Connecting Reaktor 5.8 with Konkreet Performer

December 12, 2012 · Posted in Uncategorized · Comments Off on Connecting Reaktor 5.8 with Konkreet Performer 

NI’s 5.8 update to Reaktor makes connecting OSC much faster and easier.

Here we show how to quickly hook up Konkreet Performer to control the Newscool Reaktor ensemble, running as a VST plug-in in Ableton Live 8.

Konkreet Performer is available through the iTunes store
itunes.apple.com/us/app/konkreet-performer/id417418467?mt=8

Prokofiev’s ‘Dance of the Knights’ for Analog Modular Synthesizer

December 12, 2012 · Posted in Uncategorized · Comments Off on Prokofiev’s ‘Dance of the Knights’ for Analog Modular Synthesizer 

This is the intro to ‘Dance of the Knights’ done just using the Modcan Touch Sequencer. There are 4 rows of 8 x 8 note sequences driving Modcan & Bubblesound VCOs. The filters used are the Intellijel Dr Octature, AmSynths JP8 and Doepfer A-106-5. This will be the last of my classical videos as I am busy on a new project. Some new material coming soon.

Jordan Rudess Plays QuNexus

December 11, 2012 · Posted in Uncategorized · Comments Off on Jordan Rudess Plays QuNexus 

Keith McMillen met up with Jordan Rudess in his New York studio.

“I really enjoyed spending time with the Qunexus and am excited about it’s development and being unleashed on the world!! I think it’s great that you guys are making products that push the boundaries,” says Jordan Rudess.

www.keithmcmillen.com/qunexus

Apps for Music Production – Magellan Soundbank

December 11, 2012 · Posted in Uncategorized · Comments Off on Apps for Music Production – Magellan Soundbank 

http://www.appsformusicproduction.com/2012/11/06/50-magellan-presets/
50 Magellan presets from Apps for Music Production!

“Grab yourself 50 high quality Magellan presets here for just £1.99. Ready to slot into any production style and bursting with inspiration for your iOS music!”

bip : a music beat maker for iphone

December 11, 2012 · Posted in Uncategorized · Comments Off on bip : a music beat maker for iphone 

‘bip’ is a new app from the maker of Synthmate, details below:

bip is a fantastic creative tool for playing, recording and performing musical rhythmic patterns. Starting with the simple idea of a programmable generated beat, touch and hold gestures are used to select beats and patterns. Patterns of recorded beats can be mixed and matched along with a touch-strip controller for transforming beats. Choose from track templates for quickly creating tracks or spend the time importing and tweaking beats with your own samples.

go to : soh.la/bip.html
or visit app store : itunes.apple.com/app/bip/id580008573

Features :

  • create a variety of rhythm’s while touch hold and slide finger across beats
  • all beats can be programmed to play in time including complex sub-divisions
  • a touch strip for changing parameters of any beat, loop or entire track
  • record beats and parameters to create expressive musical patterns
  • arrange patterns on the fly for each track
  • use to compose, arrange AND perform live
  • load track presets for quick music making
  • over 200 samples included
  • import samples using audio paste or iTunes file sharing

Bip is priced at $4.99

Arturia Minibrute – Mini Brute Drums For Ableton Live

December 11, 2012 · Posted in Uncategorized · 6 Comments 

Here’s a nice treat from AfroDJMac featuring samples from the Minibrute, details below:

This free Ableton Live Pack features drum sounds created from samples of the Arturia MiniBrute. More specifically, I resampled sounds from the MegaBrute Collection for Ableton Live ( http://afrodjmac.com/2012/11/07/megabrute-ableton-live-pack/ ) and created some odd and unique drum samples. From there I organized them into Ableton’s drum rack and added various effects. All in all it is 24 different drum sounds all created from the analog beauty that is the Arturia Mini Brute!

Free Download Here: http://bit.ly/freesynth68

StudioLogic Sledge 8 Voice Virtual Analog Poly

December 11, 2012 · Posted in Uncategorized · Comments Off on StudioLogic Sledge 8 Voice Virtual Analog Poly 

Sonic takes a look at the new 8 voice virtual analog synthesizer – the result of a collaboration between Studio Logic and Waldorf. What makes it rather unusual is the fact that rather than have few knobs and a lot of menus, it has a large format classic synthesizer panel with one knob per function

Details on the Sledge:

For many synthesizer enthusiasts, it is the particular interaction of the sound engine and user interface that makes a great instrument. A quick look at Sledge shows you the generous set of controls available to interact directly with the sound engine.  When you touch the knobs and switches of the front panel, you will instantly be aware of the meticulous attention to detail our engineers have refined, during many decades building the best electronic keyboards.
You will experience the logical set-up of the synthesizer modules, mirroring the signal flow of a classic analogue synthesizer.  But what really distinguishes any synthesizer is its sound.  Fortunately, our friends at Waldorf Music have happily shared their experience and know-how on this crucial part of the Sledge Synthesizer.

So we implanted the DSP heart of the latest Waldorf modelling technology into Sledge. The result: enough power to put the foundations of your studio seriously at risk!  And plenty of detail, to create the richest analogue pads you could ever want.  Besides the classic analogue synthesizer waveforms, you will find a complete set of Wavetables, derived directly from the mother of all digital synthesizers, the PPG Wave.

The sum of three fat oscillators, plus a Noise generator, are fed into Sledge’s powerful multimode filter with selectable 24 / 12 dB slope.  The highly recognizable Waldorf filter algorithms enable a wide variety of sounds, from smooth to harsh, from fat to distinct, from pure HiFi to badass brutal. Ultra-fast, accurate envelope generators deliver ballsy punch.  Two LFOs plus 1 extra Wheel-LFO are on board to offer huge, yet easy to understand, modulation capabilities.  And two built-in Effect units deliver sophisticated synthesizer effects, such as Chorus, Phaser and Flanger, as well as a rich Reverb or an analogue style Delay.

And the best part – if you are familiar with the operation of a classic analogue synthesizer, you won’t have to spend any of your precious time reading the manual.  There are no double or multiple functions on any of the knobs or pushbuttons.  All synthesizer parameters are clearly and ergonomically arranged in front of your eyes and directly accessible under your fingertips.  This makes sound design a blast, and takes you back to the pure user experience which you’ll soon realise you’ve been missing.

Specifications:
• 32 Pots
• 3 chicken head rotary switches (7 positions)
• 1 rotary encoder with push function
• 2 x 16 digits backlit LCD
• High Quality Pitch and Mod Wheel
• up to 256 Sounds
• fast and efficient sound selection via numeric keypad

• 2 fast LFOs per voice, each with adjustable Speed and Depth
• 1 extra modulation routing for Mod Wheel, with adjustable Speed and Depth
– Shape: Sawtooth, Rectangular, Triangle, Sine, Sample & Hold, Ramp
– Destination: Osc 1, Osc2, Ocs3, PWM / Wave / FM, Volume, Filter Cutoff

• 8 Voices polyphony
• Monophonic mode with single or multiple trigger

• 3 Oscillators per voice
– Range from 64′ to 1′ each
– Shapes: Sawtooth, Square, Triangle, Sine, Pulse (with Pulse Width Modulation)
– Oscillator 1 with 66 Original PPG Wavetables

• Frequency Modulation of sine and triangle
• Oscillator Hardsync (Osc 2 to Osc 3)

• Noise Generator with selectable white and pink noise

• Mixer with Volume and On/Off switch for each Oscillator and Noise

• 1 Multi Mode Filter per voice
– 24 / 12dB
– Lowpass
– Highpass
– Bandpass
– Resonance up to Self-Oscillation and beyond
– Adjustable Keytrack and Drive

• 2 fast Envelopes per voice (filter / amplifier)

• Powerful Arpeggiator
– Latch mode
– syncable to MIDI Clock
– Direction Up, Down, Alternate
– Range up to 10 Octaves

• 2 simultaneuous Effects
– Effect 1: Chorus / Phaser / Flanger
– Effect 2: Reverb / Delay

• sturdy, lightweight enclosure (less than 10 KG)
• high quality, 5 octaves Fatar TP 9 keyboard

Robert Lippok on Ableton Live 9

December 11, 2012 · Posted in Uncategorized · Comments Off on Robert Lippok on Ableton Live 9 

Robert Lippok is known for his expansive sounds and innovative beats, both as a solo artist and as part of To Rococo Rot. Robert invited Ableton to his home studio to share his thoughts on his favorite new enhancements to Live 9.

Windows 8 based OSC controller

December 10, 2012 · Posted in Uncategorized · Comments Off on Windows 8 based OSC controller 

Win8ChucKBasicFrettingAndLegato Wi Fi, details below:

I got basic fretting (loose fretting… it won’t completely prevent quartertones, etc if you play them exactly), and legato rules. I am back to the ChucK engine while I get better acquainted with SuperCollider coding. This is just a Windows 8 based OSC controller. It works running into ChucK or SuperCollider

Industrial Drone by FrankenMusik

December 10, 2012 · Posted in Uncategorized · Comments Off on Industrial Drone by FrankenMusik 

Hand crafted drone machine. Made with a vintage 1940’s multimeter. All new electronics boasts 4 square wave oscillators, 1 gate oscillator, signal switches, output led monitor.

www.frankenmusik.blogspot.com

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