Playing with the new Moog Theremini
Amanda C of CatSynth attempts to play the new Theremini from Moog Music, Inc.
Dave from Moog Music shows us the Moog Theremini from NAMM 2014.
Arturia BeatStep at NAMM 2014
The BeatStep is much more than a pad controller–it’s a groove sequencer that features analog CV-gate as well as MIDI out. We saw one driving a vintage Oberheim SEM and grooving hard!
Enjoy
Elektron Analog Rytm overview with Mr. Dataline at NAMM 2014
Elektron’s in-house product expert Cenk aka Mr. Dataline gives us the rundown on the new Analog Rytm analog drum machine.
NAMM 2014 Tracktion T5 Features Exclusive
We got a sneak look at the new features of Tracktion 5 at NAMM 2014
Just a couple of the features: Step mode patterns – address multiple instruments with a step based pattern type.
Track Freeze mode position – freeze the track after the compressor but before the EQ or whatever you need – very cool for CPU load management.
Nested edit patterns – take an entire arrangment or section, re-arrange, trim and edit and throw it back on the timeline as a single object – really cool idea.
There are many more enhancements demoed in the video.
Traktion is available from the Traktion website.
Moog Sub 37 – all the details with Amos from Moog
This video captures an overview of the newMoog Sub 37 analog synthesizer by Moog Product Development Specialist, Amos Gaynes,
The Sub 37 is in the same ‘synth family’ as the Sub Phatty, but it offers 40 knobs, 74 switches, and has a dedicated LCD display.
In the video, Gaynes covers the Sub 37′s features in depth and also demos the new synth.
The Sub 37 Tribute Edition is a limited edition (2-note) paraphonic analog synthesizer built on the award winning Sub Phatty sound engine.
Its panel features 40 knobs, 74 switches, and has a dedicated LCD display – placing each critical sound creation element and live performance tool quickly at your command.
Sub 37 Tribute features
- Perform in Monophonic or Duo-Paraphonic modes.
- 37 note velocity sensitive keyboard w/ after touch.
- 2 modulation busses w/ assignable source and destinations.
- DAHDSR (Delay, Attack, Hold, Decay, Sustain, Release) looping envelopes with sync.
- 256 Presets -16 banks of 16 patches.
- Standalone and DAW Plugin editor included.
- Syncable Arpeggiator and Step Sequencer.
- Classic Moog Ladder Filter with resonance, MultiDrive, and selectable filter slopes.
The Sub 37 will be available to purchase for $1,579 USD.
Checking out the new Roland FA-08 at NAMM
Here’s a presentation of the new Roland FA-08 at the NAMM Show 2014.
Dave Smith interviewed on the new Prophet 12 desktop
Dave Smith demonstrates the new Prophet 12 desktop from Dave Smith Instruments at NAMM 2014.
NAMM 2014: Korg’s New Keytar – Live demonstration
NAMM 2014: Korg’s New Keytar Korg reimagines their RK-100S Synth/Controller
New presentation of Nord Lead A1 at NAMM
Here’s a presentation of the new Nord Lead A1 at the NAMM Show 2014.
Enjoy
The new filter from Waldorf and Theremini from Moog
“Waldorf’s mystery knob is the filter control from a big filter in a box.
That’s right, Waldorf is introducing a 2-pole filter. And one heck of a 2-pole filter it is:
Filter with cutoff and resonance, but also a Drive setting, Rectify, and switchable between low-pass, band-pass, and high-pass
LFO with Depth and Speed
LFO set to Fast, Slow, and (hilariously) Gemütlich (kinda hard to translate, actually easy-going and slower than slow)
Envelope controls: Attack/Decay/Hold, threshold, a source (hard to tell what that does), and trigger.
And it takes CV for envelope, cutoff, and gate, with jack plugs for input and output.”
“Then there’s Moog, who are introducing, as rumored, a new Theremin. And this isn’t just any Theremin: it’s a Theremin that can assist you in keeping things in tune, all whilst looking like a space-age egg from Woody Allen’s Sleeper.
It’s a Theremin with presets. Crazy presets.
It’s a digital instrument with Theremin-style controls. (Readers who speculated, you guessed right.) It’ll upset purists, perhaps, but this is rather cool: it’s based on the unique-sounding Animoog sound engine.
The synth is digital, but the input is analog: classic heterodyning style, then digitized as control signal for the engine. Onboard MIDI, CV output (presumably pre-digitization, in fact), and USB. But that engine gives you more different ways to play.
Yes, there’s a display, scale and root controls, a Presets knob, plus built-in delay. There’s a built-in speaker and headphone jack, as well, for convenience.
Price: US$299 estimated is what we heard on the floor…”
Product descriptions from our colleagues at CDM
“The Theremini is a re-imagination of one of the oldest electronic musical instrument in history, and Bob Moog’s first love – the theremin. Its design fuses the experience of performing with an instrument you don’t actually touch, with a powerful sound engine derived from Moog’s award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control.
Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance.
A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales.
The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale & root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.
Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent.
For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity.




