Electro pop – New stuff on its way from TWINS NATALIA

August 9, 2012 · Posted in Uncategorized · Comments Off on Electro pop – New stuff on its way from TWINS NATALIA 

TWINS NATALIA are an Anglo-German collective of creative minds from various artistic fields “working together in order to create some beautiful, catchy yet melancholic and substantial electropop”. The brainchild of Steve Lippert, they also feature Marc Schaffer, Dave Hewson, Julie Ruler and Sharon Abbott. TWINS NATALIA’s debut album, which provisionally features songs such as ‘C’est La Weekend’, ‘Freedom’, ‘In My Arms Again’ and ‘Scary Monster’, is expected to be completed later in the year

Composed using drum machines such as the Boss Doctor Rhythm, Roland TR-606 and TR-808 alongside synths like the wonderfully ‘swimmy’ Crumar Performer, Korg MS-20, Korg Poly-61 and Roland SH-2, the metronomic structures of TWINS NATALIA’s songs are the backbone to a strangely humanic sound brimming with neu romance. Releasing their work on Marc Schaffer’s own Anna Logue Records who issued the lost POEME ELECTRONIQUE material as a collection entitled ‘The Echoes Fade’, TWINS NATALIA’s only other recording so far has been the gorgeously sequenced ‘Destiny’ on ‘The Anna Logue Years – Fifth Anniversary Compilation’ from 2010 which celebrated the label’s back catalogue and included cult acts such as CAMERA OBSCURA (the Minimal Wave duo, NOT the hipster Glaswegians!)

Via EC

New video from Astrobal – My Girl

August 9, 2012 · Posted in Uncategorized · Comments Off on New video from Astrobal – My Girl 

A Film by Ludovic Dulac
Music by Astrobal

Extract from “Poetry & Science-Fiction” EP on Plug Research 2011

www.astrobal.com
www.plugresearch.com

Get track & full EP on iTunes
http://itunes.apple.com/us/album/poetry-science-fiction/id464544481

Sona iPad App – ECAL

August 9, 2012 · Posted in Uncategorized · Comments Off on Sona iPad App – ECAL 

Background information on the ECAL project:

Tutors: Alain Bellet, Gael Hugo, Christophe Guignard
ECAL / University of Art and Design, Lausanne Switzerland
Bachelor Media & Interaction Design
ecal.ch + vimeo.com/channels/ecalmid

During the first half of 3rd year at ECAL, I made an installation project based on the visualization of sound. I am interested in how the spectator is immersed in the interactive piece in the presence of this element. I decided to continue my research on the themes of sound and atmosphere.

Sona is an experimental game on iPad inspired by the classic “Simon game.” The universe is composed of enigmatic sound paintings that the spectator must solve through simple interactions. The game is played with headphones to focus attention on the sound.

This project allowed me to study in detail the acoustic phenomena and how we store and perceive sounds. The immersion and sound have become essential elements for me in an interactive project.

Magellan iPad Synth with Jordan Rudess

August 9, 2012 · Posted in Uncategorized · Comments Off on Magellan iPad Synth with Jordan Rudess 

Yonac Software’s new powerhouse analog synthesizer.

“A comprehensive instrument that i would consider a major release to the world of iPad music.”

Check it out here: http://itunes.apple.com/us/app/magellan/id544119998?ls=1&mt=8

Magellan is the bold new professional analog modeling synthesizer for the iPad. Not content with just one synth, we gave Magellan TWO independent polyphonic synth engines. Individually or together, they deliver a new powerful warmth to the sound of iOS music.

Complete with a full effects rack, a total of six oscillators, dual filters per engine, multiple unison stages, extensive modulation matrix, dedicated arpeggiators, powerful MIDI capabilities, and a polyphonic step-sequencer – the aural possibilities with Magellan are infinite!

Check out our awesome Magellan demo! www.youtube.com/YonacSoftware

\\\ Synth ///

• 2 independent virtual analog synth engines running simultaneously
• 3 oscillators per synth engine; total of 6 realtime oscillators
• Osc unison stage w/ adjustable detune & width, up to 24 simultaneous wave generators for super-saw type effects
• Realtime PWM Modulation for osc 1 & 2
• FM module w/ dedicated blend, ADSR envelope, adjustable contour
• Oscillator 1>2 ring modulation
• Noise generator w/ adjustable tone
• VCA ADSR envelope
• Separate voice unison stage w/ settable stereo spread, detune
• Dual Keyboards w/ individual pitch & modulation wheels
• Dual Touch Pad controls w/ settable key & scale, individual voice parameterization
• Polyphonic, Monophonic, Poly/Mono Legato operation modes
• Glide
• Matrixpad modulation w/ configurable x/y destinations, synth out select, optional snapback
• Realtime oscilloscope displaying output signal (iPad 2 and 3)
• Synth coupling – allow running both synths by a single control interface
• Audio backgrounding
• Tap tempo
• 16 voice combined polyphony (8 voice combined for iPad 1)

\\\ Filters ///

• 2 filter banks per synth engine, configurable in series or parallel
• Dedicated ADSR envelope for each bank; selectable envelope curve, adjustable contour
• 11 Filter types for each bank:
• “Magellan” 24dB Resonant Low Pass
• “Victor” 24dB Resonant Low/High/Band Pass
• “Voyvoda” 12dB Low/High/Band Pass
• Formant, Comb, All-Pass, Notch filters
• True bypass

\\\ Modulation ///

• Dual LFO’s per synth
• Up to 4 freely assignable destinations per LFO
• Dedicated amp setting for each LFO destination
• 3 reset modes
• Adjustable phase & delay
• Frequency tracking

\\\ Arp ///

• Dedicated arpeggiator in each synth engine
• 10 arp patterns; Settable note value & gate; swing
• 6 octaving modes, plus settable note and octave repeats

\\\ Sequencer ///

• Analog inspired 16/32 step polyphonic sequencer
• 8 track poly output per pattern in 16-step, 4 track poly out in 32-step “link” mode
• Track wise selection of target synth engine
• Settable pitch, velocity, gate, octave per step
• 6 sequence direction algorithms for each pattern
• Swing
• Timeline for creating song length sequences w/ patterns
• Import/Export song files containing sequences

\\\ Chordmaker ///

• Dedicated Chordmaker module for each synth
• Create/save chord progressions, played by pressing a single key

\\\ Effects ///

• Comprehensive FX rack: Reverb, Stereo Delay w/ BPM sync, Phaser, Chorus, Flanger, Waveshaper/Distortion, Bitcrusher, Sonic Expander

\\\ Recording & Sharing ///

• Built in tape deck for recording app audio
• Metronome
• Export audio files via email, SoundCloud
• Export/Import audio files via WiFi, Intua or Sonoma Audio Copy / Paste

\\\ MIDI ///

• CoreMIDI
• Virtual MIDI, both vMIDI In and vMIDI Out ports
• Control Magellan w/ external MIDI controllers
• Synth-wise MIDI In channel select
• MIDI Out w/ settable channel or omni
• MIDI Learn w/ over 80 control destinations
• Save MIDI CC configurations to file for later use
• Sync w/ external MIDI clocks to control sequencer, arp modules

\\\ Presets ///

• Over 242 factory presets
• 34 presets and a song designed by Sunsine Audio
• Export/Import presets, banks via email or iTunes; Create/save unlimited banks & presets

Ableton Tip: Visual Feedback w/ Novation LaunchPad

August 8, 2012 · Posted in Uncategorized · Comments Off on Ableton Tip: Visual Feedback w/ Novation LaunchPad 

AfroDJMac provides us with yet another useful tip for Ableton, worth checking out:

“This Ableton Quick Tip shows you how to get the LEDs on the Novation LaunchPad to Light up when you play notes, or whenever midi is sent to it. I’ll show you how to create a visual metronome with the LaunchPad!

Visit my site for more stuff like this, including Live Instrument downloads, tutorials and music! http://www.afrodjmac.com

Synth pop act Mirrors in a 4Play documentary

August 8, 2012 · Posted in Uncategorized · Comments Off on Synth pop act Mirrors in a 4Play documentary 

Enjoy

NORD DRUM as Expander

August 8, 2012 · Posted in Uncategorized · Comments Off on NORD DRUM as Expander 

A plain vanilla video with Nord Drum under a) MIAMI audio out control and b) MIDI control for the four internal synth channels

Chemical Brothers ‘Velodrome’ – London 2012

August 8, 2012 · Posted in Uncategorized · Comments Off on Chemical Brothers ‘Velodrome’ – London 2012 

Crystal has created a three minute animated sequence for the song’s promotional video to match its heart-pounding rhythms. Played in the Velodrome before every session the video shows the Velodrome as never before, literally pulsating with excitement.

“We’ve created sweeping contours and sleek surfaces as the backdrop for an intense, futuristic cycling ‘duel’ as two animated riders power round the track,” said Darren Groucutt, creative director at Crystal. “It truly brings the Velodrome to life.”

James O’Brien, LOCOG Head of Sports Presentation, said: ‘Inspiring people to engage with sport has always been central to our vision and we want to ensure the way we present sport adds to the experience of the spectators in the venues and builds the atmosphere. This will be a special summer and we are grateful to everyone who has given their time and expertise over the past years.’

Polyphonics: CASSINI Synth for iPad

August 8, 2012 · Posted in Uncategorized · Comments Off on Polyphonics: CASSINI Synth for iPad 

An introduction to the CASSINI Polyphonic Synthesizer for iPad
http://iphone.icegear.net/cassini_ipad/

3 OSCs + 2 Filters + AMP + 9 EGs + 6 LFOs + 3band EQ + Saturator + 2 Delays + Arpeggiator

Synth artist Solvent meets the Make Noise Phonogene

August 8, 2012 · Posted in Uncategorized · Comments Off on Synth artist Solvent meets the Make Noise Phonogene 

Here’s what Solvent has to say about the video:

Hi my name is Solvent and I make electronic music. Here is a rather indulgent video of my first experiment with the Make Noise Phonogene module. Actually, indulgent as this may be, I liked this enough to press record. I used a square wave LFO to chop the splices evenly, and the SH-101 krbrd is choosing the splices via the “Organize” Cv-in. End-of-splice (“EOS”) triggers a TipTipAudio BD808 kick drum, running through the Doepfer A-189-1 Bit Modifier. Phonogene loop is processed through a Pittsburgh Modular Filter + Midiverb reverb. The source of the sample was some lame YouTube film trailer about space.

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