Producer Francis Preve has put together a new free library of synth patches for Ableton Live, featuring the sound of the Roland SH-101 synthesizer.
Here’s what Preve has to say about these Simpler instruments:
- SH101 Saw – Basic single oscillator SH-101 sawtooth.
- SH101 Square – Basic single oscillator SH-101 square wave.
- SH101 PWM – One of the truly classic SH-101 sounds lies in the character of its pulse width modulation.
- SH101 Saw+Sub – Another signature sound from the 101 comes from its sub-oscillator. Here, I blended it with a sawtooth waveform.
- SH101 ResSweep – The SH-101 shipped around the same time as the legendary TB-303 – and many producers have used the 101 in similar ways. The resonance on this synth is exceptional, so here’s a taste.
- SH101 Resonant – This is another example of the SH-101′s resonance, generating a whistling tone over a square/pulse wave.
- SH101 Noise – Lots of 80s tracks used the SH101′s midrange-heavy noise generator for synth drums, so I included a sample of it here.
- SH101 Bass – Gotta have some bass too, right?
Download the free Roland SH-101 instruments at Preve’s site.
Monday morning synth spotting, including Roland Juno 60, Roland SH101 & Moog Little Phatty, in this french video:
Extrait de l’album Le trou noir – Ego Twister – 2012 (sortie le 10-10-12)
Version originale : http://soundcloud.com/amnesie1/jai-tu-le-chat
Enregistré et filmé live dans les studios du CNDC au Quai à Angers.
Avec : Yan Hart-Lemonnier, Maxime Dobosz et Wilfried Thierry
Technique son : Loïc Lebris
Réalisation : Wilfried Thierry
A voyage into the heart of the Roland SH-101 from the year 1983. Exploration by Marko Ettlich monophonic analog synthesis 1 VCO I Saw, Square, PWM, Noise Filter – 24dB lowpass step sequencer, arpeggiator It has been used by The Prodigy, 808 State, Apollo 440, Devo, Aphex Twin, Astral Projection, Nitzer Ebb, Chemical Brothers, Boards of Canada and many more.
The SH-101 is very cool, especially for techno, drum&bass and ACID! It’s a monophonic bass synthesizer. Its sound lies somewhere between the TB-303 and a Juno bass sound. It has a lot of simple but cool features. You can control the VCF, pitch, LFO or all from the pitch bender. It has a white noise generator, arpeggiator with up, down and up/down patterns and a simple real-time sequencer. The LFO offers random, sine, square or noise waveforms. And normal or auto portamento effects give you that elastic bass sound. There are external clock inputs for the sequencer and arpeggiator, CV/GATE inputs and outputs and a CV hold pedal.
Unfortunately there is no patch memory storage and although it has no MIDI there are upgrades available for it from many analog service companies that will allow you to incorporate it into any MIDI studio environment. It can also be controlled by MIDI using a CV/MIDI converter. It’s great for bass sounds or bubbly analog effects. They come in three different flavors – gray, blue or red (there was a VERY rare white version too)! It can also be strapped on like a guitar for live performance using the optional Hand Grip.
Here’s what Solvent has to say about the video:
Hi my name is Solvent and I make electronic music. Here is a rather indulgent video of my first experiment with the Make Noise Phonogene module. Actually, indulgent as this may be, I liked this enough to press record. I used a square wave LFO to chop the splices evenly, and the SH-101 krbrd is choosing the splices via the “Organize” Cv-in. End-of-splice (“EOS”) triggers a TipTipAudio BD808 kick drum, running through the Doepfer A-189-1 Bit Modifier. Phonogene loop is processed through a Pittsburgh Modular Filter + Midiverb reverb. The source of the sample was some lame YouTube film trailer about space.
Just the name of the video make you wanna check it out
It performed with this friend. ———- roland tr909 tr808 tb303 sh101 sre555 moog minimoog analogue solution vostok ems vcs3 korg sq10 sherman filterbank2 and more
I made this track in the mid 80′s with the Oberheim OBXa on a 4-track analog tape recorder Tascam 144.
Everything was played by hand, without a sequencer or MIDI.
The remastering is made with SONAR 8.0
This piece was also featured on our national radio called BRT-2 in 1987 in a special program “maneuvers in het donker” for home made electronic synthesizer music
A slower, relaxing electronic ditty featuring:
TR-909: “Balearic-style”, relaxed electronic beat
SH-101: smooth, “Moog-like” synth bass
W-30: custom-made Syn Vox / Piano split patch
An improvisation in a Valerie Dore / Italo Disco style circa 1984. Featuring the Orchestrator, Juno-60, LinnDrum and SH-101
Crumar Orchestrator: string machine
Roland SH-101: bass
Roland Juno-60: synth strings
Linn LinnDrum: drum machine
Reverb: built-in Roland M-10DX digital mixer
Delay on Linn claps: Boss DD-3 digital delay pedal
Hardware feature – Crumar Orchestrator:
In 1977, Crumar introduced the Orchestrator (called the Multiman-S in Europe), a fully polyphonic orchestral string machine. It has five basic sounds: Brass, Piano, Clavichord, Cello and Violin. The keyboard is split in the middle allowing you to play one combination of instruments with the left hand, and another combination with the right.
All five sounds are available at all times, you simply adjust how much volume you want of each sound. Feature just a single instrument, or create your own orchestral ensemble—you are the Orchestrator! With the keyboard being split, there are five separate instrument volume sliders for the left hand (lower split) and another five for the right hand (upper split).
There is also a sixth sound: Bass. The Bass sound has its own volume slider as well, but it is assigned to only the bottom 27 notes of the keyboard. It is also not the greatest of Bass sounds either, and can sometimes muddy the sound.
There is a filter section but only for the Brass. It uses some pretty old-fashioned terminology: ‘Emphasis’ for resonance and ‘Contour’ for cutoff. There are also Attack and Decay controls for the filter. There is another filter for the Cello and Violin string sounds called ‘Timbre’ which can adjust between a ‘Mellow’ to ‘Bright’ sound—basically it’s a highpass filter. There is a ‘Vibrato’ effect section, basically the LFO, with ‘Speed’ and ‘Depth’ controls. The only global envelope control is a ‘Sustain’ length slider.
The Orchestrator’s best sounds are its Brass (probably because it is the sound with the VCF filter) and the Strings. In fact the Strings sound very similar to the famous ARP Solina. Unfortunately there are no built-in Ensemble effects to really sweeten them up…but that’s what outboard gear is for!
Like most synthesizers of its time, the Orchestrator was built with the performing musician in mind. It is its own flight-case! Its casing is very tough and durable, it has a handle and a cover/lid to keep it protected during transport. And if it looks heavy, it is! Additional options for the Orchestrator included an organ-like 13-note (G-G) Foot Pedal Board, Sustain Pedal, and a Foot Expression Pedal controller for the filter cutoff. There are no CV/Gate options, just connectors for the external pedal controllers.
About section via VSE
The CR-8000 produces classic electronic drum sounds that hint back to the famous CR-78 and TR-808 drum machines. But none of these sounds are editable and there is only one mono audio output making this machine less of a studio-piece of gear and more of a collector’s item. Aside from these limitations it, like other CompuRhythms, has a series of preset patterns in many different styles as well as programmable patterns with 8 storage patches. While the CR-8000 is usually sampled for today’s applications, the thing about the CR-8000 that cannot be captured by sampling the sounds is the swing/groove feel which has its own control knob. The intervals between beats are variable, but also the timbre changes.
In this video:
Short (minimalistic) demo made only with SH-101 and CR-8000. Delay was provided by Boss DE-200. I should note that i modified my CR-8000 with individual outputs. Therefore, your CR-8000 might not sound like this, as each channel was separately EQ-ed (on a Soundcraft desk). No compression was used.
Music composition based around old skool sequencing programming combined with some edgy synth sounds. Featuring Jomox Xbase09 drums, SH101 & Pro-one sequences, Juno & JP8 arpeggiators, JP6 lead, Prodigy bassnotes, plus other bits & pieces.
The XBase-09 is serious about emulating the Roland TR-909. Like the 909, it is an analog drum machine, and it sounds just like the 909, and more! It offers the same types of analog controls that the TR-808 and TR-909 did such as tuning, level, decay, snap, etc. However it provides more of these controls for more sounds than the originals ever did and has MIDI implementation and Patch memory making the XBase-09 a much more versatile machine than those originals.
Kick and snare are true analog, not emulation and not sampled. The Hihats, cymbal, ride, rimshot, claps and noise sounds are samples but are still quite tweakable. All your edited sounds can be stored into the 100 patches of memory. Use the built-in LFOs to modulate the Bass drum pitch, Snare Tune, Snare Snap, Snare Noise Tune, HiHat Tune or LFO 2.
The XBase-09′s built-in sequencer is also more advanced yet faithful to the style of its mentors. Step or Real-Time programming just like it’s done on the 909 and 808! However, on the XBase, any edits to the sounds will also be stored with the pattern or song! This really liven’s up your beats and allows you freedom and control to do things not easily possible on the original beat boxes! There’s also an extensive Shuffle mode. Of course the XBase-09 is also happy as a simple drum tone module, with all editable controls accessible using MIDI. The controls also send MIDI data when tweaked so you can record real-time edits into your external sequencer.