Pioneer DJ – An Evolution

September 4, 2012 · Posted in Uncategorized · Comments Off on Pioneer DJ – An Evolution 

Full Details and Performances with Kissy Sellout, Laidback Luke and Eats Everything on 06 September 2012.

Real mobile music studio :: test jam!

August 30, 2012 · Posted in Uncategorized · Comments Off on Real mobile music studio :: test jam! 

Background information:

welcome to my house/mobile studio! just giving her a test jam out! :) hope you enjoy! Everything played live and fully improvised, no sequencing or loops were used.
http://www.noisyvagabond.com

Korg Radias – ‘The Calling’

August 25, 2012 · Posted in Uncategorized · Comments Off on Korg Radias – ‘The Calling’ 

A piece sequenced and performed entirely on the Korg Radias and recorded live into Logic Pro 9. Added some Echo using the Delay designer. All other effects are on the Korg Radias – Stereo Phaser on both Bass and Pads. Drums and Bass Line Sequenced on the Radias, Arpeggiator also used on Arp Saws.

“Fashioned on one of my idols Jean Michele Jarre, just in case you were wondering. Bass Sequence and sound programmed by me, all other sounds are from the presets, with a tweak here and there.”

BUCHLA BOYS Live at Norbergfestival 2012

August 3, 2012 · Posted in Uncategorized · Comments Off on BUCHLA BOYS Live at Norbergfestival 2012 

Excerpt from the show at Norbergfestival 2012 held in Norberg, Sweden on July 27th with audio in quadraphonic surround.

Buchla Boys are David Sabel and Niklas Sjösvärd, and they’re performing on a 1980’s 5-panel Serge and a 18-size Buchla 200e, both belonging to the Lindblad Studios at the Academy of Music and Drama in Gothenburg. Filmed by Palle Dahlstedt.

MIDI MuRF/Koushion Jam

July 30, 2012 · Posted in Uncategorized · Comments Off on MIDI MuRF/Koushion Jam 

Koushion-controlled Moog MIDI MuRF and Yamaha MO8 synced to Ableton’s clock with some additional synthage thrown in. Proof-of-concept, not a “serious” performance.

Learn more at www.experimentalsynth.com

After The Rain – live performance with modular synths

July 27, 2012 · Posted in Uncategorized · Comments Off on After The Rain – live performance with modular synths 

After The Rain is the inaugural live performance by Ian Boddy in Berlin featuring Serge modular synthesizer.

After The Rain by Ian Boddy
DiNDDL13

Many consider Berlin to be the birthplace of the 1970’s electronic music movement that has proved so influential to the development of a myriad of electronica musicians, both past and present. So when Boddy got the opportunity to play an experimental set at the Electricity series of concerts held in the Lichtblick-Kino in this famous city, he jumped at the chance.

His musical heritage is shaped very much by the analogue modular synthesisers available to him in the late 70’s, when he first started to compose and release music. Over the last 12 months he has been expanding his arsenal of such instruments with a Serge modular system. This beautiful instrument, whilst not as famous as, for instance, the Moog modulars he uses with Mark Shreeve in his ARC project, have many unique features and an incredibly rich and varied sonic palette. Boddy was able to borrow a 3-panel system in Berlin and in combination with pre-prepared Serge soundscapes in Ableton Live, live minimal keyboard tones and random transmissions from a long wave radio, he was able to weave a mesmerising series of evolving sonic landscapes.

The music is split into two long, improvised sets with the first one “The Final Transmission” running to 25 minutes in length. Soft ethereal tones give way to a wash of distant wind and radio interference overlaid with shimmering textures in a wholetone scale. Subsiding to a gentle calm of snatched radio voices, a rising arpeggiated theme creeps in from the background. This builds into a cascade of bright, crystalline modulations before being subsumed by a monolithic bass drone slab that sees out this set with vast sliding tones.

The second set runs to 40 minutes and is the title track “After The Rain”. Delicate, soft notes slowly evolve into a great sheet of sound in an unsettling diminished scale that gradually builds in intensity. This segues into a gentle field of ambient plucked tones and arpeggios, giving some respite before a sea of electronics takes over the scene. An intense section of brooding, dark electronica finally breaks into a pounding rhythm for the final section of this epic set. Bouncing bass notes, crazy modulations and sheets of radio static bring the concert to an exhilarating climax.

This is certainly one of Boddy’s more abstract performances of recent years and showcases his talent for improvising engaging electronic soundscapes. Released on the DiNDDL download label the release comes with a selection of bonus material including concert posters & photos, video and demo tracks.

Buy the full album inc. bonus material from http://dinrecords.bandcamp.com/album/after-the-rain-dinddl13

More information at http://www.din.org.uk/din/node/447

Olympics and London – live projection mapping multimedia mashup

July 25, 2012 · Posted in Uncategorized · Comments Off on Olympics and London – live projection mapping multimedia mashup 

26 Video Live Projection Mapping Mashup
Using some of our favourite London musicians, films and TV shows.

“Today we released our new London themed projection mapping mashup,” says Evans-Roberts. “We used Ableton Live with Max for Live, and Akai APC40, Resolume Arena, MadMapper, two projectors and three laptops for the performance.”

You can download the mashup via Ithaca Audio on Facebook.

Check it out and let us know what you think of it!

Media Sources:

  • Eurythmics – Winston’s diary (1984)
  • Night and the City
  • Mary Poppins – Stay awake
  • Queen – A kind of magic
  • Amy Winehouse – You know I’m no good
  • The Who – Baba O’Riley
  • Blur – Song 2
  • Amy Winehouse – Stronger than me
  • Jamiroquai – Deeper underground
  • Dizzee Rascal – Fix up, look sharp
  • Quincy Jones – It’s caper time (self preservations society)
  • Adele – Rumor has it
  • John Murphy – 28 days later
  • Led Zepplin – Whole lotta love
  • Faithless – Insomnia
  • Florence & the Machine – You got the love
  • The Clash – London calling
  • Eastenders
  • Queen – We are the champions
  • Dizzee Rascal – Bonkers
  • Klint – Diamond (Snatch)
  • The Kinks – You really got me
  • Are you being served
  • Only fools and horses
  • Queen – Another one bites the dust
  • The Rolling Stones – Gimme Shelter

Nuendo Live – the DAW for recording live performances has now been released

July 17, 2012 · Posted in Uncategorized · Comments Off on Nuendo Live – the DAW for recording live performances has now been released 

Steinberg has announced the immediate availability of Nuendo Live, a new version of Nuendo, designed specifically for multitrack recording live performances.

Nuendo Live offers a single-window user interface, designed to let you focus on recording. Transport control, marker insertion and recording options can be accessed with just one click. And a convenient Record Panel gives you an instant overview of all relevant parameters. Other highlights include on-the-fly session setup, a 60-second pre-record buffer and auto-save functionality.

Features:

  • Advanced live recording system featuring a straightforward single-window operation, a record panel, a pre-record buffer and more
  • Seamless integration with Yamaha CL-series consoles for controlling essential Nuendo Live functions straight from the live console
  • State-of-the-art recording quality based on Steinberg’s award-winning audio engine with up to 192 kHz lets your production stand apart from the competition
  • Nuendo Live Record Panel shows all essential session information at once — creating confidence in demanding live situations
  • Advanced Session Management with auto-naming of recorded files, multiple folder creation, easy-to-use marker track, auto-save and notepad
  • Zero setup time thanks to automatic track creation function that make Nuendo Live record-ready in less than a minute
  • 24+ hours recording time thanks to EBU-compliant RIFF 64 broadcast wave format in standard recording mode
  • Virtual Sound Check allows for easy use of previous recordings for sound check, including marker recall and 1:1 output
  • Deliver with confidence due to standardized rendering formats and Nuendo
  • Editing on the road: Nuendo Live includes essential editing functions, making it possible to create a rough edit of the recordings right after the show

Nuendo Live is available now for US $329.

More info here >>

Oxium – new performance soft synth from XILS-lab

July 6, 2012 · Posted in Uncategorized · Comments Off on Oxium – new performance soft synth from XILS-lab 

XILS-lab has introduced a new ‘performance synthesizer’, Oxium, for Mac & WIndows.

Oxium is designed to be a performance oriented synthesizer, offering ‘awesome real time modulations capabilities, allowing you to play a synthesizer in ways you could never have imagined’.

Features:

  • Classic instruments: Use up to 8 Xils-lab thick and musical oscillator wave forms per patch and shape them with the double filter structure. The main unit uses Xilslab 3rd generation zero-delay feedback filter with self-oscillation in each mode while the second offers a vocal formant mode in addition to high-pass, band-pass and low-pass modes.
  • Modern instruments: In addition to the cumulative waveforms LFO there are three D-ADSR envelopes, Oxium includes the Xils-Lab Le Masque modulator, with many additional features. It has now 16 freely drawable zones, horizontal and vertical quantize modes, two level parameters and you can save, load and exchange your patterns.
  • Intuitive User Interface: Oxium interface is based on a new “Flower” design and IVF (Instant Visual Feedback) concept. “Flower” design for the oscillators, filter, LFOs and glide blocks means that you can understand the structure of a whole block after a simple glance (IVF), making Oxium fun, fast and easy to understand and to master. In addition, all the modulations are all handled in a central page, with additional easy knobs, including usual musical gestures per patch.
  • Serial only protected: Oxium is protected by a simple serial, without the need of any hardware dongle or chalenge response.
  • Two skins to fit with your mood

Pricing and availability for Oxium are TBD

More info here >>

Live Looping with a MIDI Fighter 3D and Ableton Live

July 2, 2012 · Posted in Uncategorized · Comments Off on Live Looping with a MIDI Fighter 3D and Ableton Live 

A live looping improv jam performed on a DJ TechTools “MIDI Fighter 3D.” No phrases or pre-reocrded loops were used. Only single notes are being triggered from an instance of NI’s Kontakt for drums, and three separate instances of NI’s Massive for the bass, lead, and polyphonic synth. The bank-select buttons at the top of the unit selects the proper instrument in Ableton Live.

Tilting the unit to the right controls a low-pass filter on the synths. A backward tilt controls the resonance on those filters, and tilting the unit forward controls modulation/vibrato. The side buttons are controlling Ableton’s loopers, and are also used to engage the master filter at the end of the song.

Lemur on the iPad is being used to clear loops and control reverb and delay on all four instruments.

More info on the DJ TechTools MIDI Fighter 3D can found on DJTT’s site: http://store.djtechtools.com/midi-fighter-3d.html

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