Stereoizer is a high-specification stereo image manipulation tool suitable for natural expansion, reduction and introduction of stereo width at any stage of the audio production process.
Developed for and tested by professional audio engineers, Stereoizer adds natural sounding width and depth to any audio recording, mono or stereo, leaving the inherent character of the original source intact. Quite simply Stereoizer will make your audio more coherent, highly polished and spatially balanced without adding artificial reverberation, chorusing or delay.
• natural stereo to stereo extension
• mono to stereo enrichment
• leaves original character intact
• subtle to extreme enhancement
• band limited precision
• dynamic visual feedback
Here’s a teaser of Cakewalk’s latest edition of Sonar named X2, check it out
SONAR X2 Producer
Professional Recording, Mixing & Mastering
From getting a great tone to releasing the final mix, today’s musicians must master every element of the music production process. SONAR X2 is there every step of the way and takes each element to the next level of power and usability. And thanks to the revolutionary Skylight user interface, SONAR X2 lets you move seamlessly among the elements, instantly going from recording to editing to mixing and back again. Dial up the perfect synth sound with Rapture or a searing guitar tone with TH2 Producer. Record it, tighten it, chop it, and drop it in the Matrix for realtime triggering. Shape it with the expandable ProChannel. Warm it with the new Console Emulator. And do it all with a single Smart Tool. It’s genius.
http://www.joetunon.com/music – Showing off the new WaveMachine Labs Auria app and its abilities to master a mix on the iPad using the Fabfilter Pro-Q plugin
vladg/sound has released Limiter No6, a freeware modular limiter suited for mastering purposes. It’s available for Windows 32- and 64-bit and as 32-bit VST plug-in for Mac OS X.
- 5 modules: RMS compressor, peak limiter, high-frequency limiter, clipper, true peak limiter.
- High-quality signal processing to use for mastering purposes.
- Brickwall and soft limiting with different timing settings.
- M/S and multiband modes.
- Optional 4x oversampling.
- True inter-sample peaks (ISP) limiting.
- Analog-style indication.
- 2 different GUIs.
iZotope, Inc.has released the Ozone Maximizer Rack Extension for Propellerhead’s Reason.
iZotope says that the Ozone Maximizer Rack Extension is an essential mastering tool for adding fullness and polish to music produced in Reason. The original Ozone Maximizer has been used on countless recordings in varied genres like Rock, Hip Hop, Electronic, Classical and more. iZotope has now adapted this acclaimed technology for Reason, extending the Reason Rack with a versatile tool trusted by professional musicians and engineers worldwide.
“Many of us at iZotope have longed for the day that we could use more of our favorite production tools, like Ozone’s Maximizer, right inside of Reason. That day has come! Rack Extensions are a great solution for opening up the Reason rack to more world-class audio effects and instruments, and we are excited to be part of the launch with one of our flagship technologies.”
iZotope tell us that they have redesigned the Ozone Maximizer to perfectly complement the workflow Reason users know and love, making it an ideal addition to Reason’s Master Section. They say that, with iZotope’s exclusive IRC (Intelligent Release Control) technology, the Ozone Maximizer excels at boosting the overall loudness of a mix without causing distortion or pumping. This Rack Extension also includes iZotope’s MBIT+ Dither, letting users preserve the quality of Reason sessions when exporting audio for CD or MP3. iZotope says, with the Ozone Maximizer, users can give their mixes the final polish they deserve, without ever leaving Reason.
Mats Karlöf, Product Manager at Propellerheads, told us, “We are extremely happy to see iZotope, with their sense of quality and usability, inside the Reason rack. iZotope’s flagship technology, the Ozone Maximizer with its dithering function, have made Reason an even more complete end-to-end solution, helping people to put the finishing touches on their projects. I wake up every morning with a smile on my face thanks to the clever people at iZotope.”
- 2 Intelligent Release Control (IRC) limiter modes: IRC I and IRC II
- 2 low-latency limiting modes Hard(Brickwall) and Soft
- High-precision threshold control with integrated gain reduction metering
- Speed knob control for adjusting the character of the IRC Limiter from slow and transparent to fast and aggressive
- Variable Stereo Link control for independent limiting of left and right channels
- Inter-sample Limiting to predict when a digital signal might clip in the analog domain, and to automatically prevent these over’s
- Margin control for precise control of the output level, helping to dial back peak levels for better encoding to formats like MP3
- iZotope MBIT+ Dither for highest quality results when converting 24-bit Reason sessions to audio files with lower bit depths
Pricing and Availability:
iZotope Ozone Maximizer Rack Extension is available now for $79 USD.
FXpansion has announced the release of Etch Red, an exciting and great-sounding filtering effect based on DCAM circuit-modelled technology, and now available as a Reason Rack Extension.
Etch Red’s dual filters feature realistic audio-rate FM, flexible routing and 4 filter models offering a total of 38 filter responses and allowing all manner of fat and warm subtractive tone-shaping. Alongside 3 classic synthesizer filter circuits, Etch Red also includes a stunning comb filter model for creating mind-bending psychedelic effects.
Additional distortion and compressor stages are provided for beefing up signals, and FXpansion’s TransMod modulation system lets you contort Etch Red’s circuits over time. Use inter-modulating LFOs, envelopes and more to drive the filter cutoffs, FM amount, distortion and compression amounts, panning, wet/dry mix and much more.
Etch Red contains a number of CV and audio patch-points for integrating its circuits into your Reason projects: feed in CV from elsewhere to modulate parameters or retrigger the on-board LFOs, envelope or the sample and hold. You can even send in any audio signal as an audio-rate filter FM source. The internal modulation devices are also exposed as outputs, so they can drive other Reason devices’ parameters.
Etch Red can do amazing things to all kinds of audio material and is great for subtle warming, deep tone sculpting, wild sweeps, special effects and experimental sonics.
Etch Red is available as a download-only product from the Propellerhead Online Shop, priced at $49 USD / 39 EUR inc. VAT where applicable.
IK Multimedia has updated AmpliTube for iPad, its mobile effects processing app.
AmpliTube for iPad puts a guitar/bass rig at your fingertips, with 4 stompbox effects amp-head, cabinet and microphone. Choose from 11 built-in stompbox effects (delay, fuzz, overdrive, wah, envelope filter, chorus, flanger, phaser, octave, noise filter + distortion once registered), 5 amps (clean, crunch, lead, metal, bass) with full controls, 5 speaker cabinets and 2 microphones (dynamic and condenser).
AmpliTube for iPad 2.5 adds:
- Slash gear models available for in-app purchase
- New Mixer/Recorder section with loop points, visual metronome, tap tempo
- Digital audio in/out support
- MIDI support
- Audio Copy/Paste
- Retina display support
- Restore In-App purchases
- New export via SoundCloud and FTP
AmpliTube For iPad is $19.99 in the App Store.
Propellerhead today announced Polar, a new Rack Extension audio effect to be available at the launch of the next versions Reason and Reason Essentials later this month.
Polar is an old school harmonizer and pitch-shifter effect with a host of modern tricks up its sleeves. Designed for classic harmonizing, stereo widening, and real-time pitch shifting, Polar also invites users to experiment with buffer looping and audio freezing to create otherworldly effects.
Consisting of selectable dual pitch-shifters with classic, smooth and looping algorithms, Polar is created for singers, producers, guitarists and remixers looking for transparent pitch-shifting as well as creative ways of turning bland recordings into wide, evolving soundscapes. The built-in LFOs, auto-panning, envelope and buffer lock provide further sound sculpting possibilities, while delay and feedback turns single-note recordings into arpeggios.
For more information about Rack Extensions, Polar, and to listen to audio examples, visit www.propellerheads.se/go/74B1DC9D
Pricing and availability
Polar will be released simultaneously with version 6.5 of Reason and version 1.5 of Reason Essentials Q2 2012, at a price of USD $69/EUR €55. Polar will be available for purchase in the Propellerhead Shop.
Here’s a direct link to the aurex master effects .adg file
For additional info about Aurex go here >>
Neo Reference is a new tool for the final processing of digital music.
Neo Reference uses different algorithms to emulate the Signal to Noise Ratio, Stereo Crosstalk and Frequency Response Curve of the several most commonly used playback devices, including HIFI devices, Computer Audio, Car Audio, Mobile Phones and MP3 players.
- Internal 64-bit floating point precision
- 4 Types of Dithering with depth control
- 15 Sound Magic’s cutting edge noise shaping algorithms
- Accurate modeling on Signal to Noise Ratio, Stereo Crosstalk and Frequency Respond Curve of common used playback devices
- Can be combined use with Headphone Mix Version 3.0 for complete playback system emulation
Neo Reference is available as a Windows VST or Add-on for Supreme Piano 2 for €49.00. See the Supreme Piano site for details and demos.
Russ gets his hands on the UAD Ampex ATR-102 tape emulation and puts it through its paces in this extended video. He takes a novel approach and looks at the effect it can have on different instruments rather than just as a mix-buss process. Find out more and get top Pro Tools and recording tips and tricks at http://www.pro-tools-expert.com
It’s Not a Record Until it’s Mastered on an Ampex® Tape Machine.
For more than three decades, the two-channel Ampex ATR-102 Mastering Tape Recorder has turned music recordings into records. With its cohesive sound, punch, and ability to provide subtle-to-deep tape saturation and color, the ATR-102 is a fixture in major recording and mastering studios — and is considered by many engineers to be the best-sounding tape machine for final mixdown. The perfect complement to the workhorse Studer A800 Multichannel Tape Recorder, the ATR-102 Mastering Tape Recorder plug-in for UAD-2 can provide the final “analog polish” on your music, turning songs into albums.
- Ampex®-authenticated plug-in emulation of the ATR-102 Mastering Tape Recorder — the most popular professional 2-track machine ever made
- Provides rich, cohesive tape sound, without the hassles of calibration, maintenance, tape degradation, etc.
- Models entire ATR-102 electronic path, including transformers, amplifiers, Repro, Sync, and Input paths
- Features multiple tape formulas, head configurations, and calibration levels
- Adjustable Wow, Flutter, Hiss, Hum, Crosstalk, and (L/R) Tape Delay
- Requires a UAD-2 DSP Accelerator Card available from authorized dealers worldwide
- View All Features
Impeccably modeled in the renowned UAD engineering tradition — and incorporating presets from noted ATR-102 users Chuck Ainlay, Richard Dodd, Buddy Miller, Mike Poole, and more — the ATR-102 Mastering Tape Recorder plug-in emulation for UAD-2 faithfully replicates the unique dynamics, frequency response, and saturation characteristics of the original hardware. Scrutinized and fully authenticated by the Ampex Corporation, the sound of the ATR-102 plug-in for UAD-2 is virtually indistinguishable from its analog cousin.
Introduced in 1976, the Ampex ATR-102 2-Track Tape Recorder was a near-instant hit, thanks to its revolutionary servo-controlled reel motors and capstan, which provided smooth, continuous tape tension and handling. The large capstan, and absence of pinch rollers, provided nearly non-existent speed drift and ultra-low flutter. The clever ATR-102 design allowed users to change out heads and guides in mere minutes, with a 1″ head being a very popular “hot-rod” modification in more recent years — especially when running at 15 IPS (inches per second). The ATR’s role in modern recording history is so prevalent, that it would be easier to list classic albums that weren’t mixed down on this machine, rather than to try to list all those that were.