BBC: OMD play live for Weekend Wogan
Terry is joined by OMD in the studio to play live.
Tracklisting:
– Dresden
– Enola Gay
Available since: Monday
4 weeks left to listen
Enjoy 
Tutorial: Netsky Style Drums (Drum and Bass Drums)
Want to create a fat, punchy Drum and Bass break? Then this new video tutorial from Dorincourt is one to watch! Some great tips on drum processing and mixing.
PPG WaveGenerator Editing Tutorial From Wolfgang Palm
Wolfgang Palm shows how to edit a sound in PPG WaveGenerator for iPad.
For more information visit http://wolfgangpalm.com
Product description:
The PPG WaveGenerator comes with a multitude of wavetables. The sound material contains the typical sounds from the original PPG wave models, as well as many new sounds generated by versatile analysis tools and also hand edited waves.
This app enables the user, to create his own wavetables in a playful way, and to hear the result immediately. Also you can construct the waves by adding harmonics very precise.
Another way is to transform a picture into a wavetable. You can load photos from your album or even shoot a picture with the camera.
The waves are collected in a grid of 256 fields, to which the 3 oscillators of the synthesizer have arbitrary and independent access.
In a 3D display you get a visual impression on how the sound evolves. You can turn around the 3D object and zoom in and out,
The Parameters of the synthesizer are divided into modules, which allows easy, yet powerful editing.
It contains 3 oscillators with independent control of pitch and waveform. Each oscillator has its own glide, which gives a very dynamic sound.
With a sophisticated routing system, the diverse modulation sources can be connected to all important control points.
The keyboard is configurable totally freely, so you can setup all well-known musical scales, but also all imaginable custom scales that best fit into your music.
PPG WaveGenerator benefits all advantages of the iPad, like X/Y control after the key on event, or two finder gestures for spectrum control. After a key is hit, the tone may be modified and modulated in various ways, just by moving your finger.
A comfortable browser lets you sort the sound programs; you can categorize and rate them. Also complete custom sound banks may be created.
All significant parameters are controllable via MIDI.
There is a built in context specific help for all pages and modules.
MS20 Mini Q&A Session
Sonic’s full review is here http://www.youtube.com/watch?v=QQ_Q1Q…
but Sonic has also invited live viewers to join them and the MS20 Mini synthesizer from Korg and ask any additional questions that weren’t answered in the full review.
KORG’s background info on the machine:
An analog synthesizer featuring the original circuitry from 1978
Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, or the iMS-20 iPad app.
Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original.
The MS-20 mini will amaze you with its absolutely authentic analog synth sound.
Comments from the developers
Fifty years have passed since Korg was founded, and we have once again put our hand to an analog synthesizer. We took particular care to deliver smooth parameter adjustments, which are a distinctive feature of analog synthesizers. We also took special care to completely reproduce the original specifications of the MS-20. The analog circuits we designed 35 years ago still deliver the same unbeatable, powerful sound, from the ultra-low to the ultra-high range.
Korg Kronos X Demo with Rich Formidoni
Rich Formidoni from Korg demonstrates the Kronos X
Product description:
With the X Korg have kept the same physical design (with the addition of an X next to Kronos logo) but under the bonnet you have 2GB of available sampling RAM (3GB total) and a doubled SSD capacity of 62 GB for massive sound library expansions. Of course the Korg Kronos X also comes preloaded with the latest operating system, Kronos OS v2.0.
In addition to these extras taking it to the next level everything that made the original such an incredibly powerful live performance and production synthesiser is still in place with the Korg Kronos X.
Each of the nine sound engines that have been crammed into the Korg Kronos X could actually be a standalone product. Everything is there from classic instruments to unique sounds; each with their own set of parameters and functions.
Here’s what you’re getting: SGX-1 Premium Piano, EP-1 MDS Electric Piano, CX-3 Tonewheel Organ, HD-1 High Definition Synthesizer, AL-1 Analog Synthesizer, MS-20EX Legacy Analog Collection, PolysixEX Legacy Analog Collection, MOD-7 Waveshaping VPM Synthesizer, STR-1 Plucked String Synthesizer.
Teaser demo of Repeat Reason Rack Extension
This is a demo and beta call for a new Reason Rack Extension called Repeat. It’s a real-time, 4 channel, first-loop enabled looper.
Exclusive interview with Peter Vogel – the man behind the Fairlight CMI synth
Synth designer Peter Vogel, creator of the groundbreaking Fairlight CMI synthesizer, is featured in a new article in Australia’s Sydney Morning Herald. Along with the print article, there is also a short video, embedded above, about the Fairlight and its influence on popular music since its debut in 1979.
For a certain kind of music nerd, or a music nerd of a certain age, Australian Peter Vogel is a messiah figure. To them, he is the ”man who changed the world”.
With an old school friend called Kim Ryrie, Vogel invented a strange and important musical instrument (of sorts) called the Fairlight in 1979. The ungainly keyboard, huge processor and clunky old green-screen monitor was hailed as the world’s first sampler – a digital sampling synthesiser.
Its full name was the Fairlight CMI, with those letters standing for ”computer musical instrument”. The pair developed it in Ryrie’s grandmother’s house in Point Piper, Sydney. And it was popularised by the household names of international pop music through the 1980s: Peter Gabriel, Duran Duran, Devo.
Full article can be found here >>
KOMA Elektronik Office test: KORG Volca Series with KOMA Pedals
KORG’s developer Tatsuya Takahashi, maker of the Monotron Series and more recently the Volca Series, dropped by the KOMA offices in Berlin for some chatting about analog gear and to show his new -awesome- machines…
We decided to hook it all up and jam a little bit…
More information on the KORG Volca Series: http://www.korg.com/volcaseries
More information on the KOMA Elektronik products: http://www.koma-elektronik.com
Like us on Facebook: http://www.facebook.com/KOMAelektronik
Analog Hard Disk
Background information about this project can be found here >>
The Roland Juno-6: Introduction
Here is the introduction to a series which depicts the sound and functionality of the Roland Juno-6.
Information about the synth:
The first in a series of amazingly affordable quality synthesizers from Roland’s amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It’s a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage.
The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status!
DATAMASKIN
