Recording of an on stage technology preview at IBC Amsterdam 2011
This video shows you exactly how to use the optical ADAT connection of the Behringer ADA8000 (or similar mic pre) to stream 8 channels of audio into a Digi002/003 as well as how to set things up properly in Pro Tools.
Rupert Brown from The DSP Project discusses with freelance sound engineer Mike Hiller about drum processing in Pro Tools:
Mike Hillier is THE Pro Tools guy for MusicTech magazine so I was thrilled when he agreed to show us how he approaches mixing down a real drum kit. While he is using Pro Tools most of the mixing techniques can be used in any DAW.
thedspproject.com/drum-processing-in-pro-tools-pt1 for comments and more info on Mike.
This is a very nice video of a new audio experiment we came across
Ambient Analogue 001 is the first release of an audiovisual experiment with footage of Chicago cut to an ambient music track of classic vintage and modern analogue synthesizers.
Audio/Video produced by Logan Mannstrane
Music is available as a free download on SoundCloud:
Sequential Circuits Prophet VS: From 0:05 – 4:19
Roland Jupiter 8: @ 1:55, 2:21, 2:45, 2:51,
Sequential Circuits Pro One: From 4:20 – 4:48
Oberheim FVS (Four Voice): From 4:49 – 6:26 and 7:57 – 8:32
Roland TR-808: At 4:53-END
Moog Voyager: From 6:28 – 7:56 and 8:32 – 11:09
Sequencing done with Logic Pro and StepPolyArp for iPad. Mixed in Pro Tools 9. Filtering of drums and select synths with the Oberheim Four Voice stereo inputs.
Longcat Audio Technologies has released AudioStage, 3D audio authoring and mixing software, but comes at a price that, unfortunately, puts it out of the range of most users.
Aimed at movie and music postproduction, AudioStage inserts in major audio workstations such as ProTools, Pyramix, Nuendo or Logic Pro, and lets you visually place and animate audio tracks in editable 3D environments.
- Input tracks: Mono or multichannel.
- Acoustic environment: complete with connected rooms, physical simulation of openings, walls and reverb.
- Authoring: infinite number of scenes, tracks and environments in one single project.
- Automation: Full parameter automation and animation of audio objects.
- Commercial editions: AudioStage Stereo, Surround and Unlimited.
- Free LITE edition: to achieve your first 3D mixes.
- 3D object-based mixing: simultaneously mix in stereo, surround or any full-3D format up to 64 channels.
- Spatialization: Comprehensive techniques (including stereo, binaural, stereo3D, surround, Ambisonics and VBAP) applied individually to audio sources in each mix.
AudioStage starts at 990 € (special introductory price for Stereo edition), and is available immediately in Longcat’s online shop for Windows and Mac OS X, with VST/AU/RTAS plug-in connectors.
The free AudioStage LITE edition is also immediately downloadable from Longcat Audio’s website.
The machine is not powered by an Atom processor; instead, it uses a low-voltage CULV SU3500 processor, which in turn is based on Intel Core 2 architectures. (The 3500 is a 1.4G Core Solo processor.) Trinity is pre-installing Pro Tools 9 with an iLok key so you can run out of the box. Performance certainly won’t be stellar, but it’s good enough for some applications. Trinity tells CDM they got 8 stereo tracks (16 total) with 2-6 plugins on 2GB RAM; the finished system they say will be tuned for better performance, and will ship with twice the RAM. The price, unfortunately, puts the tablet alongside high-end laptops, at US$1799.
The Indamixx tablet is an interesting proof of concept, but it faces tough competition. There’s nothing stopping you from watching the marketplace in 2011 to find a tablet you like and installing it yourself, and I would hope some of those machines will ship with beefier processors. (Knowing readers of this site, that may hold more appeal, too, with options from Ableton Live to Reaper to SONAR, none requiring an iLok.) And while you don’t get a touchscreen, the MacBook Air is still fairly light and portable, significantly faster, and costs a fraction of the price – and it runs Mac OS in place of Windows, which will be a draw for at least some consumers.
ElectroBeats is a very intuitive beat making application conceived in collaboration with worldwide renowned and most demanded producer David Guetta.
Right away, you’ll create great sounding beats thanks to a powerful real-time approach and an impressive sound library.
ElectroBeats by David Guetta features
- Realtime workflow experience with sixteen pads and five different modes: Pad, Pitch, Velocity, Erase, Mute/Solo.
- Exclusive and electro oriented sound library, with hundreds of samples including Bass Drum, Snare, Clap, Rimshot, Cymbal, Hi-Hat, Open Hi-Hats, Acoustic Percussion, Electronic Percussion, FX, Bass, Chords, Leads, Instruments, Vox…
- Two sound generators : sample playback and synthesis oscillator.
- Dozens of ready to use drum and construction kits.
- Hundreds of patterns to use with the drum kits..
- Note Repeat in multiple resolutions..
- Dynamically change the quantize/repeat resolution while recording : the key to build beats very fast..
- Default quantization for instant gratification.
- Save and share your tracks using iTunes.
- Bounce song in Wav format.
- Multitrack export for use in sequencers like Logic™, Live™, ProTools™, Cubase™ and many more..
- Tap Tempo.
- Realtime previews (pattern, kits and sounds).
- Convenient undo with snapshots support.
- Embedded help in English, French, Spanish and Japanese.
More info at www.uvi.net
V-Control Pro (App Store link) is a $49.99 iPad app that provides a fully-featured, multi-touch control surface for Pro Tools on a Mac and soon for Windows.
V-Control Pro uses WiFi to control transport, editing, and mixing functions with Pro Tools 9, HD, or LE. V-Control Pro provides advanced control of sends, automation, groups, auditioning, plug-ins, scrub/shuttle, I/O assignment, and other controls within an easy-to-use interface.
- Large, touch-sensitive moving faders
- Solo, mute, record, and pan controls
- Flip mode send editing
- Scrub / shuttle control
- Automation mode controls and display
- Automation and group suspend buttons
- Automation and group status display
- Automation write enable controls
- Plug-in editing
- Input monitoring switch
- Big counter display
- Save and Undo buttons
- Pre-roll / Post-roll buttons
- I/O assignment
- Zoom presets
- Window display controls
- Keypad popover provides access to many Pro Tools features
Avid has just released Pro Tools 9, the new version of the industry standard DAW, now packed with more features (including very cool news for post-sound guys, both LE and HD users) and also a new philosophy (yes, finally… they’re “changing”).
So.. What’s new?
- Pro Tools now works with Core Audio and ASIO drivers (no more interface limitations)
- Supports OMF/AAF/XMF
- Adds native ADC
- Adds EUCON support
- Supports up to 96 tracks natively, and 512 tracks with Complete Production Toolkit 2 and Pro Tools HD
Several of the features of the previous toolkits are included natively in Pro Tools 9, such ast DigiBase Pro, Time Code Ruler, MP3 export, and more. There’s also the new Complete Production Toolkit 2, which adds HD features to Pro Tools 9:
- Exchange sessions with Pro Tools|HD users without ever losing session information
- Create huge mixes with up to 192 simultaneous audio tracks** on playback—512 total
- Get full VCA mixing capabilities and support for up to 64 video tracks
- Mix in 7.1 surround while monitoring in stereo with the Neyrinck SoundCode Stereo plug-in
- Speed up your workflow with advanced automation, audio, and video editing tools
- Shift time and pitch with natural-sounding results using the X-Form plug-in
Avid introduces Pro Tools HD Native, offering the full capabilities of Pro Tools HD software while running entirely on a host computer’s CPU power, without the additional dedicated processing hardware included in larger Pro Tools HD DSP-assisted systems.
The Pro Tools HD Native system offers an integrated professional hardware and software solution featuring a new Pro Tools HD Native PCIe card and Pro Tools HD software. Pro Tools HD Native uses Pro Tools HD Series interfaces for up to 64 channels of premium audio conversion and I/O. Support for SYNC HD enables accurate synchronization to picture for post-production workflows. For integrated monitoring and tactile control, the system integrates with Avid ICON and C|24 worksurfaces, and promises lossless session and project interchange with other Pro Tools and Avid video editing systems for simplified collaboration.
The Pro Tools HD Native system also offers third-party DAW support with support for Core Audio and ASIO drivers, enabling compatibility with applications such as Logic, Cubase and others. An integrated low-latency mixer promises near-zero latency. The Pro Tools HD Native PCIe card offers a low latency monitor path directly in the Pro Tools system with the push of a button for set-and-forget direct monitoring while tracking.
In addition, Pro Tools HD Native offers audio conversion with up to 192 tracks of audio and up to 64 channels of I/O using HD I/O, HD OMNI and HD MADI. Users can create flexible configurations that support a variety of analog and open digital formats. The system is also compatible with legacy Avid Pro Tools HD interfaces.
Pro Tools HD Native supports both Windows 7 and Mac Snow Leopard 10.6 or higher.