AKAI – iMPC Music Production App for iPad

December 14, 2012 · Posted in Uncategorized · Comment 

Akai has teamed up with Retronyms to bring the MPC to your iPad. With more than 1,200 samples, 50 editable programs, 80 editable sequences, and iconic MPC workflow, iMPC is the first app to bring all the functionality of a classic Akai Pro MPC to your iPad.

Developed in partnership with Retronyms, iMPC includes everything you need to create a beat quickly and easily, including built-in effects, plus the ability to create new sequences and record and overdub beats. Time correction from 1/8 note to 1/32T with variable swing, and Note Repeat from 1/8 note to 1/32T with latch control are also built in. The app’s built-in sampler can record samples three different ways: using the mic on the iPad, using the line input on the iPad, or using the multi-touch turntable interface in iMPC to record samples directly from iTunes or other music libraries.

Download the iMPC App here: https://itunes.apple.com/us/app/impc/id584548447?ls=1&mt=8
To learn more and download iMPC visit: http://akaiprompc.com/impc

Nuage and Nuendo – Introduction

November 14, 2012 · Posted in Uncategorized · Comment 

Steinberg has announced Nuendo 6, the latest version of its audio post-production software.

Highlights of Nuendo 6:

  • New mixing console for enhanced operational speed, including a new channel strip with ‘high-quality’ effects
  • Nuendo 6 ADR Taker solution for voice recording and language dubbing
  • Fully integrated loudness measurement, featuring EBU-compliant metering plus a large choice of RMS metering scales and a dedicated loudness lane
  • Anymix Pro from IOSONO for state-of-the-art surround productions and Voxengo CurveEQ with sound-matching technology
  • More professional workflow, with new tools such as MemZap quick-jump tool, Remote Control Editor and Steinberg ASIO Guard with intelligent dropout-prevention techniques
  • Professional sound library by the specialists of Pro Sound Effects with more than 1.5 GB of dedicated post-production sounds

In addition, Nuendo 6 represents the core of the Nuage system solution, a top-end post-production platform introduced by Yamaha and Steinberg.

Background video description:

The Nuage integrated audio production system offers top-class hardware and software working in perfect harmony, for unprecedented mixing, editing, or dialog replacement efficiency in audio post production applications.
Yamaha control and interface hardware seamlessly integrates with Steinberg Nuendo DAW software in a purpose-built system that offers all-new productivity and flexibility as well as premium audio quality.
More information: http://www.yamahaproaudio.com

Audulus for iPad Briefing

November 1, 2012 · Posted in Uncategorized · Comment 

An introduction to the user interface of Audulus for iPad.

Built in modules:

  • Virtual Analog Oscillator (4 classic waveforms)
  • ADSR Envelope
  • Noise Generator
  • Sample Player (coming soon to iPad)
  • Mathematical Modules: Add, Subtract, Multiply, Sine, Modulo
  • Random Number Generator
  • MIDI controlled Keyboard
  • MIDI assignable trigger
  • Delay
  • Distortion
  • Low Pass Filter
  • High Pass Filter
  • Pitch Shifter
  • Constant Value
  • Gain
  • Mapper Curve
  • Piecewise-linear Spline Curve
  • Sample and Hold
  • Crossfade
  • 4-Channel Mixer
  • Level Meter
  • Value Meter
  • Scrolling Waveform Meter
  • Input/Output
  • Polyphonic to Monophonic signal mixer
  • Global Time
  • Sub-Patch (Coming soon to iPad)
  • Timer
  • Zero-crossing Counter
  • Audio Unit Plug-in (Mac Only)

FL Studio Mobile 2 | What’s New?

October 30, 2012 · Posted in Uncategorized · Comment 

More info here – http://www.image-line.com/documents/news.php?entry_id=1348098765&title=fl…

Features include:

Audio tracks – Import WAV/MP3/AAC/AudioPaste & iPod library.
Wave editor – Cut, trim, normalize, reverse, fade in/out
Multi-tracking – Up to 8 track simultaneous recording
FL Studio Mobile HD – Now a Universal App
iPad retina display – Supported
Dropbox – Export to Dropbox. Import from Dropbox App.
Library – Amped Guitar & Bass pack in the shop
ZIP – Export improved to include all custom instruments, audio recordings and the project

NOTE: To load an FL Mobile 2 projects in FL Studio for Windows you will need FL Studio 10.8 or higher. In addition to use the Amped expansion you will need to delete the existing FL Mobile Samples folder, from the Shared Data folder (C:\Program Files\Image-Line\Shared\Data\FL Mobile Samples) then re-download it from the content library.

Where’s ANDROID will it EVER happen?! Yes. see here…

http://www.youtube.com/watch?v=6kPX5xTPRKU&feature=plcp

More information about Ableton Live 9 and Push

October 26, 2012 · Posted in Uncategorized · Comment 

New information about Ableton live 9!

See Ableton Push in action. Push is a new instrument that solves an old problem: how to make a song from scratch. With hands-on control of melody and harmony, beats, sounds, and song structure, Push puts the fundamental elements of music making at your fingertips – and it fits in a backpack alongside your laptop.

Poor MIDI Timing and Note Jitter in iOS

October 16, 2012 · Posted in Uncategorized · Comment 

According to Kevin McCoy this really prevents iOS from being a serious platform for software instruments, despite its merits of having a touch interface and amazing sounding apps.

“Please comment if you have a solution!”, says Kevin

Tabletop App For iPad – A Detailed Introduction

October 2, 2012 · Posted in Uncategorized · Comment 

In this video series Freth Productions go into detail about the Tabletop interface and the specifics about how the devices work, up to and including making music.

This video was made using Reflection (iPad screen and audio to PC wirelessly), Camtasia (recorded with) and Power Director 10 (processed for YouTube from a raw AVI to MP4). NOTE: There are audio glitches during extended audio, caused by the Reflection software. It is not caused by Tabletop.

Nugen Audio Stereoizer | Tutorial

September 25, 2012 · Posted in Uncategorized · Comment 

Stereoizer is a high-specification stereo image manipulation tool suitable for natural expansion, reduction and introduction of stereo width at any stage of the audio production process.

Developed for and tested by professional audio engineers, Stereoizer adds natural sounding width and depth to any audio recording, mono or stereo, leaving the inherent character of the original source intact. Quite simply Stereoizer will make your audio more coherent, highly polished and spatially balanced without adding artificial reverberation, chorusing or delay.

• natural stereo to stereo extension
• mono to stereo enrichment
• leaves original character intact
• subtle to extreme enhancement
• band limited precision
• dynamic visual feedback

More info here >>

Roland Integra-7 Product Presentation

September 22, 2012 · Posted in Uncategorized · Comment 

The Sonci guys are at it again, this time taking a closer look at the Integra-7, details below:

Integra-7. Roland’s latest professional sound module – with masses of sound and the Jupiter 80 sound engine and a lot more. Product specialist Gareth Bowen came down to show us what it can do

Apogee introduces Quartet for desktop recording

September 5, 2012 · Posted in Uncategorized · Comment 

Apogee Electronics has unveiled Quartet, which they describe as “The ultimate desktop audio interface and control center for Mac.” They say that, featuring four inputs, eight outputs, MIDI, top panel display and control, Quartet sets a new standard in performance and connectivity for the modern studio. Here’s the full details in Apogee’s own words…

With ample input and output connections, the signature single controller knob, QuickTouch pads, and Apogee’s conversion technology, Quartet delivers where it counts; sound, functionality and usability.

Quartet connects to any Mac via USB 2.0 high-speed for extremely low-latency and stellar performance. From MacBook Air to Mac Pro, Quartet easily connects at amazingly high-speeds no matter the machine or sample rate; 44.1-192kHz.

Quartet’s four combination inputs offer microphone, instrument and line input with an exceptional gain range of up to 75 dB, leaving plenty of headroom for demanding microphones and sound sources. For additional channels, Quartet’s eight digital inputs create the option of connecting an external interface, like the Apogee Ensemble.

Quartet’s six balanced outputs deliver options for the video producer to mix in surround, the live performer to send multiple mixes to monitors and front-of-house and the mixer to send a mix to outboard compressors and EQs. Using Apogee’s Maestro software, the outputs will also split into three stereo pairs for connecting three speaker sets for auditioning mixes across various types of studio monitors.

A first for an Apogee audio interface, Quartet includes a USB MIDI connection for connecting a keyboard, synth or DJ controller. This feature consolidates all gear connections away from the Mac, making Quartet the control center for any studio.

Apogee CEO and Co-Founder Betty Bennett, told SBC, “We are excited to announce Quartet. Quartet offers a highly requested I/O configuration, award-winning sound and sleek design, all at an affordable price. We have listened to our customers and have designed Quartet with their requests in mind. At Apogee, we are all about delivering the absolutely best in sound, design and functionality and believe Quartet is a winner on every front.”

Quartet Highlights:

  • Best-in-class sound quality with Apogee AD/DA converters
  • 4 Analog inputs with world-class mic preamps
  • Monitor control – up to 3 speaker sets
  • USB 2.0 High-speed Mac audio interface
  • ADAT/SMUX digital inputs
  • MIDI input (USB-A type connector)
  • 8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level 1 independent 1/4″ stereo headphone output
  • 2 top panel high-resolution OLED displays
  • Controller knob
  • 6 touchpads for direct selection of inputs and outputs
  • 3 assignable touchpads
  • Quartet works with any Core Audio compatible application including: Logic, Pro Tools 9 and 10, Final Cut, Ableton Live
  • Made in the U.S.A.

Features & Specifications:

  • 4 Analog Inputs: Combination line (balanced +20dBu max), Mic/Instrument (+20dBu/+14dBu max)
  • 4 Microphone preamps with up to 75dB of gain
  • 8 Digital Inputs: ADAT/SMUX Input, 2 Toslink connectors, 44.1kHz to 96kHz
  • 8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level, 1 Independent 1/4″ stereo headphone output
  • MIDI I/O (USB-A type connector)
  • Word clock output
  • USB 2.0 High-speed Mac audio interface
  • A/D and D/A conversion: 24 bit/192kHz
  • 2 top panel high resolution OLED displays
  • Controller knob
  • 6 touchpads for direct selection of inputs and outputs
  • 3 assignable touchpads to control:
    • Mute Outputs
    • Dim Outputs
    • Sum to Mono
    • Clear Meters
    • Engage Speaker Set (allows monitoring of up to 3 pairs of speakers)

Pricing and Availability:
Price: $1,295 US, €1,295 EUR
Worldwide Availability: September 2012

More information:

Video description:

Apogee Quartet
The ultimate desktop studio interface and control center for Mac
Apogee Quartet is a professional USB audio interface designed to deliver the ultimate desktop recording experience to the Mac-based studio. Featuring 4 inputs and 8 outputs of Apogee’s industry-leading AD/DA conversion technology as well as 4 world-class mic preamps, Quartet bridges the gap between the 2-channel Apogee Duet and the 8-channel Apogee Ensemble.

Complete Connections
All the I/O you need with room to grow
Connect up to 4 microphones, instruments, keyboards or line inputs. Plug in your MIDI controller or keyboard. Expand with up to 8 digital inputs. Monitor and mix it all in stereo, with up to 3 sets of speakers or in 5.1 surround. Quartet is the center of the modern studio and will help you take the performance and sound quality of your projects to the next level.

Total Creative Control
Simple, powerful and easy to work with
With its ergonomic, angular design and intuitive user interface, Quartet is inspiring, easy to use and in perfect harmony with your workspace. Dual full-color screens for critical input and output details, QuickTouch pads for easy I/O selection, and a single controller knob to conduct it all, make Quartet the perfect studio control center for your Mac.

Legendary Sound Quality
Why Apogee Quartet is the best choice for your studio
Apogee is an award-winning industry leader in digital recording technology with over 25 years of experience. Preferred by recording pros around the world, Apogee products like Duet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMY® and OSCAR® winning recordings and have set the industry standard in professional recording for over two decades. Quartet is built solidly on this reputation.

Highlights
Best-in-class sound quality with Apogee AD/DA converters
4 Analog Inputs with world-class mic preamps
Monitor control – up to 3 speaker sets
USB 2.0 High-speed Mac audio interface
ADAT/SMUX digital Inputs
MIDI input (USB-A type connector)
8 Analog Outputs: 6 Balanced line outputs, +20 dBu maximum output level
1 Independent 1/4″ stereo headphone output
2 top panel high resolution OLED displays
Controller knob
6 touchpads for direct selection of inputs and outputs
3 assignable touchpads
Quartet works with any Core Audio compatible application including: Logic, Pro Tools 9 and 10, Final Cut. Ableton Live

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