Early ’80s Italo Electro with SH-1000, ARP Omni-2, Juno-60 and TR-808

October 17, 2013 · Posted in Uncategorized · Comment 

The beauty of analog synthesizers.

In the studio with the classic vintage sampler Emulator II

October 15, 2013 · Posted in Uncategorized · Comment 

A quick demo of one of ‘SynthMania’s’ “vintage sampler” setups in his studio.

“The E-mu Emulator II is a classic ’80s machine, and one of my favorite samplers. With a Macintosh SE and a Macintosh Classic running Sound Designer. Rhythms by LinnDrum. The effects are Lexicon model 200 reverb and AMS DMX15-80S delay. Tracked on a 1984 Soundcraft Series 1600 24ch. mixing console.”

YAMAHA DX7 II FD perfroming “Chimes”

October 13, 2013 · Posted in Uncategorized · Comment 

Vintage synthesizer demo track featuring the classic Yamaha DX7

all synthesizer sounds: YAMAHA DX7 II FD FM-Synthesizer (1987)
recording: multi-tracking without midi
fx: reverb and delay

The demo shows typical and not so typical FM sounds. a bit PPG and Fairlight like.

“I like this synth a lot! Yamaha should built a DX7 III with realtime controller like the old PSS FM keyboards, with internal arpeggiator, step sequencer and a fx unit with reverb and delay and chorus. this would be fantastic.

The Celebes Sea (featuring vintage analogue keys)

October 11, 2013 · Posted in Uncategorized · Comment 

Original music featuring ARP2600, Moog Voyager, Mellotron, D6 Clavinet, Nord Electro 3 and Fender Rhodes

Demo of the ROLAND JUPITER-6

October 9, 2013 · Posted in Uncategorized · Comment 

The Jupiter-6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.

The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control. The Jup 6 was one of the very first (along with the Sequential Prophet 600) synths to use the then new MIDI protocol, and the implementation on the Jup 6 is far from complete.

Synthcom Systems, Inc. offers the Europa firmware upgrade for the Jupiter-6 which gives it an up-to-date and comprehensive MIDI implementation. All parameters are controllable via Continuous Controller or SysEx. Europa also features an extensive arpeggiator which will sync to MIDI clock with programmable clock divisors and rhythms, and has about 50 more playback variations than the JP-6’s original Up, Down, Up/Down, and Down/Up. A Europacized Jupiter-6 is a thoroughly modern synth with a classic sound.

The Jupiter-6 is an excellent for ambient drones, pads, blips, buzzes and leads.

Video details:

What kind of music gear do you have?
” musictrack gear ” is now ready to open !!
http://gear.musictrack.jp/news

DEMO by Katsunori UJIIE.

Performance on the PPG wave 2.2 – “Electroplankton”

October 7, 2013 · Posted in Uncategorized · Comment 

Vintage synthesizer demo track by RetroSound
“Electroplankton”

all synthesizer sounds: PPG wave 2.2 Synthesizer (1982)
I use the internal arpeggiator for the main sequence.
recording: multi-tracking without midi
fx: reverb and delay

Lots of controls on this new vintage lead synthesizer and pattern sequencer

October 2, 2013 · Posted in Uncategorized · Comment 

T-C-M

Trans Computer Maschine is a semi-modular Vintage Lead Synthesizer + Pattern Sequencer. Modeled after two legendary mono synths and a custom analog sequencer from Germany.

3 Multi-Oscillators with Sawtooth, Triangle, Sawtooth-Triangle and variable Pulse shapes.
Color adjustable Noise Generator.
3 mode Ring Modulator.
Advanced Sample/Hold.
Selectable 2/4-pole resonant LP Filter with auto-oscillation.
HP Filter with bus selection.
2 exponential Envelope Generators offering 3 operation modes.
Unique Sequencer features like ‘skip’ and ‘set’ can be played live from MIDI keyboard.
Inter-patch Sequencer pattern ‘Copy/Paste’ feature.
Fully MIDI controllable.
Fully VST automatable.

– Added ‘Drift’ control for subtle analogue detuning adjustment.
– Added ‘Noise Colour’ modulation from multiple sources.
– Added routing to use ‘S/H Mixer’ as OSC3 ‘Minimoog modulator’.
– Extended Envelopes ‘Attack’ range to 200µs.
– Fixed/added Oscillators self-modulation via ‘S/H Mixer’.
– Improved Amplifier featuring light distortion with clipping indicator.
– Remodelled Low Pass Filter feat. 3 modes with resonance ‘Bass Recover’.
– Remodelled Oscillators feat. accurate upper harmonics and isolated phase.
– Remodelled Ring Modulator featuring true Odyssey behaviour.

http://cescato.net/T-C-M-II.htm

Time machine: MOOG MULTIMOOG Analog Synthesizer 1978

September 27, 2013 · Posted in Uncategorized · Comment 

Playing the Multimoog with reverb effects from a Lexicon MPX-500 and delay effects from a Roland DEP-5.

The Multimoog is a highly versatile analog monophonic synthesizer. It is basically an extended version of the Micromoog, which came out 3 years before. It features a ribbon controller and a touch sensitive keyboard. It has many interesting modulation routings and has a powerful, analog sound.

The Multimoog has 2 VCOs and a suboscillator. The filter can be modulated by the oscillator B in different ways. It has oscillator sync, noise generator, sample & hold, mixable oscillator waveforms, pulse width modulation, the 24 dB Moog filter and two envelopes. It has all interfacing you would expect from a good monophonic synth: CV / Gate IN and OUT, EXTERNAL SIGNAL IN, VCF IN. You can even play a Moog modular system from the Micromoog keyboard.

Closer look at 70s Stringensemble Trilogy

September 21, 2013 · Posted in Uncategorized · Comment 

Vintage gear demo of “70s Stringensemble Trilogy”

0.08 – 1.23 Roland VP-330 Vocoder Plus (1979)
1.24 – 2.32 Crumar Performer (1979)
2.33 – 3.53 Logan String Melody II (1979)
Used the special functions (human voices, brass filter, lfo, tone colour, chorus…) on the stringmachines.
bass: Moog Taurus 1 basspedal (1976)
drums: Keio Minipops Junior (1972)
recording: multitrack without midi
fx: a bit reverb and delay

Time machine: ARP Odyssey “Back In 1972″

September 14, 2013 · Posted in Uncategorized · Comment 

Vintage synthesizer demo track by RetroSound
“Back In 1972″

all synthesizer sounds: ARP Odyssey Mk3 analog synthesizer
recording: multi-tracking without midi
fx: a bit reverb and delay

He used the internal LFO with the sample/hold modul for triggering the sequence. for the sounds: FM, Osc-Sync and Ringmodulator.

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