Stoner Planet T sampled Electric Piano for Kontakt

January 25, 2012 · Posted in Uncategorized · Comments Off on Stoner Planet T sampled Electric Piano for Kontakt 

A sampled Hohner Pianet T, overdriven with vintage valves and recorded to tape.
Over 40 presets for Kontakt 4.2.3 or later, with the emphasis on stoned 70s sounds :)
Just doodling through some of the presets…
Many patches have an auto wah style feature, and all of the effects/vibratos etc in this video are from Kontakt, mapped via the modulation wheel.

Another demo on soundcloud:
http://soundcloud.com/tronsonic-1/stoner-planet-t-electric-piano

Banging your head against a brick wall limiter

January 24, 2012 · Posted in Uncategorized · Comments Off on Banging your head against a brick wall limiter 

Mastering – a step by step guide to good sound by monolake

Monolake explains mastering for dummies.

Electronic music playlists on Spotify

January 24, 2012 · Posted in Uncategorized · 2 Comments 

Spotify

Check out our massive genre based play lists on Spotify:

8-bit/Chip Tune/C64
Electronica, Click & Cuts and Glitch
Berlin School and Ambient electronic music
IDM, Leftfield and Breakcore
Electro Funk and Skweee
Minimal Techno

Several days of electronic music per genre!

The Arch – Individuals (Official videoclip)

January 24, 2012 · Posted in Uncategorized · Comments Off on The Arch – Individuals (Official videoclip) 

THE ARCH
“INDIVIDUALS”

from the new album “Engine in void”.

videoclip by UnleashedVisuals

Directed/Shot/Edit by Jeroen Buytaert
DOP/Art Direction by Jelle Boucher

more info :
thearch.be
echozone.de
unleashedvisuals.com

Orbital are back after 8 years – listen here

January 24, 2012 · Posted in Uncategorized · Comments Off on Orbital are back after 8 years – listen here 

Eight years after the Blue Album (2004) the British dance duo Orbital are back. The brothers Hartnoll are planning an album titled Wonky with the release date April 1. The album was mixed by Flood, known for his collaborations with Depeche Mode and U2, and even Zola Jesus is involved. The first single is called “Never”.

Never by ORBITAL

Contemporaries of the Chemical Brothers and Underworld, Orbital enjoyed a dazzling 15-year stint before bowing out gracefully in 2005. Raised in suburban Sevenoaks, near the M25 orbital motorway which inspired their name, Paul and Phil began honing their unique brand of homegrown electro long before the acid house boom gave British pop a much-needed kick up its baggy trousers. In their secret sound laboratory, these twin Timelords of techno produced gleaming machine-music classics that sounded like Blade Runner on a Grange Hill budget.

Between 1989 and 2004, Orbital released a string of addictive, eclectic singles including Chime, Style, Belfast, The Box and Satan. Many became evergreen club anthems. Some even became top three hits. During their seven-album career they also worked with an impressively diverse range of collaborators including electro-folk siren Alison Goldfrapp, soundtrack maestro Angelo Badalamenti and Metallica guitarist Kirk Hammet.

Meanwhile, Orbital developed an enviable live reputation, playing knockout mega-shows to huge crowds from Glastonbury and Woodstock, to the Royal Albert Hall. Their music featured on high-profile film scores including The Saint, Event Horizon and The Beach. They also remixed superstar artists including Madonna, Queen Latifah and their all-time robo-pop heroes Kraftwerk.

Since releasing their swansong Orbital opus The Blue Album and disbanding in 2004, both Hartnoll brothers have ventured into new musical territory. Paul took a more orchestral direction with his 2007 solo album The Ideal Condition, while Phil launched his short-lived collaboration project Long Range and carved a thriving career as a DJ. But they never closed the door on Orbital, and demand remains high for their fabled live shows.

“We’ve never said never,” Paul explains. “It’s something I suspected would happen, which is why we kept hold of certain key bits of odd equipment.

Iguess the time “never” has now come :-)

Checking out the MacBeth MicroMac

January 24, 2012 · Posted in Uncategorized · Comments Off on Checking out the MacBeth MicroMac 

“We caught up with Ken MacBeth from MacBeth Studio Systemsfor a look at his new machines – coming real soon. Ken makes some awesome synthesizers and is exploring the desktop format with his new MicroMac and dot com format machines.

The new Dot Com format synth has a realy cool dual glide feature and features a normalized signal path with full patching too.”

More Information

Front 242 takes a break and cancel concerts

January 24, 2012 · Posted in Uncategorized · Comments Off on Front 242 takes a break and cancel concerts 

This was just announced via the Alfa Matrix – the Belgian electro giants Front 242 have decided not to perform in Europe after the 1st of May 2012 and this until further notice. In a message to the label the band says that they need a (well deserved) break (to start recording a new album as well?).

This however also means – and the band has confirmed this as well – that Front 242 will not perform at the Amphi Festival 2012 in Cologne nor at the Noctural Culture Night 2012 Festival in Deutzen.

In case you think that festivals are to blame, know that the band added: “The promoters of those festivals are not responsible for this decision which is fully on Front 242′ s behalf.”

Auria iPad DAW Extended Video Interview

January 24, 2012 · Posted in Uncategorized · Comments Off on Auria iPad DAW Extended Video Interview 

Russ speaks to Wavemachine labs about their new pro DAW for the iPad. Auria is a 48-track recording system for the iPad, giving you the ability to play 48 mono or stereo 24bit/44.1 kHz tracks simultaneously, record up to 24 of those tracks simultaneously (through any supported USB multichannel audio interface), and edit and mix with familiar tools and full parameter automation.

What’s more, Auria’s 64-bit Double Precision architecture ensures ample headroom for plug-in processing and mix summing, transforming your iPad into a recording and mixing system with sound quality that rivals most DAWs.

The depth is in the details. Like customizable pan laws. Like meters that are selectable between VU and RMS. Like full delay compensation for all tracks, including aux sends and subgroups. Complete with a vintage-inspired channel strip on every channel, a dedicated master channel strip, VST plug-ins engineered by renowned makers such as PSPaudioware, Overloud, Fab Filter and Drumagog, and support for Dropbox, Soundcloud, AAF, and MP3, Auria truly raises the bar for recording and mixing on the iPad.

OVERVIEW:

  • Up to 48 tracks of simultaneous playback
  • Record up to 24 tracks at once
  • VST plugin support
  • AAF Import and Export
  • Fully featured multitrack editor
  • Includes plugins from PSPaudioware, Fabfilter, and more

 

New stage pianos from KORG

January 24, 2012 · Posted in Uncategorized · Comments Off on New stage pianos from KORG 

Korg has announced two new editions for its SV-1stage piano.

  • SV-1 Black: The Korg SV-1 Stage Vintage Piano has been given an elegant matte black stage finish; available with 73 or 88 keys.
  • SV-1 Reverse Key Limited Edition: The SV-1 Reverse Key is going to be available in a limited edition of 500 of each model.

While not a new keyboard design, the new Korg SV-1 are stylish variations on a stage piano that’s proven to be popular.

Pricing & Availability:

  • The Black Stage Vintage Piano will be available mid January, 2012 priced $2,700 USD (SV-1BK73) / $3,000 USD (SV-1BK88).
  • The Reverse Key Stage Vintage Piano will be available May, 2012, priced $2,900 USD (SV-1R73) / $3,200 USD (SV-1R88).

Introducing The One DJ software

January 24, 2012 · Posted in Uncategorized · Comments Off on Introducing The One DJ software 

Audio Artery, aka EKS – the Finnish controller manufacturer, presents The One DJ software. The concern claims that The One is a new breed of DJ software that offers new level usability and features while staying close to the roots of DJing.

The One claims to allow “total customization of your working environment.” Choose the features you need and arrange it exactly the way you like. Everything you see on screen can be freely moved and resized.

The advanced Timeline Edit mode turns player decks into audio edit stations, in which you can chop or combine tracks or even create complete DJ mixes while the track is still playing. Just drag tracks, audio clips and samples to the timeline from the browser. Snap to grid functionality makes synchronization of clips fast and easy. The audio engine guarantees no stalling even when seeking or scratching simultaneously at minimal latencies.

The One’s modular audio routing system allows effects and mixers to be assigned to anywhere in the audio chain – meaning that effects can be placed between players and mixer, or used as master effects. The One is also designed to fully utilize the possibilities offered by DJ controllers via advanced midi mapping possibilities.

One Core edition featuring all the essential DJing elements is currently in beta testing stage and may be available this spring for the price of $59 / €49. A premium edition may be released later in 2012.

Via FM

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