21 Years Of Novation – Feature

August 24, 2013 · Posted in Uncategorized · Comments Off on 21 Years Of Novation – Feature 

This year Novation celebrate 21 years of instrument making.
“Who better to take us through the history and evolution of Novation instruments?
Why Nick Bookman of course – you may remember him from the Bass Station 2 in depth.”

Jomox Xbase 999: Short Demonstration

August 24, 2013 · Posted in Uncategorized · Comments Off on Jomox Xbase 999: Short Demonstration 

Short demonstration of the Jomox Xbase 999 analog drum synthesizer. All sounds are generated by the Xbase 999. Kickdrum, Snaredrum, Low Tom, and High Tom are true analog. Hi Hats, Clap, Rim Shot, Crash, and Ride are digital and can have different 8 bit samples assigned to them.

More info here >>

A Brief History of the Theremin | Albert Glinsky

August 24, 2013 · Posted in Uncategorized · Comments Off on A Brief History of the Theremin | Albert Glinsky 

Albert Glinsky, author of Theremin: Ether Music and Espionage sat down with us to give a brief history of the Theremin covering everything from it’s orignal inception in a Russian chemistry lab to it’s developement as a musical instrument. In addition to outlining its rich history Glinsky gives a basic tutorial in playing the Theremin and points out some of the refinements that Bob Moog made to Leon Theremin’s original design.

SOUNDCRAFTS | Bryan-Michael Cox

August 24, 2013 · Posted in Uncategorized · Comments Off on SOUNDCRAFTS | Bryan-Michael Cox 

Soundcrafts is a new video series from Moog Music Inc. that explores the importance of creating new sounds through insight from renowned artists, producers, and engineers from around the globe.

The first episode features Bryan Michael-Cox, a Grammy winning songwriter and producer who has worked with Mariah Carey, Usher, Destiny’s Child, and countless others during his extensive career. In this session Cox delves into the importance of creating and exploring new sounds, and its relationship to making lasting impressions on listeners.

Arcadia 8 Bits Invasion 2 – Retro gaming inspired sound effects

August 23, 2013 · Posted in Uncategorized · Comments Off on Arcadia 8 Bits Invasion 2 – Retro gaming inspired sound effects 

futureloops_arcadia2_thumb

Future Loops has announced the release of Arcadia – 8 Bits Invasion 2, the second volume from its collection of retro gaming inspired sound effects.

“Arcadia – 8 Bits Invasion 2″ features another assortment of noises, lasers, boops, beeps, blips and tracker synths divided in 10 classic gaming categories: Checkpoint, Star Power, Healers, 1-Up, Game Over, Hazards, Strange Beings, Continue, Shooters and Warp Zone.

With over 500 samples, “Arcadia – 8 Bits Invasion 2″ is available in WAV format and 100% Royalty-Free.

The sample pack costs 19.95 EUR. It is currently available to purchase with an introductory Summer discount.

More info here >>

Electropop act Adult gets remixed on a Buchla

August 23, 2013 · Posted in Uncategorized · 1 Comment 

And here’s the original:

Purchase “The Way Things Fall” in The Ghostly Store:
http://www.theghostlystore.com/produc…

Directed by Nicola Kuperus
Costume Designs by Levon Millross

Brand new video with Depeche Mode – Should Be Higher (Live)

August 23, 2013 · Posted in Uncategorized · Comments Off on Brand new video with Depeche Mode – Should Be Higher (Live) 

Music video by Depeche Mode performing Should Be Higher. (c) 2013 Venusnote Ltd., under exclusive license to Columbia Records, a Division of Sony Music Entertainment

Future Image – Arrhythmus

August 23, 2013 · Posted in Uncategorized · Comments Off on Future Image – Arrhythmus 

Live set using Elektron Machinedrum SPS-1 UW mk2 and Monomachine SFX-60 mk1, as well as small modular synthesis system.

As performed at the Diskordance night of 14/8/2013 at The Green Door Store, Brighton.

http://futureimagerecords.bandcamp.com/

Checking out the Prophet 5 – Demo

August 23, 2013 · Posted in Uncategorized · Comments Off on Checking out the Prophet 5 – Demo 

One of the first fully programmable polyphonic analog synths, the Prophet 5 is the most classic synthesizer of the eighties! It is capable of a delightful analog sound unique to Sequential’s Prophet series in which the P5 was King! Five voice polyphony – two oscillators per voice and a white noise generator. The analog filters, envelope and LFO all sound great and are extremely flexible. The P5 had patch memory storage as well, which scanned and memorized every knob setting for storing and recalling your sounds – a desperately needed feature at the time!

The P5 lacked MIDI (a feature that came later on the P5 spin-off, the Prophet 600). But it is still loved even today for its great string sounds, analog effects, and punchy analog basses. Unfortunately the P5 is not immune to the dark side of vintage synths – it has its fair share of analog synth problems such as unstable tuning, it’s difficult to repair, lacks MIDI, etc.

Pro53perspective

There are basically three versions of the Prophet 5:

Rev 1 P5s are pretty unreliable, if you find one; they’re also quite rare. These were all hand-assembled in the ‘garage stage’ of the company.

Rev 2 uses SSM chips, and has some differences in its control logic capabilities from the final version. It can’t be retrofitted for MIDI, but is considered by most to be the better-sounding of the two ‘common’ P5s.

Rev 3 is the final version, and subsequent Rev 3.1, Rev 3.2 and Rev 3.3 each are capable of taking a MIDI retrofit. They’re also capable of microtonal tuning. The audio quality of the Rev 3 is different, however, as it uses Curtis chips instead of Rev 2’s SSMs; many people think the Rev 3 units sound ‘thinner’. The Rev 3, however, is considered the most reliable of all of the different versions and they had 120 memory patches.

Time machine: ARP AXXE Analog Synthesizer 1977

August 23, 2013 · Posted in Uncategorized · Comments Off on Time machine: ARP AXXE Analog Synthesizer 1977 

ARP Instruments, Inc. was an American manufacturer of electronic musical instruments, founded by Alan Robert Pearlman in 1969. Best known for its line of synthesizers that emerged in the early 1970s, ARP closed its doors in 1981 due to financial difficulties. The company earned a reputation for producing excellent sounding, innovative instruments and was granted several patents for the technology it developed.

The Axxe is basically a budget-proof version of the popular Odyssey. With just one oscillator (compared with two in the Odyssey), the Axxe certainly has a thinner sound but it is still that uniquely angular and powerful analog ARP sound. It’s not too exciting, but it is simple and straight forward. A perfect first vintage analog for any musician that will still find plenty of use among more seasoned synth players for quick analog bass lines, lead sounds and synth FX. It has no form of memory storage and external control comes via CV/Gate only. It came with a 155 page text book, overlay sheets, interface charts and a book of 50 patches.

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