Razor 5 – SFX & Percussion
Torley takes you on a tour through every preset/snapshot in Razor so you know what it sounds like before buying! Yes, it’s really that simple. Torley is using Razor in his upcoming Musical Dream Journal entries @ http://torley.com
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http://www.native-instruments.com/#/en/products/producer/powered-by-reaktor/r…
“Discover the new cutting edge of synthesis with RAZOR — a refreshing, truly new instrument based on additive synthesis. Created by maverick Berlin producer Errorsmith in partnership with NATIVE INSTRUMENTS, RAZOR has a characteristically dynamic and precise sound suited to tense basses, bristling leads and shifting, sci-fi soundscapes.
RAZOR’s approach to additive synthesis is pragmatic and musical, providing detailed control without sacrificing usability. So shake off the virtual analog dust — go additive and carve a new path with RAZOR.
RAZOR runs in the free REAKTOR 5 PLAYER and REAKTOR 5.5.”
micronaut – experiment five
After experiment 4 – time for number 5 
Audio is available at http://micronaut.bandcamp.com
Another “live in the studio” jam. Sequenced from Live, and I’m using a Korg nanoControl to turn tracks on and off and such. I play the DSI TETR4 from my iPad running Audanika’s SoundPrism app, which is a very cool MIDI controller app done in a cycle-of-fifths layout. The little bass sound that comes in here and there is The World’s Most Expensive CS-5, while a René sequencer drives a SynthTech Cloud Generator for the arpeggiated sine part from the modular.
MeeBlip is running in to a Roland RE-201 for the sound you hear very early on, the snare-ish hit that has a spring ‘verb and echo. The other sound right in the beginning is an MS-20 running in to my circuit-bent BOSS RRV-10. The other prevalent effects are Eos for the ‘verb, and the Eventide TimeFactor on its ModDelay algorithm, in line from the TETR4. This is what creates the big hollow drone sound. I just jack the feedback up full and when it is humming along I hit the repeat button.
Teaser: MacBeth Mk1/X-series Touch Keyboard Proto
This Sunday has been fun. I have thought about this idea a lot. I’ve played with various ideas on this for a few years. Last week- I got the parts in for the last thoughts I had on it- the great news is – it works! This is a purely analogue design and it opens the door for new touch controlled stuff! I’m using this 5 note test device to play my Mk1 Syetem- Barabus! I fully intend to have a fully functioning synth out of this guy- micromaccers watch out!
Ken M
DEVO: What We Do – Live
DEVO shifts back to material from the new album, with What We Do. The visuals of their new music are quite nice, and still gobsmacked of brutal honesty. Live @ The Warfield San Francisco Mar 18, 2011
Shared by tschak909
Circuit Bent Casio
Modified Casio PT-22 with added LFO circuit by resonance circuits.
Altus – Sleep Theory Volume 1 (Promo)
Altus presents “Sleep Theory Volume 1”
This release can be downloaded for free, legally at:
http://www.altusmusic.ca/sleeptheory1.html
You can download much more music at:
http://www.altusmusic.ca
KORG PROPHECY SYNTHESIZER HD
More infos on : http://www.pianovintage.fr
Here’s a demo of my KORG PROPHECY synthesizer !!!
Like arpegiator 😀
Enjoy !!!
Modular Analog Synthesizer
http://www.youtube.com/watch?v=oQolpjCZZeE
Modular Analog Synthesizer prototype. No external (other brands) effects, just our delay module.
touchAble App XY PAD PREVIEW
http://itunes.apple.com/us/app/touchable/id385949475?mt=8
website: http://www.touch-able.com
touchAble is an unique iPad app is the first application to give Ableton Live users full control over their digital audio workstation, without the tiresome process of manual midi-mapping.
TouchAble XY Pad is the 6th module, included in touchAble 1.2 update among many new features and improvements.
Others modules are Clips grid, Mixer, Devices, Keys, Pads, and a transport and clip dedicated sections.
TouchAble is supported by many professional musicians, performers, djs and composers around the world, who use touchAble on stage or in studio.
Requirements:
• iPad with iOS 3.3 or later
• Ableton Live 8.1.1 minimum
• Mac OSX 10.5 and above or Windows XP, Vista, windows 7
• touchAble server (downloadable for free : touch-able.com/​Site/​Downloads.html)
http://www.touch-able.com
http://www.itunes.com/ app/​touchable
PythagorasHasPythagoreanTuning
When I first drew out the just circle of fifths, I noticed that this was extremely close to a 53 equal note per octave tuning. This allows the strings to be tuned in exact Just fourths to each other and have the tuning be close (to the pixel) with the harmonic series. The point of tuning systems is to closely match harmonic series, of which Pythagorean tunings (circle of Just 5ths) is the simplest and most ancient. This allows you to play fretlessly without a lot of inharmonic slop, because the fret width is about the same size as the inaccuracy of the touch itself. In Mugician, fretlessness was to the pixel which has inaccuracies of its own. In Pythagoras, the tuning is sub-pixel so that each spot is some reasonable ratio with fifths and octaves as prime factors (ie: 2^n * 3^m).
Shared by rrr00bb
DATAMASKIN
