Here’s a quick peek at the upcoming Caustic 3 App from SingleCellSoftware
Demonstrating the power of the new synths and many tracks now available. The maker of this video put this track together in just 2 hours.
Image Line has announced the FL Studio Mac Public Beta is now available. This is a custom Crossover wrapped version of FL Studio for Mac OS X and so is bit-identical to the Windows installer.
This Bitwig Studio beta video demonstrates the unified modulation system in Bitwig Studio. Whether you’re working with macro controls, setting up modulation devices (such as LFOs or envelope followers controlling plug-ins), or just assigning velocity to the filter in our virtual analog synth—assignments are all made using the same powerful but easy-to-use concept.
For more information visit: www.bitwig.com
Background video description:
Do you find yourself exploding with creativity but unsure of how to get it out? Think you’d do a bang up job making beats that would be blowing up, if only you knew how to get started? Well we’ve got a dynamite new tutorial for you beginners called “Your First 10 Minutes in Reason.” Carlo Nuevo (M.Born) will take you from the first launch of Reason, through setup, and right up to mixing his first track complete with drums, synths, and vocals. It all happens in just 10 minutes and it’ll get you making music in no time. We think you’ll agree. This tutorial is da bomb.
Erik Hawkins (a.k.a. Erik Hawk) of Berklee Online shows you how easy it is to convert an audio loop into a REX loop directly in Reason 7. You no longer need ReCycle to author REX loops!
Erik Hawkins (a.k.a. Erik Hawk) of Berklee Online shows you how easy it is to set up sub mixes, using bus paths, in the Main Mixer of Reason 7.
Erik Hawkins (a.k.a. Erik Hawk) of Berklee Online shows you how easy it is to work with parallel channel effects in the Main Mixer of Reason 7, and how this type of processing can fatten up your tracks.
I’ve got to say, the new features in Reason 7 are killer! I’m having a whole lot of fun working with everything from the new Spectrum EQ Window, to the buses and parallel channels on the Main Mixer. And of course all the rocking Rack Extension devices, especially the Korg Polysix and Propellerhead PX7 instruments, and the Pef Buffre and FXPansion Etch Red Filter effects, and iZotope Ozone for mastering. Way too much fun and not enough time in a day to play with all these new shiny toys!
FL Studio is a full-featured, open architecture, music production environment for audio recording, composing, sequencing and mixing, and the creation of professional quality music. FL Studio is designed for creative freedom. However, Image Line wants to give you the option to decide, before you buy, which version you that fits your need
EM Technical Editor Gino Robair gives us his initial impressions of aspects of Apple’s new release, Logic Pro X, including a run through of the Drummer Track, Drum Kit Designer, MIDI Plug-Ins, Logic Remote for the iPad, and more.
For more information on Reason:
When Adam and his brother tried programming their own computer games as kids his own attempts were terrible. Fortunately however, the music Adam made for those games using ProTracker software on the old Atari ST computer wasn’t terrible. In fact, it was so good he quickly outgrew what he could achieve on such a basic set up. After a recommendation from a friend and seeing the rack cables in action for himself, Adam was quickly a Reason user and now even pushes Reason to its limits with his epic full-bodied synth soundtracks.
After a couple independent releases, Adam Fielding’s music caught the attention of Distinctive Records in the UK who promptly signed him for those and future releases. Now Adam splits his time between producing his own albums and soundtracks for TV and film use.
We caught up with Adam to check out how he builds up his ideas and arranges them in Reason using Blocks.
Project Genesis appears with permission from Conspiracy – www.conspiracy.hu
Cubasis is Steinberg’s streamlined, multitouch sequencer for the iPad. Specially designed for quick and easy operation, Cubasis makes recording, editing and mixing a breeze. Record tracks in CD audio quality, and edit your music with the Key and Sample Editors, while the included mixer and audio effects polish your song to perfection. Cubasis comes loaded with dozens of virtual instrument sounds which can be played in real time using the virtual keyboard and drum pads. Cubasis’ projects can be even opened in Cubase under Windows and OS X! Cubasis places touch-intuitive production tools in your hands, opening up a new world of possibilities for your creativity.
Short demo of the brand new Micrologue synth in Cubasis 1.5 update
Micrologue looks nice! Here’s what’s in the update:
- Micrologue virtual analog synthesizer incl. 50 factory presets
- 16 Allen Morgan Signature drum kits incl. 80 MIDI loops
- Open/close hi-hat problem solved
- Instrument track freeze for internal instruments
- Instrument rack to load and edit Cubasis’ instruments
- Modulation wheel support for Micrologue synth
New Avid Pro Tools 11 is now shipping. Pro Tools 11 offers a major upgrade of Avid’s digital audio workstation that provides users with new, high-powered audio and video engines, 64-bit architecture, expanded metering, and direct HD video workflows.
“Pro Tools 11 represents a quantum leap in creative power,” states Chris Gahagan, senior vice president of products and services at Avid. “The newly designed architecture turbo-charges production with more plug-in processing, the ability to run more virtual instruments—and a host of new features—letting users create ambitiously, without holding anything back.”
Key benefits and features of Pro Tools 11 include:
Redesigned Audio Engine & 64-Bit Architecture
New Avid audio engine — Delivers multiple times the processing power of Pro Tools 10 on the same hardware configurations.
64-bit architecture — Exponentially increases the number of simultaneous virtual instruments and the performance to handle the most sophisticated sessions.
Offline bounce — Delivers mixes up to 150 times faster than real time.
Low-latency input buffer — Ensures ultra-low latency record monitoring without sacrificing plug-in performance.
Dynamic host processing — Maximizes plug-in count by reallocating processing resources as needed.
Extended standards support — Features a broad range of built-in metering standards, from peak and average to VU and PPM, to maintain adherence to regional broadcast requirements.
Gain reduction — Shows gain reduction for all dynamics plug-ins on each channel.
Direct HD Video Workflows
Built-in Avid video engine — Enables audio post professionals to play and edit a wide range of HD video formats including Avid DNxHD, directly in the Pro Tools timeline without transcoding, using the same core engine as in Media Composer.
Video interface support — Enables monitoring of DNxHD and QuickTime media through Avid Nitris DX, Avid Mojo DX, and other video interfaces.
“In the world of professional mixing, I constantly need more processing power, and the extra power in Pro Tools 11 is exactly what I need,” says Tim Palmer, mixer and engineer for U2, Robert Plant, Ozzy Osbourne, The Cure, and INXS. “I love the new metering and the new sends view is excellent. It is really impressive. Pro Tools 11 is a big leap forward.”
Pro Tools 11 software (full version)— $699 USD
Pro Tools 10 to 11 upgrade— $299 USD
Pro Tools 9 to 11 upgrade— $399 USD
Pro Tools Express to Pro Tools 11 cross grade— $499 USD
Pro Tools HD 10 to 11 upgrade— $599 USD
Pro Tools HD 9 to 11 upgrade— $999 USD