MeldaProduction release free MNoiseGenerator
MeldaProduction tell us that MNoiseGenerator is a simple noise generator. It can be used as a testing generator for analyses or, thanks to the integrated modulators, for some creative effects.
Features
- 4 global modulators – in each instance you can have up to 4 fully-featured modulators that can modulate any set of parameters including other modulators! In this way you can make the sound move in time, be less static and more interesting. Each modulator works as LFO, follower, midi/audio triggered ADSR envelopes, a pitch detector or even a combination.
- M/S, single channel, up to 8 channels surround processing – our plugins can handle not only mono and stereo signals, but also mono/stereo encoding, separate channels and encodings, and up to 8 channels of surround audio, which makes them ideal for audio production for movies, games etc.
- Extremely advanced and easy-to-use user interface – our products are always designed to enhance the workflow. You can easily change all values, fine-tune each control in multiple ways. Easy orientation in a standardized GUI, textual editing and smooth visualization with almost unlimited zooming are standard in all of our plugins. Moreover our plugins are the world first (and still the only ones), which support resizable and stylable GUI’s.
- MIDI controllers with MIDI learn – you can map any parameter to any MIDI controller or MIDI keyboard and control it realtime or record and automate it.
- Very fast, optimized for SSE and SSE2 processors.
- Global preset management and online preset exchange – using a title button you can save your settings (which are shared on the computer) so you can easily access these in other songs. Moreover all plugins can automatically share your presets and download presets of other users from our servers (if this feature is enabled). We are building a community and you can be a part of it!
- Fully automatable.
Pricing and Availability:
Free download.
More information:
LinComp – Nice new linear phase multiband mastering compressor
DDMF has released LinComp, a new linear phase multiband mastering compressor plug-in for 32- and 64-bit Windows and Mac OS X in VST and AU effect plug-in formats. It costs $29.
LinComp is a linear phase multiband compressor, a tool that belongs in every mastering chain. Multiband compression allows you to take care of the levels and response times of four frequency bands independently, and the linear phase crossover guarantee that all this happens with no damage done to the audio whatsoever.
Independent threshold, attack, release, ratio and gain controls as well as master faders for simultaneous control let you sculpt the dynamics of your tracks in any way imaginable. Select the compression type by switching between hard and soft knee, use LinComp as a brickwall limiter with the built-in clipping function, and do A/B tests to find out the optimal setting.
Focus on the The Alterator v1.0 with Max for Live
AVAILABLE: http://designthemedia.com/products/file/11-the-alterator for 4.99€ only!
This Max for Live device is an audio effect combining a pure raw comb filter with a kind of sound degrader.
It can be used for rythmic, but for melody processing too.
Features
– raw comb filter
– LFO modulation of the comb filter
– sound degrader (bit resolution + sample rate)
Requirements
– Max for Live (5.1.9)
– Ableton Live (8.2.6)
Derek Buddemeyer demo Phrase Sampler in JamUp
Derek, (Hangnail Guitars), shows a demonstration of JamUp PRO by PositiveGrid with a few amp models/effects and overdub capabilities of the phrase sampler.
Available in the iTunes App-Store!
http://www.positivegrid.com/jamup/
JamUp is a guitar/bass multi-effect app, gives you a load of authentic guitar tones, sound-on-sound looping and 30+ modules right on your iPad and iPhone!
Powered by the newly developed multi-stage MESH Modeling engine, JamUp includes 6 historic amp models and 6 matched convolution speaker models, comes with classic and fuzzy stomp, spring and digital reverb, tangy modulations, tape and digital delays, filter, compressor, noise gate and other essentials.
JamUp is born with great “play alone” capabilities. The phrase sampler can capture loops and riffs and create instant sound-on-sound overdubs, it’s the easiest way to create a one-person-band sound in minutes. With the Jam Player, you can play along with any tracks from your iTunes library, plus, you can easily create a loop and control the tempo and pitch with built-in high fidelity time stretching engine.
Ursa Major Space Station
The Space Station, or SST-282, was described as a “reverberation effect.” It could apparently get reverb times of up to 3.5 seconds. This may not seem like a particularly long time by modern standards, but it was a huge achievement given the architecture that was used. In the SST-282, the reverb effect was obtained by using a single delay line, with 15 output taps from the delay buffer summed and used for feedback, and an additional 8 taps used to monitor the delay line. Multitap delay lines such as this, where several taps are summed and used for feedback, can quickly reach a high reflection density. However, they are notoriously unstable, with the maximum feedback gain being allowed under conventional circumstances being equal to 1 divided by the number out output taps.
The heart of the new Space Station is a single 140MHz Motorola DSP chip programmed with faithful recreations of the original Space Station’s algorithms, some updated versions, plus the new Room reverb. The unique aspect, though, is that the unit is packaged in a slim panel with wooden side cheeks, which is designed to sit on a desk. It measures just 165 x 127 x 150mm (hwd) and weighs next to nothing, with a four-metre connecting cable which terminates in a pair of XLR connectors and a compact universal mains power supply. The latter accepts the usual IEC mains lead and operates on AC voltages from 90V to 260V, consuming less than one Watt of power.
Audio connections are provided only in digital form, with stereo AES input and output provided on flying XLR connectors. The SST206 is a stereo output device, like the original, but where it differs is that it accepts a stereo source where the original was a mono-input device. However, the stereo input is a convenient by-product of adopting the AES input format, and the stereo input is summed to mono to feed the delay/reverb processor. A dedicated Dry Level control allows a percentage of the stereo source signal to be passed through to the stereo outputs, if required.
The unit is optimised for use at a 48kHz sampling rate with 24-bit resolution. It will also operate happily at 44.1kHz and even 32kHz — although the control calibration will be inaccurate at these lower sample rates since the delay and decay times are related to the sampling rate. Similarly, it can also be used at 88.2kHz and 96kHz (but only with the SST Reverb and Echo programs), with proportionally shorter delay and decay times again.
Reaktor Monolite 1.0
Experimental noise/drone/fx generator
Purchase it for 10€ here >>
Technical info:
4 sine oscillators +
tone cut filter + soft clipper saturation +
grainer unit (granular processing) +
fx unit with 17 different effects +
automizable X-Y controller for fx +
high-quality reverb.
Stylophone Effects
Here is a demonstration of how you can use the Looper in the Eventide TimeFactor, along with the Octaver, Crystals, Harpeggiator, and H910 H949 effects in the Eventide PitchFactor, to create lots of unique sounds from only a few notes. For more info visit
http://Eventide.com/AudioDivision.aspx
Modulating Apple Logic with MidiShaper
An introduction on how to use MidiShaper to modulate Apple Logic. See also http://www.cableguys.de/midi-shaper.html
MidiShaper brings Curve’s flexible yet powerful LFOs and envelopes to all your favorite synthesizers and effects.
Four LFOs and four envelope generators work together in a sophisticated modulations matrix that can be set up to output modulated pitch, modwheel, channel aftertouch or any MIDI control messages.
MidiShaper’s LFOs can run infinitely or be retriggered, synced to your host sequencer from a buzzy 1/128 to an expansive 32 bars, set to the played note, or run from 0.02 Hz up to the audible range and brain frequency. Like Curve, MidiShaper features completely editable waveforms for its LFOs.
If your plugin or host sequencer allows for MIDI control, you have a great tool at hand to create vivid, inspiring sounds and bring the flexibility of Curve to your favorite software plugins, hardware synthesizers, MIDI VJ tools, lighting consoles and 1980’s MIDI keyboards.
Introducing the Degrade bit crusher
A Bit Crushing tool for audio. Also has a built-in filter.
Download here: http://tinyurl.com/6babcsp (Mac Only)
Get your weapons ready! – Medieval times are here in music making
Boom Library has released Medieval Weapons, a collection of construction kits and designed sound effects.
It’s done. Get ready to unleash an epic battle and blow away your audience. With our “MEDIEVAL WEAPONS” sound effects library, you get a fascinating collection of bone-crushing hammer impacts, deadly sword hits, wall-tearing catapult shots, bows and arrows, armor impacts and much more to design an incomparable medieval soundscape.
This collection comes as a CONSTRUCTION KIT with 4500+ high quality source sounds (96 kHz/24-bit) and as a DESIGNED edition with 500+ predesigned, “ready to use” sounds (96 kHz/24-bit). Berserkers and Warlords get the BUNDLE.
Medieval Weapons is available to purchase for 149 EUR (Construction Kit) / 99 EUR (Designed). A bundle of both packs is 199 EUR.
Get a 15% Early Bird Discount with the code: BOOM-MEDIEVAL
Medieval Weapons by BOOM Library
DATAMASKIN
