and productions, the Hal Leonard Books Quick Pro Guides are designed for you. These straightforward, task-driven, and easy-to-understand books cover music industry topics in a way that gets to the point and helps maximize your creative and technical accomplishments. The Quick Pro Guides are efficient and accessible, and the included DVD-ROM provides audio and video demonstrations of key QuickPro topics.
About the Author:
Matthew Loel T. Hepworth has been teaching music technology since 1984. He authors how-to videos on Cubase and Waveloab for macProVideo.com. He has also written Wavelab7 Power! for Course Technology PTR. He records, mixes, and masters audio projects for clients including Air Supply, FranklinCovery, Jonni Lightfoot, and many more. Hepworth also consults with several pro audio manufacturers like Steinberg North America, Yamaha Corporation of America, Lexicon, and Tascam. He is a video producer and photographer, and in his spare time, he plays bass guitar and Theremin in his band, ZenTherStick. He lives in Salt Lake City, Utah.
Pricing and Availability:
Just a quick demo using the AtomoSynth dual Koe modular for the acid bass and lead, a bit of reverb and delay added with a lexicon, drums from the motif, all sequenced by midi with Cubase.
Here are the details:
Another variation on a patch that uses the modular synth to send pitch data via midi to a soft synth (Octopus by Lin Plug). A real-time single track recording in Cubase.
Some plug-ins include stutter effects inspired by the sidechain gates used in classic ’90s trance tracks – just think of The Age of Love’s eponymous hit.
You can gain more control over the sound if you do it the old-fashioned way, though; in the video above, you’ll see how it’s done in Cubase.
Steinberg has launched a new hardware/software bundle – the CI2+ Production Kit.
The kit combines the CI2+ audio interface with the music production software Cubase AI 6 and the audio editing suite WaveLab LE 7.
- Hardware: The CI2+ unit is interface and controller in one. It offers two phantom-powered microphone preamps, one with Hi-Z for direct guitar connection, and two TRS outputs. The controller section features the AI Knob and dedicated transport buttons. It also gets its power supply via USB.
- Software: The CI2+ Production Kit comes with Cubase AI 6, plus WaveLab LE 7. Together, the CI2+, Cubase AI 6 and WaveLab LE 7 present a complete system solution.
Solid State Logic in Oxford, UK, releases new features for its Nucleus control surface. Nucleus users can now download dedicated DAW control profiles for Ableton Live and Propellerhead Reason, in addition to existing profiles for Pro Tools, Logic, Cubase/Nuendo, and any other DAW applications that support MCU or HUI.
SSL states that OS X Lion is now fully supported for Nucleus, with a revised Java-based Console Browser. The Nucleus soundcard now also supports 64-bit for Mac users.
Sam Counihan, International Sales Manager at Ableton AG, says, “This new template tightly connects the feature sets of both the Nucleus and Ableton Live. Live’s unique and dynamic workflow is brought to life through the Nucleus’ tactile worksurface, and is complimented by the console’s high-end audio interface featuring the same SuperAnalogue technology as found in the company’s flagship Duality and AWS consoles. In other words, bring a laptop with Ableton Live to any studio with an SSL rig and you’re good to go.”
This download contains the latest upgrades for the Nucleus console: Nucleus console software Version 1.5; Nucleus browser V. 1.06; Mac Soundcard driver V. 2.00.05; IpMIDI (latest versions for both Mac and PC).