Duet for Synthesizer and Spin Cycle
This piece was shot under a railroad bridge that I ride under during my commute. While trains are going over the bridge a nice rumbling, screechy ambience envelopes the space. On this occasion, a few weeks ago, melting icicles were dripping onto the sidewalk adding a chaotic rhythm to the soundscape. Rather than producing a drone to mimic the ambience I used noise, LFO pitch sweeps, and sample-and-hold on the Monotribe to contrast the reverberated railroad rumbling, and screeching.
NOTE: This is a binaural recording mixed with a monophonic, analog, synthesizer performance. Please use headphones to experience the binaural effect. For more info please visit audiocookbook.org/duet-for-synthesizer-and-spin-cycle/
Soundcells’ PolysixRE Refill now in version 2
Just released in version 2 is Soundcells’ PolysixRE Refill.
Here’s the details:
The original Polysix, introduced in 1981, was a big success because of its warm sound character (as well as other features, of course) – and the same applies to the Polysix Rack Extension. Despite this synth`s quite simple architecture, the Polysix is capable of producing wonderful warm sounding pads, very responsive keys, but also super-dry and fat basses. This Polysix-based ReFill is a proof of this, and it is pure fun to use the 85+ combinators. These combinators, based on 60 new Polysix patches (and a handful others for Reason´s own synths) are sitting extremly well in any mix. Using all the modularity Reason has to offer, this ReFill will please you with really nice retro but also many modern sounds. No matter your preference – the patches will always do a great job in your tracks.
Further the modwheel & the combinator buttons and knobs are carefully assigned to allow dramatic and effective changes to the default sounds you´ll be hearing initially.
Version 2 simply offers more of everything: 15 new combinator patches, 15 new Polysix patches and a re-worked folder structure…
PolysixRE v2 Contents:
• 87 combinator patches – from retro to modern.
• 60 Polysix patches containing the basic patches which were used to build combinators.
• Carefully assigned modwheel & combinator button and knobs.
• CPU-friendly and fast loading patches.
Pricing and Availability:
9,90 EUR
Dave Smith Tempest “AERO”
AERO is djgalactic’s first track on Dave Smith Tempest: Experimental music with live jam on this analog drum machine of Dave Smith and Roger Linn.
“I will be working on new music with this new machine, especially for drum and poly synth sounds . So there will be more to come and still a lot to learn from this analog drum machine….”
VXXY DCM8 SchneidersBuero – Chip tune drum machine
About the drum machine:
- 64 Patterns in 8 banks of 8.
- Selectable 8, 16 or 32 steps per pattern with half, normal and double speed timing scales.
- Adjustable instrument volume, decay and pitch on per step basis.
- Dual channel architecture with wide range of retro and unique preset sounds generated by a scripted synthesis engine.
- 255 digitally synthesized chip sounds, consisting of 223 presets and 32 user generated patches.
- 8 Levels of live undo on each pattern.
- 8 Songs with 128 pattern selections.
- Clear, Copy and Paste 8, 16 or 32 steps between patterns.
- EEPROM based storage of all patterns and user data, with SYSEX backup.
- MIDI input and output.
The DCM8 is presented in a powder coated steel case with a CNC punched royal blue anodized aluminium front panel and white silk screen legend. The control layout has been designed to be compact and functional with eight main step editing and selection buttons, mode function buttons, an encoder knob for parameter adjustment and undo / redo buttons for ease of editing as well as live performance pattern modification. A 16 x 2 black & white negative LCD provides status information and menus for editing sounds and changing options.
A diverse range of chip tune sounds have been recreated by an old school programmer of commercial game sound engines from Gameboy and ZX Spectrum days, mixed with modern FM synthesis, digital filtering and adjustable DAC bit masking for manic distortion effects. Step sequencing also allows for pitch and decay parameters to be edited on a per step basis, and as the sounds are produced by formulas and micro-coded sequences this allows for greater sonic flexibility rather than just tweaking the pitch of a sample. Included is the ability to generate upto 32 custom sounds via a simple yet expressive editor and utilise the sounds within programmed sequences.
Brief demonstration of some new sounds added to firmware.
Novation // Launchkey: Controlling Cubase
Novation Launchkey Tutorial: Controlling Cubase
http://novationmusic.com/midi-control…
~ LIKE our video and click ‘show more’ for additional information.
Quick tutorial video demonstrating how Novation Launchkey controls your DAW.
Artist: Perpetual Present
Title: Prophets not profits
Check it out here:
https://soundcloud.com/perpetual-pres…
Launchkey is a range of 25, 49 and 61 note keyboard controllers with up to 50 physical controls including 16 velocity-sensitive multi-colour trigger-pads that launch clips and scenes in Ableton Live. As well as enabling hands-on control of your DAW’s mixer, instruments and more, Launchkey is an integrated software/hardware instrument. The control surface has been designed to work tightly alongside two intuitive apps for iPad: the Launckey app and the Launchpad app – plus the powerful V-Station & Bass Station synth plug-ins for Mac and Windows.
Novation Launchkey Key Features:
• Launchkey comes with a brand new Launchkey app and Launchpad apps for iPad and the powerful Novation V-Station and Bass Station synth plug-ins for Mac and PC
• Quick, hands-on control of your mixer, transport and more in Ableton, FL Studio, Pro Tools, Reason, Cubase and Logic
• Two rows of launch pads for playing and sketching out drum beats, or launching and improvising with loops using the Launchpad app – they also launch clips and scenes in Ableton
• Synth-styled velocity-sensitive keyboard with precision accuracy and fast action – software control via 50 faders, knobs, pads and buttons (35 on 25-note version)
• Instant access to major DAW control parameters — with no assignment necessary
• Fully bus-powered, even with iPad. Just plug it in and go, with no power supply or batteries
• One gigabyte of Loopmasters sample content including artist packs, drum samples and sound FX
• Ableton Live Lite included
For more videos subscribe to our YouTube channel here:
http://www.youtube.com/novationtv
Modular Sounds 8
Background video description:
Just for fun the Pittsburgh Analog Delay in feedback (see my previous video) through the RS-390 Echo
German mushrooms
Vio Demo and Review for iPad
A fun demo of Vio for iPad..this is a cool app and a lot of fun to play with but if you can sing a bit..which I can’t..it can also be very useful..and it will be Audiobus ready very soon..
Vio transforms your voice into a mesmerizing instrument. Morph and shape the sounds you create by exploring Vio’s entrancing interface.
Vio works with your Apple earbuds with microphone or regular headphones and the internal mic on your iOS device.
SONIC ADVENTURES FOR EVERYONE
Build sonic universes from your own voice. The innovative audio engine behind Vio goes far beyond existing voice effects to create novel, futuristic vocal styles. Vio’s sound spaces vary in character from edgy and energetic to mellow and relaxing. Whether you are an amateur or seasoned professional, Vio’s pitch correction technology ensures that everyone sounds in tune and is beautifully harmonized.
TOUCH CONTROL
Get lost! Explore each sound space by touching Vio’s swirling particle vortex. Move the vortex around the screen and change how your voice is transformed–harmony is added or subtracted, melodies emerge and disappear, and reverberations shape shift.
LOOPING
Double-tap the screen, loop what you have just sung or hummed, and focus on morphing your sound with the particle visualizer.
RECORDING AND SHARING
Record your performances and share them via email, SoundCloud, Dropbox, or iTunes file sharing. Choose between compressed and high quality audio files.
ADVANCED FEATURES
Visit transformyourvoice.com to learn about advanced features like changing keys and recording high quality audio
KORG MS-20 mini vs MS-20
It is a comparison of the sound of the MS-20 mini and MS-20.
Can you find the difference in sound??
Novation KS5 Synthesizer – Dreamy Ambient Chillout Demo
http://www.synth4ever.com – Performing a dreamy ambient soundscape synth demo on Novation KS5 synthesizer.
Utilizing 3 oscillators, reverb, delay, chorus, filter/envelope adjustments and minor LFO changes.
Performed live, no external processing. Excerpt from a longer session.
Using an enhanced version of the K-Station sound engine, the KS4 (four octave keyboard) and the KS5 (five octaves) offer many additional features and benefits.
The keyboards have aftertouch, are semi-weighted, and each of the 33 knobs and sliders transmit MIDI. There is four part multi-timbral operation with four individual assignable outputs. A big plus is a separate effects section for each part – a unique Novation feature from the Supernova. Also featured are 4 Arpeggiators and 16 note polyphony with a 16 band Vocoder.
The KS-synths have 3 oscillators which provide sawtooth, triangle, sine, pulse width modulation and other waveforms. There’s even a simple FM synth engine which can be dialed in for sharpening the sound. Oscillators may be set to Unison or Sync’d operation and a Noise source is also included in the waveform engine. There is a nice low-/band-/high-pass resonant filter with switchable 12 or 24dB/oct slopes and ADSR controls. A second ADSR envelope is available for the amp, as well as two LFOs with sample-and-hold and MIDI sync.
On-board effects include reverb and delay/chorus/flanger. Their send levels can be controlled by the Mod wheel which is a nice effect. A 12-band vocoder is also on-board for processing external mono sounds such as drum loops or vocals. Pads sound great when vocoded with external sounds. External sounds can also be used as an oscillator, run through the filters, envelopes, etc. with much better results than were possible on the original Bass Stations.


