Review of M-Audio Venom Synth and Editor

January 30, 2011 · Posted in Uncategorized · Comments Off on Review of M-Audio Venom Synth and Editor 

The new Vyzex editor – FREE software that comes with the new Venom Synth

Shared by AUB

Aurex reviews the Code, Block, and Ohm64

January 30, 2011 · Posted in Uncategorized · Comments Off on Aurex reviews the Code, Block, and Ohm64 

Belgium minimal techno / elektro artist Aurex reviews the Code, Block, and Ohm64. He also made some really kick ass sequencers for all of them.

More info:

Code is a flexible and stylish control surface for computer music creation and performance. Its compact grid of 32 endless encoders with LED rings have built-in pushbuttons with addressable LEDs let you “think outside the grid.” Code sends and receives MIDI, providing endless possibilities for use with software such as Ableton Live, Max/MSP, Properllerhead’s Reason and Record, and NI Traktor, just to name a few.

Block is a compact and programmable MIDI control surface designed for interactive audio performance. Built on the same bi-directional and adaptable platform as the Ohm64, Block provides a powerful interface for creating and interacting with sound in a small easy-to-transport body.

The Ohm64 is an adaptable, programmable, and interactive MIDI control surface designed to give you hands-on control over your performance. High-quality sliders, knobs and buttons provide the interface for creative expression, whether you’re mixing samples and synths or DJ’ing a cutting-edge set. Constructed with anodized aluminum and hand-finished wood, the quality is felt down to your fingertips.

Pitch shift and timestretch demo

January 30, 2011 · Posted in Uncategorized · Comments Off on Pitch shift and timestretch demo 

Elektron Octatrack pitch shift and timestretch demo

Here I demonstrate the potential of the Elektron Octatrack for alternate playback of songs using pitch change, time stretching and the FX of the OT.

The Octatrack is an 8 track performance sampler. Recording of sounds is a breeze thanks to the intuitive user interface, but the fun really starts once the samples are inside the machine. All audio content can be heavily processed and radically transformed. Loops do not have to be restricted by tempo or tone and can always stay in sync no matter if they are pitch shifted or if the tempo of the sequencer is changed. The inflexible nature of samples is finally a thing of the past.

The Compact Flash card compability allows for huge amounts of samples to be constantly accessible. The USB port is ideal when transfering sample libraries between your computer and the Octatrack. The optical fader can be assigned to any of the parameters, adding a wealth of live control possibilities.

The producer will be able to treat samples in radical ways. The extensive audio mangling capabilities paired with the user friendly interface make the Octatrack an outstanding studio tool.

The DJ can sample in real-time, add effects and blend in pre-recorded loops to really add a twist to a set. The Octatrack can be regarded as an extremely flexible turntable.

The performer needing gigabyte large backing tracks during a live gig will appreciate the sample streaming functionality of the Octatrack. Streamed samples can still be subject to time stretch and effects processing.

Voyager Controller Techniques

January 30, 2011 · Posted in Uncategorized · Comments Off on Voyager Controller Techniques 

Minimoog Voyager XL MIDI & CV Controller Features

A quick look at a few of the many MIDI and CV control capabilities of the Minimoog Voyager XL. An XL prototype, Slim Phatty prototype, Moog Voyager, Moogerfoogers, Korg MicroX, Yamaha MU80 and more are used to test some of the XL’s more advanced functions.

The role of the producer

January 29, 2011 · Posted in Uncategorized · Comments Off on The role of the producer 

Watch a conversation with Daniel Lanois, the producer of the new album Le Noise from Neil Young.

This is sooo slick – Sampled Room

January 29, 2011 · Posted in Uncategorized · 1 Comment 

This is an example, how to use the basic stuff in your room in such creative and musician way. Just take some noisy and voiced objects and record them with any sampler. At the end use all this stuff to create any music u desire. Or… You even don’t need any sampler. Just use your friends, give them gadgets and transform your party into gizmo-jam-session. I can guarantee much fun. Enjoy!

Tools:

Canon EOS 5D mkII
DitoGear™ CrankSlider
Microphone Shure SM 48

2 Wine Glases
Panties
Bottle Opener
Drier
Tape
Tube Pack From Whiskey
Spring
Old Russian Camera
Spanner
Water

Shots, Edit & Music – Mateusz Zdziebko

Weekend music treat with YMO

January 29, 2011 · Posted in Uncategorized · Comments Off on Weekend music treat with YMO 

Got a tip on Facebook of this really nice song with YMO. Definitely one of my old time favorites

Strange to see sakamoto-san on drums, but then again i’m sure the ‘roles reversed’ was all part of this video :)

Ambient Chill soundset for Waldorf’s Largo synthesizer

January 29, 2011 · Posted in Uncategorized · 1 Comment 

Preview of the presets from the ‘Ambient Chill’ soundset for Waldorf’s Largo synthesizer .

Soundsdivine has announced the release of Ambient Chill, a new soundset for Waldorf’s Largo synth.

This bank contains 72 new sounds for Largo featuring weird timbres, noise washes, strange glitchy soundscapes and some beautiful pads. No bass or lead sounds. Perfect for any style of music.

The price is $25 ($17.50 for existing customers).

For customers who are not signed up to the newsletter, email me at info@soundsdivine.com for the discount code.

Tone 2 – Electra X is out

January 29, 2011 · Posted in Uncategorized · 1 Comment 

This sure looks interesting, if you have tried it please leave us your thoughts

ElectraX means not only having four powerful synthesizers in one interface – it’s the next generation of high-end audio equipment.

Explore the vast musical universe of multi-synthesis oscillators, analog modeled filters, chaotic fractals, samples, psychoacoustic processing, flexible modulation and an immense sonic range.
Combine multiple polyphonic or monophonic synthesizers and 13 different synthesis methods to create incredible results.
All this comes with an easy-to-use interface, high-end sound quality and remarkable low CPU usage for an instrument as feature-rich as ElectraX.
The comfortable preset management provides instant access to a large library of sounds by professional designers.

Oscillators

At the heart of ElectraX are the multi-synthesis oscillators with up to 18 oscillators per voice. With ElectraX you combine classic synthesis types like Virtual Analog, FM, Phase Distortion, Ultrasaw, Sync, Waveshaping, Wavetables, AM, and completely new oscillator types. It also opens unheard acoustic possibilities with its exclusive Fractal synthesis, which can be used to mimic the behavior of organisms or analog circuits.

Samples and Wavetables

You can use ElectraX’ sample oscillator to import your own waves, a quick import option is available to create custom patches or vocoder sounds based on your own samples with a mouse click.
ElectraX ships with a large selection of licensed wave content, including morphable analog and digital wave types.
In addition to this you can automatically resynthesize your own waveforms from samples or import custom wavetables.

Filters

Each synth’s filter section consists of two multi-mode filters with 23 unique filter types and multi-mode distortion.
ElectraX comes with excellent analog modeled filters, high precision digital filters, vocal filters, comb filters, phasers, equalizers and other exotic types.
The warm sounding filters are able to self oscillate and deliver a wide range of timbres due to the variable degree of analog behavior.
A dual distortion unit offers six different modes. It can produce tube sound, known from analog pre-amp boxes, model a fuzzbox or do waveshaping.

Effects

ElectraX’ master and insert effects sections include 18 high quality effect processor, built and fine-tuned specifically to compliment the synth’s sound such as: High-end Reverb, Multitap Delay, Vocoder, Chorus, Ensemble, Phaser, Flanger, Rotary, Surround encoder, Trancegate,…

Modulation

ElectraX’ modulation makes use of punchy, analog sounding envelopes. Its high quality LFOs are syncable to BPM and can modulate up to the audible range. You can create rhythmic sequences or custom wave shapes with the step LFO.
The flexible Modulation Matrix is easy-to-use and provides a good and instant overview of the active modulations.
With the built-in ‘midi-learn’ feature it is possible to assign controllers with a single click.

Arpeggiator

One preset setup can handle up to four full featured synthesizers with four independent arpeggiators and step sequencers. The arpeggiator supports autochord, swing, glide and keyboard splitting. This allows you to create impressive sequences with several instruments playing at the same time, providing a creative and hands-on experience for a life performance.

Features – summary

  • Four synthesizers in one interface
  • High-end sound quality
  • Huge sonic range
  • High flexibility
  • 13 different synthesis methods which can be combined
  • Psychoacoustic processing
  • Low CPU, multicore processor support
  • Easy to use
  • 4x multitimbral
  • 555 presets by professional sound designers
  • 23 exclusive analog modeled filter types
  • 45 oscillator types
  • 18 effect types; Master effect section with Equalizer
  • More than 1000 waveforms
  • 64×4 voices
  • Midi learn
  • Customizable user interface with 4 skins
  • Expandability
  • Standalone version for PC
  • Flexible preset management
  • Context sensitive help

Dynamo – Modulator Gate Sequencer Audio Unit Plugin

January 29, 2011 · Posted in Uncategorized · 1 Comment 

Dynamo is an Audio Unit effect plugin that adds complex rhythmic motion to any audio. At it’s core is an advanced step sequencer which works as a gate for the incoming signal. The sequencer offers up to 32 steps each with individual level and envelope shape, allowing you to construct modulation patterns of any complexity. With all these unique features accessible via an incredibly easy-to-use interface, Dynamo is an immensely capable tool for adding lively motion to just about any type of sound. From gentle pulsation and pumping effects, to complex riffs, intricate rhythmic gating, and even beat slicing – Dynamo can do it quickly and easily.

Features

* Sequencer with up to 32 steps, variable swing and speed.
* Envelope matrix with 6 shapes, adjustable time and smoothness.
* Intuitive, high-contrast user interface with full parameter automation.
* Useful collection of template patches.

Compatibility

Dynamo requires Mac OS 10.5 or later. It is a Universal Binary with 32 and 64 bit compatibility. You will also need an AudioUnit host application that supports Cocoa user interface technology.

Download the demo first to test Dynamo. More information and the demo available at http://www.sinevibes.com/dyn…

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